Che fatica essere lupi

Aiming at a blend of Airplane! style wackiness and Mel Brooks-a-like angsty spoof, this is almost good - the occasional inspired moment (Werewolf Annoys Community) keeps you watching through the massive swathes of so-so gags, occasional clunkers and habitual dragging out of jokes way beyond their peak. Part so-bad-it's-good, part nearly quite good, and with a typically intense, shouty performance from ace Alan Arkin, this just about scrapes into the Watchable category. Probably a gem to obscure B-horror fans.

A surprising misfire from the usually reliable Larry Cohen (God Told Me Too, Q, etc.), Full Moon High tries so hard to be funny and fails miserably, even with decent turns by Ed McMahon(!) and Kenneth Mars. Alan Arkin looks embarrassed throughout his performance and son Adam simply looks numb. This makes Teen Wolf look like a comedy classic.

One of those films you can guess the entirety of simply from the title, this disjointed movie from Larry Cohen is definitely one of his lesser films. It's kept watchable through the sheer level of gags on offer (often with lots of sight jokes that are very missable if you're not concentrating) although most of the one-liners are excruciating. A better than average cast do their jobs well even though their characters are limited to doing/saying mainly one thing. Sadly the low budget often shows, with the film cutting away from the action on more than one occasion, and also in the ridiculous werewolf makeup which reaches new lows in tackiness (seemingly a riff on I WAS A TEENAGE WEREWOLF's makeup but with hardly the same impact).

Adam Arkin is the good-natured high school boy who is turned into a werewolf while blundering in Romania. From then on, he turns into a wolf basically every night (bizarre moon cycles then) and is stalked by a mystery violinist who pops up at every occasion and quickly becomes repetitive. His mad father (played hilariously by Ed McMahon) believes that a nuclear bomb will explode at any minute and is ready to take refuge in his bunker. An inordinate number of homosexuals are also present at Full Moon High to admire Arkin, giving plenty of room for lots of jokes and laughs in the men's locker room! The film's highlight undeniably has to be a cameo by Arkin's father, Alan, as a loud-mouthed shrink who attempts to make a man stop from committing suicide by hurling abuse at him! Otherwise, this is strictly business as usual, and pretty cheesy in a bad '80s kind of way, complete with absurd fashions and silly dialogue. With only a few funny bits and a lot of complete nonsense, I would recommend this to nostalgia buffs or Cohen fans only.

Yeah....this movie's bad but here's something you have to realize before watching it (and you probably should have while watching it): it's supposed to be. The thing about this movie I guess is that it seems to only be funny to the right people: a) huge werewolf fans and b)people with a really low-brow sense of humor, and I'm proud to say I'm both. Some of the best jokes in this movie were the worst ones, like some of the newspaper headlines ("Werewolf easts Chinese, hungry again 30 minutes later"...please tell me somebody got the double-meaning) or the Romanian woman who reads palms for entertainment (I read 14 last week, I couldn't put one down til I was finished!)

But if you watch it for no other reason, watch for Bob Saget; this is probably the best god damn thing you'll ever see him in.

Larry Cohen's movie "Full Moon High" is one of the more obscure entries on the prolific filmmaker's resume, seldom shown on cable and taking forever to be released on videotape (and to this date has not gotten a DVD release.) It does not take long upon watching it to figure out why it doesn't have a cult following. Now, unlike some of the other IMDb users who have commented on this movie, I *did* find some of the gags in the movie to be amusing, and I thought that Adam Arkin was pretty good in the lead role - you can really see his father Alan in him from his looks to his comic timing. (Alan himself does also appear in the movie, and he's amusing as well.) However, the movie as a whole does not work. While there are some funny moments, most of the gags die upon arrival. The real problem with the movie is that it is really sloppily made. A number of scenes feel unfinished, missing punchlines or simple conclusions. A bigger problem with the script is that there isn't much plot here, with scene after scene with little to nothing advancing things. It does not take long for the movie to become tiring, even though Cohen jam- packs the movie with energy. I think a documentary on what went wrong with this movie would be a lot more entertaining than the movie itself.