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Heavy Metal

  • 1981
  • VM14
  • 1h 26min
VALUTAZIONE IMDb
6,6/10
40.525
LA TUA VALUTAZIONE
POPOLARITÀ
4272
419
Heavy Metal (1981)
Home Video Trailer from Columbia Pictures
Riproduci trailer1:17
2 video
99+ foto
Animazione disegnata a manoAnimazione per adultiCommedia darkDark fantasyAnimazioneAvventuraFantascienzaFantasia

Una sfera verde brillante che incarna il male assoluto, terrorizza una giovane ragazza con un'antologia di storie bizzarre e fantastiche di dark fantasy, erotismo e horror.Una sfera verde brillante che incarna il male assoluto, terrorizza una giovane ragazza con un'antologia di storie bizzarre e fantastiche di dark fantasy, erotismo e horror.Una sfera verde brillante che incarna il male assoluto, terrorizza una giovane ragazza con un'antologia di storie bizzarre e fantastiche di dark fantasy, erotismo e horror.

  • Regia
    • Gerald Potterton
    • John Bruno
    • John Halas
  • Sceneggiatura
    • Daniel Goldberg
    • Len Blum
    • Dan O'Bannon
  • Star
    • Richard Romanus
    • John Candy
    • Joe Flaherty
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    40.525
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4272
    419
    • Regia
      • Gerald Potterton
      • John Bruno
      • John Halas
    • Sceneggiatura
      • Daniel Goldberg
      • Len Blum
      • Dan O'Bannon
    • Star
      • Richard Romanus
      • John Candy
      • Joe Flaherty
    • 225Recensioni degli utenti
    • 90Recensioni della critica
    • 51Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 2 candidature totali

    Video2

    Heavy Metal
    Trailer 1:17
    Heavy Metal
    Heavy Metal
    Trailer 1:17
    Heavy Metal
    Heavy Metal
    Trailer 1:17
    Heavy Metal

    Foto202

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster
    Visualizza poster
    + 194
    Visualizza poster

    Interpreti principali32

    Modifica
    Richard Romanus
    Richard Romanus
    • Harry Canyon (segment "Harry Canyon")
    • (voce)
    John Candy
    John Candy
    • Desk Sergeant (segment "Harry Canyon")
    • (voce)
    • …
    Joe Flaherty
    Joe Flaherty
    • Lawyer (segment "Captain Sternn")
    • (voce)
    • …
    Don Francks
    Don Francks
    • Grimaldi (segment "Grimaldi")
    • (voce)
    • …
    Caroline Semple
    • Girl (segment "Grimaldi")
    • (voce)
    Susan Roman
    Susan Roman
    • Girl (segment "Harry Canyon")
    • (voce)
    • …
    Al Waxman
    Al Waxman
    • Rudnick (segment "Harry Canyon")
    • (voce)
    Harvey Atkin
    Harvey Atkin
    • Alien (segment "Harry Canyon")
    • (voce)
    • …
    Glenis Wootton Gross
    • Whore (segment "Harry Canyon")
    • (voce)
    Marilyn Lightstone
    Marilyn Lightstone
    • Whore (segment "Harry Canyon")
    • (voce)
    • …
    Jackie Burroughs
    Jackie Burroughs
    • Katherine (segment "Den")
    • (voce)
    Martin Lavut
    • Ard (segment "Den")
    • (voce)
    August Schellenberg
    August Schellenberg
    • Norl (segment "Den")
    • (voce)
    • …
    John Vernon
    John Vernon
    • Prosecutor (segment "Captain Sternn")
    • (voce)
    Eugene Levy
    Eugene Levy
    • Sternn (segment "Captain Sternn")
    • (voce)
    • …
    Rodger Bumpass
    Rodger Bumpass
    • Hanover Fiste (segment "Captain Sternn")
    • (voce)
    • (as Roger Bumpass)
    • …
    Douglas Kenney
    Douglas Kenney
    • Regolian (segment "Captain Sternn")
    • (voce)
    George Touliatos
    George Touliatos
    • Pilot (segment "B-17")
    • (voce)
    • …
    • Regia
      • Gerald Potterton
      • John Bruno
      • John Halas
    • Sceneggiatura
      • Daniel Goldberg
      • Len Blum
      • Dan O'Bannon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti225

    6,640.5K
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    Recensioni in evidenza

    sick_boy420xxx

    TAKE A RIDE...ON HEAVY METAL

    One of my all-time favorite flicks is this animated anthology of stories all bound together by this glowing green "Locnar," an orb of evil unmatched in all of time and space. The animations are terrific: "Harry Canyon" about a futuristic cabbie in NYC, "DEN" about a nerd who is transported to a far off land as a hulking muscleman, "Taarna" about mankinds last stand against the power of the "Locnar," and others. My personal favorite is the short "B-17" about a bomber in WWII and the horrible power of the "Locnar." As I mentioned previously, the animation is spectacular...reminding me of a day when not everything was computer-generated. Features Cheap Trick, Riggs, Nazareth, Black Sabbath, Blue Oyster Cult, Devo and others on the kicking soundtrack. Overall, a classic of the 80's: one that shouldn't be missed at any cost. My Highest Recommendation.
    8name99-92-545389

    Damn!

    I remember when this came out I was maybe 14 years old, and this movie had a legendary status among my crowd (none of whom ever got to see it). And why not, just looking at the poster promises everything to excite a young teenage male, basically a Rock album cover (or DnD book) come to life.

    And it does not disappoint! I had no idea what to expect 40 years later, but I am more than happy with what was delivered - a sequence of loosely connected stories that, in some sense are obvious and unsophisticated, but are all strangely compelling.

    And of course the girls, OMG, the girls. It's probably best I did not see this at 14 because my brain would surely have exploded.

    Yes, sure, we live today in an age on infinite porn, so who cares about these girls? I think this is where some evolutionary psychology can help. Consider your male ancestor; sure there's one module in his brain for actually performing sex, doing the job; and that's the module that's tickled by porn. But there's a different module (I don't want to say more important, let's just say more subtle) that's about the search for a female mate, for the part before the porn kicks in. It is that *that* module that this movie kicks in overdrive and beyond, an on-going stream of "her, no her, no her, no HER HER HER".

    And hell, it even teared me up towards the end. All in all far far better than I expected, and well worth a watch, even two or three.
    Helldorado13

    It's my LocNar!

    This movie was great in it's time. I used to see it in the theatre every weekend at the 'midnight movies' we had where I grew up. This movie is fantastic. I watched it last month and it still entertained me. The segment Harry Canyon is IMHO the inspiration for the movie The Fifth Element. The character Bruce Willis plays, the cab he drives and the time period the movie takes place it all scream of Harry. Heavy Metal is not for everyone, and neither is this movie. I loved it. =)
    10HumanoidOfFlesh

    Cult classic.

    Gerald Potterton's "Heavy Metal" is definitely one of the best animation movies ever made.It has everything:violence,sex,nudity,humor and intelligent story.Great soundtrack by such hard rock/heavy metal groups like Black Sabbath,Nazareth,Devo,Blue Oyster Cult,Journey,Sammy Hagar,Trust,Grand Funk Railroad etc.My favourite segment from "Heavy Metal" is "B-17"-this one is dark,bloody and creepy!My highest recommendation.
    8aharmon

    Comic fantasy ... and nothing more

    Trying to con Harry Canyon in futuristic New York City ("big deal"), striking a deal with Den, having sex with a robot (or, as he puts it, using "mechanical assistance"), bribing Hanover Fiste to testify on your behalf in court, praying for Taarna to save you. None of these things have anything in common except for the Loch-nar, a green ball supposedly containing the essence and entirety of evil.

    It doesn't matter if none of this makes complete sense or if it's even that good in terms of plot construction. This is Heavy Metal!

    The concept of this 1981 animated experiment is two-fold: show good and evil in a constant state of flux, and bring to life the richness and erotic energy of the popular animated magazine. Add to that some science fiction, a slight reverence for history (in the beautiful ghoul scene in the WWII B-17) and a juvenile insight into drugs and sex, and you have the definition of my '80s youth culture.

    I was one of those kids who'd sneak an issue of Heavy Metal, found on the magazine stands in the local drug store next to the grocery store where my father did his weekly shopping, inside another magazine and stare at the drawings, looking for some violence and humor ... and naked women with bi g breasts. I did the same thing whenever I got my hands on a National Lampoon and, if I was lucky, Hustler.

    It's pre-pubescence at its hormonal best! And seeing it again as an adult brings all that excitement back to me. Every story, every piece of music ... God, every shot for that matter -- they all bring me back to being 10 years old and wrestling with my older cousin as she tried to block my eyes when the chick Harry Canyon picks up off the street strips and slides into bed with him to the tune of Journey's "Open Arms."

    This movie wasn't meant to be cinematic greatness. It was meant to be a boy's fantasy and his coming of age. Sometimes we take these things too seriously. A good movie is a good movie, and a good memory is a good memory. Let's leave it at that ... and let me get a whiff of that stuff the spaceship pilots have lined along the floor...

    Interessi correlati

    Jodi Benson, Jason Marin, and Samuel E. Wright in La sirenetta (1989)
    Animazione disegnata a mano
    Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in I Griffin (1999)
    Animazione per adulti
    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Commedia dark
    Doug Jones and Ivana Baquero in Il labirinto del fauno (2006)
    Dark fantasy
    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in La città incantata (2001)
    Animazione
    Still frame
    Avventura
    James Earl Jones and David Prowse in L'Impero colpisce ancora (1980)
    Fantascienza
    Elijah Wood in Il Signore degli Anelli - La compagnia dell'Anello (2001)
    Fantasia

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The home video was removed from circulation for several years because of problems with music licensing - with so many bands and artists on the soundtrack, securing rights to the music proved difficult.
    • Blooper
      The two final scenes of "So Beautiful & So Dangerous" are reversed. The robot and Gloria leave the spaceship onto the space station before the ship lands. If you look closely at the lower right corner of the screen as the ship grinds to a halt in the hangar bay, the escalator ramp used by the robot and the secretary only seconds before is deployed.
    • Citazioni

      Prosecutor: Are you Captain Lincoln F. Sternn?

      Stern: [haughtily] I am.

      Prosecutor: Lincoln Sternn, you stand here accused of 12 counts of murder in the first degree, 14 counts of armed theft of Federation property, 22 counts of piracy in high space, 18 counts of fraud, 37 counts of rape...

      [pauses to check the criminal record]

      Prosecutor: ...and one moving violation. How do you plead?

      Stern: [haughtily] Not guilty.

    • Curiosità sui crediti
      The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo.
    • Versioni alternative
      Because of time constraints, a segment called "Neverwhere Land (1996)" was deleted; in this film, this would have connected "Captain Sternn" to "B-17". The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Corny Cole. The original rough animatics are set to a loop of the beginning of the song "Time" by Pink Floyd. The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included within the bonus features and is dedicated "In memory of Dawn M. Cole - 1931-1985". In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.
    • Connessioni
      Featured in OTT: Episodio #1.8 (1982)
    • Colonne sonore
      Radar Rider
      Performed by Riggs

      Written by Jerry Riggs, Marc Jordan

      Publisher: Mr. Sunshine Inc, BMI

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    Domande frequenti21

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    Dettagli

    Modifica
    • Data di uscita
      • 21 febbraio 1982 (Italia)
    • Paesi di origine
      • Regno Unito
      • Canada
      • Stati Uniti
    • Sito ufficiale
      • Sony Pictures
    • Lingua
      • Inglese
    • Celebre anche come
      • Universo en fantasía
    • Luoghi delle riprese
      • Inghilterra, Regno Unito
    • Aziende produttrici
      • Columbia Pictures
      • Guardian Trust Company
      • Canadian Film Development Corporation (CFDC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 9.300.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 546.545 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 204.660 USD
      • 10 mar 1996
    • Lordo in tutto il mondo
      • 547.563 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 26min(86 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Stereo
      • Dolby Atmos
      • Dolby Digital
    • Proporzioni
      • 1.37 : 1(original ratio)
      • 1.85 : 1

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