Le quattro stagioni

Another film I never get tired of re-watching, THE FOUR SEASONS is an entertaining, albeit predictable comedy-drama about three affluent couples who vacation together, whose perfect circle of friendship is forever altered when one couple decides to divorce and the man tries to bring his new girlfriend into the circle. There is a lot of funny stuff that goes on here and a lot of unpleasant stuff as well, especially the way the circle treats the new girlfriend, but most of it rings true and the emotions expressed among these friends about losing the wife who was rejected for a younger woman, are quite real. My only problem with this film is that all the characters talk like Alan Alda. Yes, Alda wrote and directed the film, but he should have given the characters their own personalities, not his. Alda and Carol Burnett make a very believable long-married couple, Jack and Kate as do Jack Weston and Rita Moreno as Danny and Claudia. Len Cariou makes the most of an unpleasant role as Nick, the husband who divorces his wife (Sandy Dennis, in a lovely and heartbreaking performance)and tries to bring his new girlfriend (Bess Armstrong) into the circle. There is slapstick and sentiment and pathos and I have to admit to cheering the first time I saw the scene where Armstrong tells the group off for treating her like an outsider. It's not Chekhov, but it is a charming film with likable characters, realistic situations, beautiful scenery and a lovely musical score. If you hate Alan Alda, beware.

I was 14 the first time I saw this film in 1981 on HBO. I found it to be a totally engrossing movie that made one actually think about the complexities of life and relationships other than just your typical movie fare of sex and violence. They just don't make movies like this one anymore, and probably never will again (which is sad).

Like Vivaldi's Four Seasons, the cast of characters cover a range of emotions; through anger, grief, and denial of the departure of the spouse of one of the couples who vacation quarterly together and finally acceptance when a new and (younger) addition enters the picture.

The banter between the couples is unusually intelligent, and hysterically funny in some scenes. Jack Weston's character Danny is my favorite. Alda's Jack describes him in one scene as being hypochondriachal, which is the understatement of the year. He seems to feel that he is dying at any given moment of any number of diseases. Death to him is imminent, and his portrayal of this emotion is brilliantly funny because of the sincerity with which he tries to convince the others of the validity of his fears. I loved the scene where he and his wife Claudia have an arguement and she offers up the suggestion once too often that her Italian heritage is the reason for her behavior and Danny cuts loose on her. He gets so into it, that it doesn't seem to matter to the director that he flubbed the line where he's screaming out the window that "I'm sick of your I'm your Italian", when he really meant to say "I'm sick of your I'm Italian". So the scene is left in.

The scene where Jack and Kate laugh their a**e* off on the boat one night while listening to Nick and Ginny having sex is also hysterical.

Really great movie. Highly recommended for people as desperate as I am for some intelligent and thought provoking entertainment.

I actually saw this movie by chance... A friend of mine saw the VHS on a shelf, tucked away in the back of Cinema 1. She pointed it out, and I bought it immediately.

The storyline itself isn't realistic; very rarely would this happen in real life (if ever), but it's touching, funny and brilliantly acted. Alda and Burnette have incredibly great chemistry on-screen. It's a laugh a minute with those two. The characters are so finely drawn with their own little quirks and personalities that it's easy to believe they're real.

The film also shows just how easy it is for something so seemingly trivial can threaten a friendship--- In this case, it was the addition of Ginny.

The seasons seem to perfectly follow the character's moods. During the spring and summer, the atmosphere is pleasant and carefree; nothing can go wrong, the sky is the limit. And as the weather turns colder, the moods follow suit, reaching the `coldest' point during the winter, where their true colours begin to show.

Oddly enough, though I bought the movie to see Alan Alda, Anne Callan (played by Sandy Dennis), turned out to be the highlight of the film for me. In contrast to the ditzy and annoying Ginny, Anne is incredibly witty, albeit a little off-beat and *out there*. She has some hilarious lines, and Dennis delivers them perfectly-"The hell with Nick. Tell him it's a goddamn boa constrictor!" And her wacky memory (for example, remembering the day she got her tooth filled)- Too funny.

Whether or not you're a fan of any of the actors or actresses in this movie, I highly recommend it. You'll fall in love with it.

Alan Alda the actor has come up with a few worthwhile projects over the years as a writer and director. This movie, his feature directorial debut, is quite enjoyable.

Three upper-middle class couples are seen during the four vacations they take annually. They enjoy each others' company, but a fissure in the friendships begins to grows when one man tires of life with his wife and introduces his new, younger girlfriend into the group, and things go from there. Alda manages very successfully the balance between comedy and drama, aided by the excellent cast of veterans. All the principals here (the first seven listed in the credits) do fine work.

Three couples--best friends--are seen on four trips together during the course of a year. Writer-director-star Alan Alda shows a surprisingly stylish eye for the beauty of the changing seasons, and as a writer he knows how to shake off the melodramatic doldrums and be funny, but his sense of style and pacing isn't helped by his need to be educational, to teach us all something about ourselves (this movie hints that maybe he's been in therapy too long). The film isn't whiny, but it has shapeless scenes that are overdrawn--and the longer they go, the more rambling they become. One couple separates and the man brings a new woman into the fold, but his ex-wife (the wonderful Sandy Dennis) is much more interesting and sympathetic than who we're left with. Two college-age daughters are introduced (played by Alda's real-life children), but they don't seem to be familiar with anyone at the table. The final act allows Alda's repressed character to finally react and blow off some steam, yet the responses he elicits (particularly from his wife, Carol Burnett) aren't believable--the characters all sound and act too much like each other for there to be nuances in their reactions. Burnett is tough to get a grip on here, and I don't know if it's the writing or just the tack she's taken here as an actress, but her rigid/passive/supporting-but-unhappy wifey doesn't showcase any particular feeling; Bess Armstrong, as the new friend, doesn't get a good strong scene until almost the end, and that's because Alda enjoys poking fun at her youthful idealism (even at the end, Armstrong is stuck with dippy dialogue like, "I'm going to take a run in the snow!"). The picture was a big hit, and it may spark conversations about friendships and our need to be around what is familiar--even if it nags at us--but Alda doesn't allow for solutions. He wants to create a mess, analyze the mess, and then throw up his hands and say "that's the way life is!" But this reality of his is plastic-coated, with TV-ready dialogue, and while he's an amiable filmmaker, he's never a self-satisfied one. **1/2 from ****