VALUTAZIONE IMDb
6,1/10
6588
LA TUA VALUTAZIONE
Tre delle quattro modelle, che hanno subito un intervento di chirurgia plastica da Larry dopo un elenco computerizzato, sono morte.Tre delle quattro modelle, che hanno subito un intervento di chirurgia plastica da Larry dopo un elenco computerizzato, sono morte.Tre delle quattro modelle, che hanno subito un intervento di chirurgia plastica da Larry dopo un elenco computerizzato, sono morte.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Michael Hawkins
- Senator Robert Harrison
- (as Michael Gainsborough)
Donna Kei Benz
- Ellen
- (as Donna Benz)
Terrence E. McNally
- Technician in Scanning Room
- (as Terrence McNally)
Recensioni in evidenza
Dr. Larry Roberts (Albert Finney) is a top Beverly Hills plastic surgeon who finds himself embroiled in a sinister mind-control conspiracy. After three of his patients are killed in suspicious circumstances, Larry takes it upon himself to protect the apparent next victim, Cindy (the beautiful Susan Dey) and also solve the mystery.
Looker' is possibly director Michael Crichton's most criminally underrated film. Admittedly the screenplay often leaves a lot to be desired but the initial premise is both intriguing and fear-provoking. Crichton's script makes some rather fascinating, and in hindsight rather perceptive, comments about how corporations can abuse both the media and the general public simply through the use of television. Towards the end a particularly pertinent speech is made by John Reaston (James Coburn) on how the general public is willing to submit automatically to the enormous power that television possesses. However, much of the power that Looker' could have potentially possessed is lost with poor pacing, inappropriate and unrealistic dialogue and a couple of major plot-holes. In fact, some eminent questions remain unanswered and the movie ends on a sort of anti-climatic note.
Crichton's direction appears to be somewhat disjointed as the pace of the movie alternates constantly. To begin with Looker' has the correct proportion of suspense to action and is quite thrilling to behold. Unfortunately, certain scenes such as a car chase drag on and become somewhat tedious. One particular sequence of events towards the end of the movie drags on for fifteen minutes and while to begin with is compellingly suspenseful, the sequence begins to feel old and certainly spoils what could have been an effective ending. Looker' also suffers from some particular bland performances, particularly from central actor Albert Finney. His performance was predominantly lacklustre and featured uninspired sequences in which Finney would avoid gunfire by unenthusiastically throwing himself across the floor. That being said Finney did seem to fit the role of Larry Roberts and was fairly entertaining to watch. Susan Dey and James Coburn were both enjoyable in their respective roles and one wonders why more was not done with their characters. Had more time been spent trying to develop these characters then maybe something more could have been done with the movie.
Surprisingly, despite all its flaws Looker' is still somewhat compelling. It is certainly not Crichton's best film but is still vastly underrated in my opinion. The opening sequence is suspenseful and intriguing which is occasionally echoed throughout the rest of the movie, though unfortunately not enough. Looker' is blessed with some wickedly delightful black humour, particularly towards the end and a bizarre, yet mesmerizing, electric musical score from Barry de Vorzon. Some fans will be happy to know that there are unnecessary scenes of full frontal nudity, including one from Susan Dey. The humorous overtones of that particular scene undoubtedly shine through. The ideas of hypnotic and subliminal messaging are what make Looker' compelling even though the film is still heavily damaged by the lack of decent characterisation and storytelling. I think Looker' is worth watching but is most certainly not to everyone's taste. My rating for Looker' 6.5/10.
Looker' is possibly director Michael Crichton's most criminally underrated film. Admittedly the screenplay often leaves a lot to be desired but the initial premise is both intriguing and fear-provoking. Crichton's script makes some rather fascinating, and in hindsight rather perceptive, comments about how corporations can abuse both the media and the general public simply through the use of television. Towards the end a particularly pertinent speech is made by John Reaston (James Coburn) on how the general public is willing to submit automatically to the enormous power that television possesses. However, much of the power that Looker' could have potentially possessed is lost with poor pacing, inappropriate and unrealistic dialogue and a couple of major plot-holes. In fact, some eminent questions remain unanswered and the movie ends on a sort of anti-climatic note.
Crichton's direction appears to be somewhat disjointed as the pace of the movie alternates constantly. To begin with Looker' has the correct proportion of suspense to action and is quite thrilling to behold. Unfortunately, certain scenes such as a car chase drag on and become somewhat tedious. One particular sequence of events towards the end of the movie drags on for fifteen minutes and while to begin with is compellingly suspenseful, the sequence begins to feel old and certainly spoils what could have been an effective ending. Looker' also suffers from some particular bland performances, particularly from central actor Albert Finney. His performance was predominantly lacklustre and featured uninspired sequences in which Finney would avoid gunfire by unenthusiastically throwing himself across the floor. That being said Finney did seem to fit the role of Larry Roberts and was fairly entertaining to watch. Susan Dey and James Coburn were both enjoyable in their respective roles and one wonders why more was not done with their characters. Had more time been spent trying to develop these characters then maybe something more could have been done with the movie.
Surprisingly, despite all its flaws Looker' is still somewhat compelling. It is certainly not Crichton's best film but is still vastly underrated in my opinion. The opening sequence is suspenseful and intriguing which is occasionally echoed throughout the rest of the movie, though unfortunately not enough. Looker' is blessed with some wickedly delightful black humour, particularly towards the end and a bizarre, yet mesmerizing, electric musical score from Barry de Vorzon. Some fans will be happy to know that there are unnecessary scenes of full frontal nudity, including one from Susan Dey. The humorous overtones of that particular scene undoubtedly shine through. The ideas of hypnotic and subliminal messaging are what make Looker' compelling even though the film is still heavily damaged by the lack of decent characterisation and storytelling. I think Looker' is worth watching but is most certainly not to everyone's taste. My rating for Looker' 6.5/10.
I first saw this movie on HBO as a child. I couldn't remember the name of th movie or who played in it, but I couldn't get the scene of Albert Finney on the commercial set near the end of the movie out of my mind. After asking around using that scene as my only guide, I was finally able to get someone to tell me.
After watching it again, I was very interested in the movie's plot despite how ridiculous it seemed. For example, why would RI security officers be at the scene of a car accident? Why didn't DMI use computers to generate locations as well as models? Or why did the mustachioed man suddenly remember he had those special glasses in the car chase scene only AFTER being shot by the LOOKER gun? There are others.
But it has it's redeeming qualities as well. The music is captivating and helps to build on the excitement of some of the action scenes. And I don't believe I've seen a more passionate kick to the groin than the one given by Albert Finney. All in all, Looker would probably not stand up next to today's movies, but it has a charm about it. It must have made some kind of impression on me as a child to remain in my head for the past 25 years. Recommended rental. Buy it if you like off-beat, quasi-mainstream movies. I bought it and plan on getting good use out of it. Perfect for unsuspecting house guests.
After watching it again, I was very interested in the movie's plot despite how ridiculous it seemed. For example, why would RI security officers be at the scene of a car accident? Why didn't DMI use computers to generate locations as well as models? Or why did the mustachioed man suddenly remember he had those special glasses in the car chase scene only AFTER being shot by the LOOKER gun? There are others.
But it has it's redeeming qualities as well. The music is captivating and helps to build on the excitement of some of the action scenes. And I don't believe I've seen a more passionate kick to the groin than the one given by Albert Finney. All in all, Looker would probably not stand up next to today's movies, but it has a charm about it. It must have made some kind of impression on me as a child to remain in my head for the past 25 years. Recommended rental. Buy it if you like off-beat, quasi-mainstream movies. I bought it and plan on getting good use out of it. Perfect for unsuspecting house guests.
A plastic surgeon gets suspicious when the police question him about the death of a model he's worked on, and learns that all the models he's worked on who came in with "shopping lists" of miniscule changes that "had to be fixed, so I could be perfect," are dead. Susan Day has just come in with a list of her own, and he decides to keep an eye on her - and learns of a plot to use computer generated images made from detailed electronic measurements of the models to replace live models for commercials and acting. One bonus is about 3 minutes of Susan Day being measured, sans clothing. Let's face it, every boy who grew up watching "The Partridge Family" dreamed of the chance to see her like this! (The nudity is handled tastefully - there's nothing graphic.)
This movie still holds up. I'm incredibly impatient for films to get going. So, this one is a keeper. Truly entertaining from start to finish. Even the theme song is catchy. Visually fun. Well directed.
Mr. Friedman's review says it all. I loved this film when I first saw it and have never forgotten it. The premise includes the notion that, one day, it will be possible for computers to create lifelike images of real people. 20 yrs. later, we're still working on it, but close. Haven't seen it in a long time but remember it was dramatic and well executed. And yes, I'd personally see this film again just for that scene of Susan Dey's gorgeous bod being turned on a pedestal, being laser scanned into a computer.
Lo sapevi?
- QuizThe first ever film to create 3D shading with a computer that produced the first ever CGI human character was the model Cindy (Susan Dey). This movie achieved this feat before Disney's more famous Tron (1982) hit the screens. The Web site Filmsite said of Cindy: "Her digitization was visualized by a computer-generated simulation of her body being scanned--notably the first use of shaded 3D CGI in a feature film. Polygonal models obtained by digitizing a human body were used to render the effects."
- BlooperAt the conference near the end, when Dr. Larry Roberts is disguised as a security guard, during several sequences getting in and out of elevators the wound on the side of his mouth disappears and reappears.
- Citazioni
Cindy Fairmont: Hi. I'm Cindy. I'm the perfect female type: 18 to 25. I'm here to sell for you.
- Versioni alternativeThe broadcast television version contains additional footage, including a scene where Reston (James Coburn) explains to Dr. Roberts (Albert Finney and Cindy ('Susan Dey') why Digital Matrix had the "perfect" models killed.
- ConnessioniFeatured in Overlook Hotel - Stanza 237 (2012)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Looker
- Luoghi delle riprese
- Art Center College of Design, Pasadena, California, Stati Uniti(Interiors and exteriors. As 'Digital Matrix Inc.' headquarters building.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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By what name was Troppo belle per vivere (1981) officially released in India in English?
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