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IMDbPro

Heavy Metal

  • 1981
  • VM14
  • 1h 26min
VALUTAZIONE IMDb
6,6/10
40.242
LA TUA VALUTAZIONE
Heavy Metal (1981)
Home Video Trailer from Columbia Pictures
Riproduci trailer1: 17
2 video
99+ foto
Adult AnimationDark ComedyDark FantasyHand-Drawn AnimationAdventureAnimationFantasySci-Fi

Una sfera verde brillante che incarna il male assoluto, terrorizza una giovane ragazza con un'antologia di storie bizzarre e fantastiche di dark fantasy, erotismo e horror.Una sfera verde brillante che incarna il male assoluto, terrorizza una giovane ragazza con un'antologia di storie bizzarre e fantastiche di dark fantasy, erotismo e horror.Una sfera verde brillante che incarna il male assoluto, terrorizza una giovane ragazza con un'antologia di storie bizzarre e fantastiche di dark fantasy, erotismo e horror.

  • Regia
    • Gerald Potterton
    • John Bruno
    • John Halas
  • Sceneggiatura
    • Daniel Goldberg
    • Len Blum
    • Dan O'Bannon
  • Star
    • Richard Romanus
    • John Candy
    • Joe Flaherty
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    40.242
    LA TUA VALUTAZIONE
    • Regia
      • Gerald Potterton
      • John Bruno
      • John Halas
    • Sceneggiatura
      • Daniel Goldberg
      • Len Blum
      • Dan O'Bannon
    • Star
      • Richard Romanus
      • John Candy
      • Joe Flaherty
    • 223Recensioni degli utenti
    • 89Recensioni della critica
    • 51Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 2 candidature totali

    Video2

    Heavy Metal
    Trailer 1:17
    Heavy Metal
    Heavy Metal
    Trailer 1:17
    Heavy Metal
    Heavy Metal
    Trailer 1:17
    Heavy Metal

    Foto202

    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 194
    Visualizza poster

    Interpreti principali32

    Modifica
    Richard Romanus
    Richard Romanus
    • Harry Canyon (segment "Harry Canyon")
    • (voce)
    John Candy
    John Candy
    • Desk Sergeant (segment "Harry Canyon")
    • (voce)
    • …
    Joe Flaherty
    Joe Flaherty
    • Lawyer (segment "Captain Sternn")
    • (voce)
    • …
    Don Francks
    Don Francks
    • Grimaldi (segment "Grimaldi")
    • (voce)
    • …
    Caroline Semple
    • Girl (segment "Grimaldi")
    • (voce)
    Susan Roman
    Susan Roman
    • Girl (segment "Harry Canyon")
    • (voce)
    • …
    Al Waxman
    Al Waxman
    • Rudnick (segment "Harry Canyon")
    • (voce)
    Harvey Atkin
    Harvey Atkin
    • Alien (segment "Harry Canyon")
    • (voce)
    • …
    Glenis Wootton Gross
    • Whore (segment "Harry Canyon")
    • (voce)
    Marilyn Lightstone
    Marilyn Lightstone
    • Whore (segment "Harry Canyon")
    • (voce)
    • …
    Jackie Burroughs
    Jackie Burroughs
    • Katherine (segment "Den")
    • (voce)
    Martin Lavut
    • Ard (segment "Den")
    • (voce)
    August Schellenberg
    August Schellenberg
    • Norl (segment "Den")
    • (voce)
    • …
    John Vernon
    John Vernon
    • Prosecutor (segment "Captain Sternn")
    • (voce)
    Eugene Levy
    Eugene Levy
    • Sternn (segment "Captain Sternn")
    • (voce)
    • …
    Rodger Bumpass
    Rodger Bumpass
    • Hanover Fiste (segment "Captain Sternn")
    • (voce)
    • (as Roger Bumpass)
    • …
    Douglas Kenney
    Douglas Kenney
    • Regolian (segment "Captain Sternn")
    • (voce)
    George Touliatos
    George Touliatos
    • Pilot (segment "B-17")
    • (voce)
    • …
    • Regia
      • Gerald Potterton
      • John Bruno
      • John Halas
    • Sceneggiatura
      • Daniel Goldberg
      • Len Blum
      • Dan O'Bannon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti223

    6,640.2K
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    Recensioni in evidenza

    8SnoopyStyle

    Great animated cult classic

    Grimaldi returns home from a Space Shuttle trip landing his Corvette through the atmosphere. He bring home a present for his daughter, a glowing green orb called the Loc-Nar. It turns out to be a sum of all evil. It disintegrates Grimaldi and shows the little girl how he destroys the lives of people it touches in a series of short stories.

    The animation is dated with the 70s style. The material is violent and full of scantily clad women. It is sexist and juvenile. It just does it with such abandon that it fully develops what it promises. It revels in the big boobs women in tiny outfits and muscle bound men. It's grotesque. It's got good music. It's a cult classic and fully deserves to be.
    grendelkhan

    Fine showcase of a great magazine.

    Heavy Metal, the movie, is great encapsulation of Heavy Metal, the magazine. Heavy Metal was and is an anthology of the best of American and European comic writers and artists. It has carried the work of such masters as Moebius, Druillet, Liberatore, Bernie Wrightson, Howard Chaykin, Walt Simonson, Arthur Sydam, Enki Bilal, Richard Corben and Simon Bisley. The movie adapts some of the great stories from the glory days of the magazine.

    The movie is much like the magazine: a mixed bag of sci-fi, fantasy, horror, comedy, and erotica. Some of it is good, some not. My personal favorites are Harry Canyon, Den, Captain Sternn, B-17, and Tarna. Harry Canyon is a sci-fi tale of thugs, femme fatales, and cynics ala Dashell Hammett and Raymond Chandler, transported to the future. It has been cited as an inspiration for The Fifth Element, by some; but it bears some resemblance to the works of French artist, Moebius, who created designs for The Fifth Element. Moebius also factors into Tarna, as the entire look of this sequence is almost xeroxed from Moebius' Arzach stories.

    Captain Sternn is the anti-hero/criminal from Bernie Wrightson, co-creator of Swamp Thing and illustrator of a beautiful edition of Frankenstein. This is a fun sequence, full of comedy and chaos, much like the Sternn stories. Sternn has more than a slight resemblance to a certain Kryptonian.

    B-17 captures the flavor of the old EC horror comics, like Tales from the Crypt and the Vault of Horror. The sequence features design work from Mike Ploog, a horror comics master and artist of Marvel's Man-Thing. It has a nice creepy, decayed atmosphere and lets the visuals tell the story.

    Den is adapted from Richard Corben's tales. The melon-breasted women that Corben is known for are on fine display here. We also get the humor that also permeates Corben's work. John Candy was quite good here, giving Den the perfect adolescent voice.

    Tarna is the most lush sequence, with sweeping vistas and the use of rotoscoping for the character. It is also quite violent. Again, it owes a great deal to Moebius' Arzach.

    So Beautiful, So Dangerous is pretty forgettable, with juvenile humor and boring animation. Soft Landing is fairly pointless, except to serve as a title sequence. The whole linking device is unnecessary, as the segments bear little relation to one another and are stronger as separate entities. The soundtrack is great, with most pieces capturing the flavor of the animation.

    Ultimately, the uneven stories and lower budget animation holds this movie back. The movie is best viewed as an anthology, rather than a complete story, and with a forgiving eye to the budget. With that said, it's still entertaining and an important work of adult animation.
    8aharmon

    Comic fantasy ... and nothing more

    Trying to con Harry Canyon in futuristic New York City ("big deal"), striking a deal with Den, having sex with a robot (or, as he puts it, using "mechanical assistance"), bribing Hanover Fiste to testify on your behalf in court, praying for Taarna to save you. None of these things have anything in common except for the Loch-nar, a green ball supposedly containing the essence and entirety of evil.

    It doesn't matter if none of this makes complete sense or if it's even that good in terms of plot construction. This is Heavy Metal!

    The concept of this 1981 animated experiment is two-fold: show good and evil in a constant state of flux, and bring to life the richness and erotic energy of the popular animated magazine. Add to that some science fiction, a slight reverence for history (in the beautiful ghoul scene in the WWII B-17) and a juvenile insight into drugs and sex, and you have the definition of my '80s youth culture.

    I was one of those kids who'd sneak an issue of Heavy Metal, found on the magazine stands in the local drug store next to the grocery store where my father did his weekly shopping, inside another magazine and stare at the drawings, looking for some violence and humor ... and naked women with bi g breasts. I did the same thing whenever I got my hands on a National Lampoon and, if I was lucky, Hustler.

    It's pre-pubescence at its hormonal best! And seeing it again as an adult brings all that excitement back to me. Every story, every piece of music ... God, every shot for that matter -- they all bring me back to being 10 years old and wrestling with my older cousin as she tried to block my eyes when the chick Harry Canyon picks up off the street strips and slides into bed with him to the tune of Journey's "Open Arms."

    This movie wasn't meant to be cinematic greatness. It was meant to be a boy's fantasy and his coming of age. Sometimes we take these things too seriously. A good movie is a good movie, and a good memory is a good memory. Let's leave it at that ... and let me get a whiff of that stuff the spaceship pilots have lined along the floor...
    jdjnkns

    Take it for what it is

    Sure, it's not the best animation by today's standards. However, for when it was made the animation was top notch. It does have a great voice cast and the music is great. I graduated highschool in 1991 with long hair down my back. I went to my senior prom wearing a Motley Crue t-shirt--so nothing more to be said. I think anyone like me must appreciate Heavy Metal at least on some level. I also appreciate it for the art work and the small details. Watching a beatiful warrior godess slowly don her ridiculously sexy red outfit before wielding a sword to gut a bunch of mutants--it couldn't get any better. The movie as a whole, a conglomerate of strangley unrelated yet joined stories, makes this movie a cult classic--as true as they come. Perhaps that is what is lacking in Heavy Metal 2000--truely a sad attempt as a sequel, with no potential of ever being a worthy classic to sit on a shelf next to the original. The FAKK sword is the coolest thing about the movie, besides the Simon Beasley cover art. At least I think that's Simon's work and not Royo's--perhaps someone could confirm that. Okay, but not to stray from the topic of Heavy Metal (1981)---take it for what it is--don't over analyze it. Sit back, have a few laughs, poke fun at it, and at the end I think it's worth the watch.
    Helldorado13

    It's my LocNar!

    This movie was great in it's time. I used to see it in the theatre every weekend at the 'midnight movies' we had where I grew up. This movie is fantastic. I watched it last month and it still entertained me. The segment Harry Canyon is IMHO the inspiration for the movie The Fifth Element. The character Bruce Willis plays, the cab he drives and the time period the movie takes place it all scream of Harry. Heavy Metal is not for everyone, and neither is this movie. I loved it. =)

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The home video was removed from circulation for several years because of problems with music licensing - with so many bands and artists on the soundtrack, securing rights to the music proved difficult.
    • Blooper
      The two final scenes of "So Beautiful & So Dangerous" are reversed. The robot and Gloria leave the spaceship onto the space station before the ship lands. If you look closely at the lower right corner of the screen as the ship grinds to a halt in the hangar bay, the escalator ramp used by the robot and the secretary only seconds before is deployed.
    • Citazioni

      Prosecutor: Are you Captain Lincoln F. Sternn?

      Stern: [haughtily] I am.

      Prosecutor: Lincoln Sternn, you stand here accused of 12 counts of murder in the first degree, 14 counts of armed theft of Federation property, 22 counts of piracy in high space, 18 counts of fraud, 37 counts of rape...

      [pauses to check the criminal record]

      Prosecutor: ...and one moving violation. How do you plead?

      Stern: [haughtily] Not guilty.

    • Curiosità sui crediti
      The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo.
    • Versioni alternative
      Because of time constraints, a segment called "Neverwhere Land (1996)" was deleted; in this film, this would have connected "Captain Sternn" to "B-17". The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Corny Cole. The original rough animatics are set to a loop of the beginning of the song "Time" by Pink Floyd. The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included within the bonus features and is dedicated "In memory of Dawn M. Cole - 1931-1985". In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.
    • Connessioni
      Featured in OTT: Episodio #1.8 (1982)
    • Colonne sonore
      Radar Rider
      Performed by Riggs

      Written by Jerry Riggs, Marc Jordan

      Publisher: Mr. Sunshine Inc, BMI

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    Domande frequenti21

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    Dettagli

    Modifica
    • Data di uscita
      • 21 febbraio 1982 (Italia)
    • Paesi di origine
      • Regno Unito
      • Canada
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Universo en fantasía
    • Luoghi delle riprese
      • Inghilterra, Regno Unito
    • Aziende produttrici
      • Columbia Pictures
      • Guardian Trust Company
      • Canadian Film Development Corporation (CFDC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 9.300.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 546.545 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 204.660 USD
      • 10 mar 1996
    • Lordo in tutto il mondo
      • 547.563 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 26 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Stereo
      • Dolby Atmos
      • Dolby Digital
    • Proporzioni
      • 1.37 : 1(original ratio)
      • 1.85 : 1

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