Crazy runners - quei pazzi pazzi sulle autostrade

A notorious big budget flop when released. This Robert Altman inspired comedy has some terrific moments and an occasionally inspired cast. Although it goes on to long an loses its focus completely, there are enough funny moments that will keep a curious viewer watching until the end. If you are a fan of character actors and actresses, this will be a treat for you; you will recognize so many terrific little known performers throughout this movie (you may not know their names, but you know their faces), heck even the kid from A Christmas Story turns up in a small part. Rent if from Netflix, if you read this, I bet you will enjoy it.

VERY memorable comedy. It's fun to watch the many situations develop and finally converge after a long journey on that greatest collection of eclectic humanity (and the world's largest honky-tonk) - the great American Freeway. Like "...mad, mad world" it's got loads of contemporary talent, old-boy politics, good comedic action and dialog. Unlike that one it is the target that seeks, not the unwitting seekers - they have no idea what they really want as they drift along America's great road. Nor does it carry the weight of having a great fall guy who is saved only in the end by a great belly-laugh. But the ending stunt sequence is nothing short of spectacular with excellent film editing, humor and timing, and the big city bank scene is hilarious with very original acting by one very talented character in particular. The total aplomb of the city dwellers in the face of chaos leaves one feeling like the proverbial fly on the ceiling. The slapstick is funny, but Honky Tonk Freeway deserves to be heard and seen closely because it is surprisingly loaded with nuance and character reactions that are easily missed. All in all a very funny reflection of who we were and are, good or bad, and the goofy situations we find ourselves in. It was just meant to be FUNNY and it is!

I think I've been in the movies.

The freeway scenes were filmed in Orlando, on the East-West Expressway (today known as SR 408.) I worked evenings for a bus company on Division St. (about 20 blocks south of downtown) and one summer night in 1980 I got off work about 1 a.m. and took the East-West Expressway home to Goldenrod (on the east side of town.) Back then, the toll was only 25 cents (man!) and it shaved half an hour off your driving time, so I went up Orange Ave., hung a right on Anderson St. and burned rubber up the entrance ramp. There was some guy standing there with a flashlight and he almost jumped out in front of me to get me to stop, but I swung around him and floored it! I thought "who the H*** is that?" as I swung up onto the Expressway at 65 MPH.

Suddenly I realized something funny was going on... the traffic was bunched together in one giant wolf-pack, and the whole pack was only going about 45. Thinking nothing of it, I just started weaving from lane to lane through the pack, still going at least 65, until I popped out the front and left 'em all in the dust.

It was only later that I found out that the cops had closed the expressway for about 2 hours that night so that they could film a scene in Honky Tonk Freeway! (Everybody was driving 45, but the film was sped up later to make it look like 65 or 70.) I busted right into the middle of their scene, and maybe I messed it up! Maybe they had to re-shoot that scene! To the director, I can only say: sorry!

So, if you see a brand-new pastel-blue 1980 Chevrolet Citation notchback coupe in that scene really hauling butt, it was me!

The obsession of modern society with the ownership of a personal automobile is a very appropriate subject for satire. One could consider the role of private vehicles as one of the important elements in population control (although limited in its value by the associated medical costs!). Alternatively one could assess the role of the automobile in the atmospheric pollution that threatens dramatic changes of climate which will have a devastating effect on the lives of all of us; or one could look at the long term impact of more and more fertile agricultural land becoming sterilized by the construction of wide concrete freeways. There is plenty of scope for the inventive film maker to deal with such major themes. Instead most of the films dealing with this issue which have been released so far, raise only such trivial concerns as the infatuation of teenagers with acquiring ownership of their own vehicle, or occasionally with the problems associated with 'driving under the influence'. The film Honky Tonk Freeway is a noble exception to this collection of triviata. In it, the director John Schlesinger takes a long and very devastating look at yet another aspect of the automobile culture, the need for small towns to be closely connected to a major highway network if they are not to just fade away.

The film features Ticklaw, a Florida town that has become largely dependent upon the income brought in by short stay tourists heading towards the nearby coast. A new freeway under construction does not provide a promised access junction and the long term implications for the town are serious. The story line is the series of increasingly dramatic steps taken by the town to ensure that it remains an attractive stopping off point for through travellers. The film is a comedy with an edge and with very sharp characterisation. Unfortunately much of it is overdrawn to the point where it almost becomes pure slapstick, and for me this detracts a lot from the message of the film. However, although overlong, it remains quite enjoyable to watch; and the sequences showing an elephant being trained to waterski to entertain the visitors are almost etched in my memory. This could have been a really great film, but unfortunately much of it was so overdrawn that I can only recognise it as a near miss.

From writer Edward Clinton and director John Schlesinger ("Midnight Cowboy") comes this offbeat collection of character driven vignettes. It's overall quite engaging and it's too bad that the film was a major flop upon its initial release. The cast is excellent and the movie is generally amusing, the kind of thing that should generate some smiles if no outright belly laughs.

The main story thread is that of a tiny Florida town named Ticlaw, whose only real claim to fame that they can make is a safari park (including a water skiing elephant) operated by mayor / entrepreneur Kirby Calo (William Devane). When the government creates a brand spanking new freeway, but neglects to put in an exit leading to Ticlaw, Calo and the various citizens resort to some desperate measures to ensure tourist traffic - such as painting the town pink. As this goes on, we're introduced to an assortment of people who each have their own reasons for travelling to Florida. Among them are a pair of bank robbers (George Dzundza and Joe Grifasi), a waitress transporting her mothers' ashes (Beverly D'Angelo) and a copy machine repairman / wannabe children's' book author (Beau Bridges), a veteran nun and a novice one (Geraldine Page and Deborah Rush), a dentist and his family (Howard Hesseman, Teri Garr, Jenn Thompson and Peter Billingsley) in an RV, an old ad man and his alcoholic wife (Hume Cronyn and Jessica Tandy) and a truck driver & wannabe country & western songwriter (Paul Jabara, who does co-write some of the songs for the soundtrack).

One of the delights here is in checking out a cast just FULL of familiar faces - in addition to those mentioned, David Rasche, Daniel Stern, Celia Weston, Frances Lee McCain, Jerry Hardin, John Ashton, Frances Bay, Nancy Parsons, Leo Burmester, Jeffrey Combs, and an uncredited Anne Ramsey all turn up as well. There are enough lively and amusing moments to make for decent entertainment, as well as an ingratiating mixture of satire and slapstick. Schlesinger proves himself quite capable of handling comedy on a grand scale and keeps things interesting throughout, allowing the large cast time to create some memorable and endearing characters. While watching, the viewer will be intrigued to see how all of these people will meet, and what their fates will be. Plus, you just can't help but root for Calo and his crazy comrades, no matter what their methods might be.

Overall, "Honky Tonk Freeway" is good fun, is punctuated by some catchy songs, and has enough spirit to make it watchable for a decently paced 107 minutes. Another review here describes it as "Hal Needham meets Robert Altman", which is a very good way to put it indeed. Hopefully more comedy fans can discover it and lift it out of obscurity.

Seven out of 10.