La mano

This is an exciting psychological thriller based on the novel by Mark Brandel "The tail of the lizard" , though was consistently underrated by most reviewers . It's a surprising flick and very intriguing whose value more remarkable is the ambiguity that its filmmaker Oliver Stone poses in this . A surreal psycho-horror pastiche in which a famous cartoonist of comics named "Jonathan Lansdale" (Michael Caine) who lives unhappily with his wife (Andrea Marcovicci) loses a hand , being severed in an unfortunate car accident that ends with his career and creates a strong tension in their marriage . Soon after , the hand is on the loose with a mind of its own . As a harrowing nightmare, the lost hand appears seeking out victims , committing atrocious murders with an obsessive revenge.

This first important Oliver Stone film contains chills , thrills , suspenseful and is quite entertaining . It's the first commercial outing in medium budget from Oliver Stone, which was not well received by the criticism at the time. . Stone's sophomore directorial shows us a dense , unique , atmospheric and surreal ambient , where the subjectivity seizes the story . There are times when the film that we question whether what we recount and we see is really the case or any other remedy used to deceive and confuse the spectator . Through the film and gradual manner the story is complicating and becomes increasingly difficult to distinguish reality from fantasy . This theme about a hand on the loose with a a mind on its own is already been seen in former films such as The Hands of Orlac (1924 by Rober Wiene , Mad Love (1934) by Karl Freund with Peter Lorre and Hands of Orlac (1960) by Edmond T Greville with Christopher Lee and Mel Ferrer . First rate acting by Michael Caine as Jon Lansdale , a comic book artist who loses his right hand in a car accident , though Michael said in a TV interview that the only reason he did this film was to earn enough to put a down payment on a new garage he was having built .Oliver Stone initially wanted Jon Voight to play the lead role, but was turned down by him ; Christopher Walken and Dustin Hoffman also declined the role . Very good support cast formed by expert secondary actors such as Bruce McGill , Viveca Lindfords , Rosemary Murphy , among others . Furthermore , a cameo by Oliver Stone as Bum . Colorful cinematography with a right management of the camera by Baggot , as the picture packs a turbid, dark, surreal, disturbing atmosphere . Thrilling and tense musical score by the great James Horner .

The motion picture was professionally directed by Oliver Stone , though usually panned by mostly critics , nowadays is best considered .Stone returning from the Vietnam war did his first film , it was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay. The next seven years saw him direct two films: Mad Man of Martinique (1979) and this The Hand (1981) . He also wrote many screenplays for films such as Midnight express (1978), Conan (1982), and Scarface (1983). Stone won his first Oscar for Midnight express (1978), but his fame was just beginning to show.

As a psychological thriller this actually works. In large part because of Michael Caine. As a B movie about a killer hand or a schizo cartoonist it features Olive Stone's tortured man, driven to ruin by a woman, whose lack of self-knowledge and unchecked rage propel him to violence. I kind of agree with another reviewer's disappointment at the ending not wrapping it up, but The Hand is enough of a thing that I feel neither way about the end. Stone's vitriol for women, a characterization many have stuck on throughout his career, is very apparent here. Caine as Johnathan Lansdale is comfortable in his beautiful country home, crafting a semi-popular syndicated cartoon. But his yogic wife Anne (Andrea Marcovicci) wants to do something with her life and demands a move to NYC. This ends up undoing him, but not before he struggles with having his writing/drawing hand severed. Without saying more, I'd recommend this for Caine's gradual unraveling, an engrossing trip into The Mind and even a good Oliver Stone cameo.

I don't know if I was in a rare forgiving frame of mind but The Hand actually worked for me.

It doesn't go very deep in the psychological department and just about every average viewer can spot the twist but then the end just throws everything out the window and leaves the audience shouting; What the ****!

But it's well acted, especially by Caine who completely earns viewer's sympathy. Writer/director Oliver Stone effortlessly builds up suspense and atmosphere and some scenes here do work really well. Technical aspects are surprisingly well handled and make up effects are gruesome and well done.

While The Hand won't go down as a cinematic masterpiece, it's a solid thriller nonetheless.

Comic strip artist, Jonathan Lansdale (Michael Caine) has it pretty rough. His marriage is falling apart, and an accident leaves him without his drawing hand. Soon, Jon starts losing his mind, suffers from blackouts, and people start dying.

As horror movies go, Director Oliver Stone's THE HAND is rather dull, and could have been at least 20 minutes shorter. Caine is mostly overwrought in a "look-out-I'm-crazy!" sort of way. The movie does get points for ambiguity, leaving it open as to whether Jon is the killer, or his disembodied mitt.

BONUS: Watch for the cross-eyed corpse! You don't see those every day!...

I remember watching this movie soon after it came out and the special effects were not bad for the time period that it came out despite what people say. Remember, Star Wars had only been out a few years by this time. As far as the movie goes, Caine does quite well with his part and the plot is believable in the way Freddie Kruger is believable. If you've seen many "creature" movies, then this one could seem to be predictable and thus lose some of it's "boo" effect. Wait until the end and watch closely. If you've seen this movie you should know what I mean, if not then pay close attention. After seeing that final scene you suddenly realize that maybe all wasn't as it seemed. Go back through this movie and keep in mind that last scene. Suddenly the whole movie transcends the Freddie Kruger believable and becomes in fact quite plausible. It's like watching Star Wars Episode 4 after just watching Episode 3, it all takes on new meaning!