Madman

This is my kind of movie. This is a perfect slasher, and its hard to find slashers worth watching. It has blood, gore, crunching of bones, all the elements of a slasher. Beautiful. It only lacks some nudity, but I don't care about that. I like the kind of slashers that can give me a rush from the deaths (I know this sounds freaky), but this is one. This movie was ahead of its time in the slasher history.

A slick attempt at a slasher with very impressive night photography.

Madman Marz, the film's killer, is a local legend made flesh who kills a bunch of wimpy teens and their counselors.

Joe Giannone's direction of the suspense sequences and ground level camerawork is a cut above. The storyline is serviceable but predictable. The acting ain't worth more than a line.

But do check out the film's night photography. Usually I hate night scenes because they're so poorly illuminated. Not so here. Some very stylish set-ups and artful compositions.

Memorable, thumpy score, too.

I think that a complete guide of the slasher subgenre it's almost impossible to write: because of its very simple&cheap formula, a lot of movie have been produced since the beginning of the 80s.

Among these, one of the earliest and most appreciable is MADMAN by Giannone, which is a very honest low-budget flick with some variations from the original (Cunningham's) model and a more fairy-tale oriented atmosphere (the nominal villain really looks like an ogre). Of course, as many other similar features, it has its flaws - acting, for example - but that's not what you seek from such kind of movies. The special effects are pretty well done and they're obtained with very simple solutions. Giannone's style is good, especially in the use of deep focus and the cinematography is genuinely inventive (the green painted leaves!). Eventually, it's better than many others.

Some surprisingly old camp counselors anger legendary ax-murderer, so he makes a successful come-back.

Obvious Friday the 13th knock-off, but hey, it manages to be worth a few laughs. As low-budget as this film is, it does well with what it has, making a fairly good villain and possessing an atmospheric spookiness. Gore-seekers will find plenty of blood flying in this one, the gore FX are pretty nicely done for a low-budgeter. The locations are decent and the electronic music score ain't bad. Dig that clunky theme song!

The films biggest flaw is in its casting. While leads Alexis Dublin (better known as Gaylen Ross) and Tony Fish are OK, the supporting cast are completely awful in their wooden performances. I suppose we're not watching this movie for the acting though.

Still, Madman is an enjoyable tongue-in-cheek slasher movie.

** 1/2 out of ****

This hasn't any originality, but its decently constructed mood of fear and larger-than-life villain makes it one of the best of the many FRIDAY THE 13TH ripoffs of the '80s. A story whispered round a campfire tells of old "Madman Marz", a local farmer who, for no reason at all, went nuts and killed his own family one day. He was caught and done in by a lynch mob but his body disappeared and the locals believe he's still out there somewhere haunting the woods. It is said that if anyone goes near his old empty farmhouse and says his name aloud, the old coot will come out and murder anybody he can get his clawed, wrinkled old hands on. Of course some idiot goes to the property, calls out his name and dares Madman Marz to come kill his fellow campers. Naturally the ornery old reprobate obliges, stomping out of the dark forest growling in rage and armed with various sharp objects to bump off the cast. Madman Marz, a disfigured, overweight old ghoul with a long beard and most of his nose missing, is a frightening creation and the merciless cruelty with which he dispatches innocent bystanders is appropriately shocking. Gaylen Ross of DAWN OF THE DEAD and CREEPSHOW is the main star, billed as Alexis Dubin. Again, there's not much imagination here, but good lighting and professional camerawork keep things watchable and it must be admitted that, in the end, the nice, simple, spooky summertime slasher movie does succeed in being creepy and suspenseful often enough to make it of at least marginal interest. It ain't high art, but it is pretty scary.... and that's what horror movies are supposed to be, right?