Virus

.. is good and bad. The acting, bad. Script, bad. But I give it credit for one thing; zombies. Yes, the make up was horrible, but this movie had so many zombies. I loved it when the zombies chased the boat into the window, very cool. This movie is just fun to watch. I laugh at the stock footage and some of the acting, but I must admit i wish more movies like this would be made in the new millienium.

7/10

When I first saw HoTLD, I was about 7 years old when my sister's boyfriend rented it on VHS, oh those good old days of the VCR era. So after watching it on a Friday night, I have to admit that it scared the living hell out of me. There was something about it that terrified me, maybe the grainy look or the ominous music or the gory zombie scenes, but whatever it was I couldn't sleep for days. Back in 1997 I found a copy on the now late Suncoast video store and without thinking it twice, I bought it. Has it ever happened to you that when you're a kid and you see a movie and you like it to the bone then you see the same movie as an adult and it's a total disappointment? Well, this is one of those cases, heck I even returned the movie. So I Haven't seen it since then until just a few weeks ago a friend of mine gave me his collection of cheap zombie flicks from the 80s and there it was "Hell of the Living Dead."

The story takes place somewhere in New Guinea where a research facility called "Hope" is developing some type of chemical that accidentally leaks out thanks to an infected rat turning most of the scientist into flesh eating zombies and the others into their happy meals. Meanwhile, somewhere else, a team of trigger happy commandos are sent to stop a group of environmental terrorist that have taken hostage an American Embassy, I think it was the American Embassy, and are demanding that all the Hope facilities be shutdown. The team storms the embassy eliminating the entire terrorists without much effort but not before the leader of the group says his last prophetic words about them being devoured or something like that. Then that same team of commandos is sent to New Guinea where they meet a group of reporters investigating, God knows what. There they find that the world has been overrun by zombies as they make their way to the Hope facility to find the answer of this Virus.

What makes this movie so memorable is not the story or the F/X nor the acting, but the amount of material they ripped-off from the much superior Romero's Dawn of the Dead. Director Bruno Mattei, who credited himself as Vincent Dawn, shamelessly used the same type of uniforms used by the SWAT team in DoTD for the team of commandos in HoTLD, and even the same gas masks. But if that wasn't enough, he used the exact same music composed by Goblin for DoTD without their permission. Also Mattei used a lot of old wildlife and news stock footage that didn't fit the scenes or the story. The script is incoherent at worst and the zombie scenes are totally illogical to idiotic. There's even a guy who dresses up in a tutu and starts dancing while a horde of zombies storms the room, but most idiotic is when the ultra slow zombies approach their victims, they just stand there screaming. Although I have to say, the beginning is gory and entertaining, but after the embassy scene, the movie pretty much goes downhill from there.

Okay, I'm not going to lie. It was a guilty pleasure to watch this retro junk again after so long and even with all its atrocities, it deserves some level of merit and it does delivers some horror value, well at least when it was released back in the 80s. Interesting note is that this movie has many different titles such as Virus, Night of the Zombies, Zombie Creeping Flesh and of course, the ultra generic title Hell of the Living Dead. So, if you haven't seen HoTLD and you don't mind the trashy story, the DoTD rip-off or the lame stock footage then you should check it out, at least for the gore.

I've seen quite a few zombie movies over the years and I have to say that the european ones are the best. The gore effects in these movies are very realistic and provide quite a few scares and Night of the Zombies is no exception.The gore effects and storyline are good and is what I expected from this type of movie, but what I didn't expect was the overlong use of stock footage from a National Geographic special which was not only unnecessary but very annoying and the dubbing could also have been handled better, but overall not a bad movie storywise. Just remember to keep the VCR remote close so you can fast forward the stock footage.

MY RATTING 7/10

This low-budget terror motion picture deals with a group formed by a four-man commando squad who run into a pack of natives terrorizing island of Papua . After a chemical leak at the Hope Centre in New Guinea , an enterprise devoted to feeding underdeveloped countries, turns its staff into flesh-eating zombies , there a special force led by Mike London (Jose Gras 0r Robert O'Neil) are sent to investigate it . They run into a TV news crew led by celebrity journalist (Evelyn Newton) , who are after the same news . As a female reporter and her cameraman boyfriend team up with a four-man commando unit in the New Guinea jungle whom are fighting flesh-eating zombies . Then , the group discovers that the entire country has been overrun by zombies .

Gory, gruesome , pretty repellent , and ghastly cannibal feast in which the stumbling flesh-eating stiffs and can be only destroyed by fire in the head . Unrelenting shock-feast plenty of disturbing images laced with brief touches of black humor . Army of Zombies appearance roaming the countryside , village and some people besieged inside a mansion and a factory deliver the goods , enough to be interesting . Bruno Mattei's main great success is regularly directed with startling visual content and acceptable production by Jose Maria Cunilles , also producing to Mattei and Fragasso a pair of "spaghetti westerns" titled ¨Scalps¨ and ¨Apache Kid¨ ; furthermore special mention to filthy make-up by the craftsman Giuseppe Ferranti. In the first draft, Claudio Fragasso had followed the idea of an entire Third World made up of an army of zombies against whom the armed forces of the industrialized nations would have had to fight. However, the script had to be altered considerably due to budget limitations. This frightening movie is plenty of thrills , chills, body-count executed by the eerie Zombies and photographed in pallid color with lurid images and passable results . Stock footage from the film Nuova Guinea, l'Isola Dei Cannibali was used for the native scenes , it has been recently re-released on DVD as The Real Cannibal Holocaust. This is an ordinary excruciatingly Zombie film where the intrigue , tension , suspense appears threatening and lurking in the sunny outdoors and every room , and corridors from a house , a shack , a native hamlet , jungle and many other places . At the time considered the plus ultra of thoroughly disturbing movie is less stomach-churning by nowadays's standards, yet its fundamental power to thrill remains undiminished. This genuinely frightening story with correct utilization of images-shock is professionally photographed by John Cabrera on location in Barcelona , Catolonia , Spain . Using yet another alias, "Vincent Dawn", Mattei middlingly directed this "Hell of the Living Dead" or ¨Virus¨ , a low-budged zombie picture inspired by other zombie cannibal movies such as Zombi (1978) and Lucio Fulci's Zombie 2 (1979). "Virus" was filmed in Spain and used jungle footage from New Guinea and a patch soundtrack from Goblins "Dawn of the Dead" soundtrack, which was a minor hit in Italy and abroad . ClaudioFragasso, the writer of the screenplay, also directed one half of the movie, he said in an interview .

Mattei directed all kind of genres in low budget and exploitation pictures . He eventually had more pseudonyms than any working director in the world. He returned to editing before making another comeback in 1976 with two low-budget Nazi exploitation films, "Women's Camp 119" and "SS Girls"(1977) . Mattei followed these taboo-breaking films with excursions into porno films and Mondo "shockumentaries", all directed under his many pseudonyms, concentrating on "shock value" with films such as Mondo erotic (1973) and "Libiodomania" . Always on the lookout for new exploitation avenues, Mattei followed with "nunsploitation", with the soft-core sex film La Monaca di Monza (1980) and the violent sex thriller "Guardian of Hell" (1981). Both films involved a partnership with writer/director Claudio Fragasso, who helped him write and direct the back-to-back productions . After directing two women's prison films starring Laura Gemser , Mattei moved to directing sword-and-sorcery flicks , starting with I Sette Magnifici Gadiatori (1983). Both Mattei and Fragasso collaborated on the Sci-Fi/horror flick "Rats " (1984), inspired by the futuristic movies of the early 1980s . Mattei considers this his best work, despite his still having to work with a very low budget. He worked relentlessly through the 1980s, some action flicks and about half of Zombi 3 (1988) after Lucio Fulci was taken off the production, though Mattei was not credited with it.

Rating"Hell of the Living Dead" or "Night of the Zombies" : Passable , this is one more revolting , foul Zombie horror pictures in which the camera stalks in sinister style . It's just one long unrelenting cannibal feast and average budget terror movie that still packs a punch for those who like to be terrorized out their wits.

When someone says a movie is so-bad-it's-good, they usually mean that it's unintentionally comedic. "Virus" is so inept that it is enjoyable in a way it was not intended to be, but it doesn't fit the traditional so-bad-it's-good classification. (Actually, there was one scene in Virus that I thought was really funny. It involves breasts--you'll know it when you see it.) Here's why I liked Virus: all the ridiculousness adds together to form a fascinating and impossibly cohesive whole. The final product is sort of like a surrealist meditation on human insignificance.

The ridiculous, slow, editing; the idiotic behavior of the characters; and the meandering plot combine to make the movie like a sort of gentle nightmare. It's really like nothing else I've ever seen. There are these lazy, extended struggles with zombies where a bunch of guys just stand back and watch nervously. Most of the heroes are soldiers, and there's an officer, but they are all equally helpless and profoundly "alone." There's a laziness to everything that gives the film an appropriate sense of inevitability. The plot is ambiguous, like in a dream. You get a general sense of what's going on but it's also rather aimless, and only when the characters got to their "destination" did I realize that they had any objective at all. The simple beauty of the animal stock footage provides a startling contrast to the bleakness it surrounds.

I don't mean you have to watch it like it's T. S. Eliot and analyze everything you see for meaning. It is, of course, a meaningless mess of incompetence. But if you sit back and just soak it all in, you will find it hypnotic, bleak, and beautiful.