The Knowledge

The Knowledge is a typical British comedy for the period. To someone who is not familiar of the process of becoming a London cabby the film is bound to seem very average with a few laughs from a few old faces.

The Knowledge however comes into its own for Knowledge boys like myself or their wife's who know what these poor individuals are going through. And find yourself comparing incidents of your own to that of the characters.

I must have seen this on the television when it was first broadcast some decades ago. I thought it was brilliant then, and as I remember so much of it now I may have been right. While I have lived in and around London I cannot call myself a Londoner and do not know it at all well - who does other than taxi drivers? Once the viewer understands the premise; that here is a group of men trying to learn the seemingly unlearn-able and rise to the status of demigods, then the rest is sheer joy. The characters are well contrasted, their family relationships are equally diverse, and so differently affected by the events of the film. Don't think this is a documentary - it is pure drama, and The Knowledge is one of the characters. I have never seen anything like this film, before or since. Watch it!

Beautifully written and acted, if you are a Londoner you will recognise all of these characters, if not, just go along for the the ride. You will not be disappointed. One of my favourite TV movies. Classic performances from a stella cast. Enjoy!

The saga of a group of no-hopers trying to do The Knowledge to become London black cab drivers is witty, poignant and hilarious. I did the trip from Manor House Station to Gibson Square when I visited London a few years after this came out, just because. Never mind if you're not a Londoner or even English - I'm not, and that didn't hurt my understanding or enjoyment of the play at all.

I was surprised to see so few comments on what I think is an excellent play, by the very talented Jack Rosenthal.

Non British, and even non-Londoners are unlikely to find much of interest, but anyone who knows the capital well will find this an enjoyable little film.

It concerns a group of Londoners who are all on the same 'knowledge' course, the gruelling test set by the Metropolitan Police which all cabbies must take before they get their coveted 'green badge' or taxi driving licence.

The test involves learning every street and public building within six miles of central London - a massive feat of memory that only 30 per cent of applicants manage to pass. The students must spend every waking hour cycling or motorbiking around London so that they know the city back to front.

It is this challenge that provides the dramatic tension and much of the humour of the play, as the test begins to take over every aspect of the students' lives, and leads their wives and girlfriends to despair.

The tour de force is by the late Nigel Hawthorne, who plays 'Dracula', the extremely strict test examiner, who behaves rudely and oddly to try to simulate the difficulties the drivers will experience when in their taxis.

Mr Rosenthal's light touch on the big issues of life is much missed in our present era of earnest, heavy handed drama, and the film is also a delightful period piece showing a London which in many respects has not changed to this day, but in other respects could almost be in the nineteenth century.