Gregory's Girl

A lot of so called comedies get one or two big laughs in the whole film, often by reaching down for a reference to one or another substance that comes from the human body. Gregory's Girl makes me laugh every few seconds, and the only mention of a bodily excretion I can remember is Andy's "chat up line" in the school cafeteria: "Did you know that when you sneeze, it comes out of your nose at a 100 miles an hour?" Even though I thought I knew all the funny bits after seeing it so many times, each viewing finds me laughing at things I hadn't noticed before, as well as at all the other bits that never seem to grow stale.

There's the occasional Pythonesque line, as the football coach's description of the "two basic skills" of a goal scorer: "Ball control, shooting accuracy, and the ability to read the game." But Forsyth the writer creates a constant stream of little gems that are very much his own style of wry humour, taking real life and stretching it just that little bit further, but not so far that it's no longer recognisable. He's got teenage life down perfectly. Girls talk, plan, and seem to know what they want. Guys are clueless. Guys are obsessed by numbers. But girls know all the best ones.

It's fun to see how comic setups and situations from Gregory's Girl come back in Forsyth's Local Hero ("everyone's second favourite film", as Mark Kermode put it), deeper and more fully developed.

Despite the dated fashions and soundtrack, highly recommended.

Back in the eighties when my family first purchased a (Betamax!) video recorder, I watched this all the time. There's just something about the combination of youngster actors who obviously hadn't come from the usual stage schools, the lines from minor characters that you almost miss the first few times (the school reporter - 'I want to interview you and that girl in 4A who had the triplets' - and so many more!) and just the general surrealism (the penguin wandering around the school must surely have influenced the writers of 'Teachers'?) There's a wealth of bizarre characters, both pupils and staff, and for someone who was 13 when it came out, it will never fail to take me back to those awkward teenage crushes and raise a smile. Well, several smiles actually.

This is one of the funniest and most warm-hearted films ever! John Gordon Sinclair and Dee Hepburn were absolutely wonderful in this story of teenage love and the sudden twists & turns that occur when you think you've met THE ONE, but then someone else...

While I'm sure I was a teenager once (my parents will attest to that), I was never a teenager in Scotland. This film makes me wish I had been.

This unpretentious tale of adolescent adoration (all right, puppy love), is one of the purest, most enjoyable, romance films I have ever seen.

Unlike American cinema where the main characters would be satisfying raging hormonal urges in gratuitously graphic sexual detail, this film by Mr. Forsythe catches the true essence of "young love" by letting the cast be what they are. Simply young people with an awkward sense of decency and a genuine curiosity for the opposite sex.

This is a must see, especially if you ever thought you might have been in love or think you are now.

Try to see the uncut version, as the British film industry has a different sense of 'Family Values' (whatever that is).

I love the secondary sub-plots. So, pay close attention.

Watching 'Gregory's Girl' for the first time in over two decades, one is immediately struck by reminders of when it was made: the grainy film, the dreadful soundtrack, the big hair of both its male and female characters. But one is soon also reminded of why it proved such a massive hit, in spite of it's low budget, unpretentious nature. For at its heart, Bill Forsyth's film captures two eternal realities, the (potentially charming) essential uselessness of a certain sort of teenage male, and the particular uselessness of just about all males when confronted by a sufficiently pretty girl (Dee Hepburn, although Clare Grogan, later a pop star, appears in a secondary role). But the gentle narrative eschews the obvious cliché, and it's also nice to see a story set in a Scottish housing scheme that isn't just a tale of drugs and A.I.D.S. It still feels funny and true after almost thirty years.