Triade chiama canale 6

Following the success of the classic martial arts crime film, The Octagon, Chuck Norris stars in An Eye for An Eye. This film has Norris as an ex-cop seeking to avenge the death of his partner and his partner's girlfriend. The film has a common anti-drug theme that runs through Chuck's 80's films and the involvement of the Far East underworld. The film is low budget but the action and fighting are good. Norris, by this point, had settled into being a film star and the discomfort sensed when watching older films of his dissipated. The film aged better than Norris's bight red Members Only Jacket. Better than some of the ones to follow.

This was chuck's 2nd best film, Lone Wolf McQuade being his 1st. Chuck just walks through this movie without jumping into any form of acting ability, an ability which he has never had. but what you see a Norris movie for is his Martial Arts, and he delivers here!!! Some great fights (Lots in slow mo) and a great soundtrack. It also boasts one of the worst WAKING UP FROM A NIGHTMARE pieces of acting in the history of film. Mako is great, Christopher Lee doesn't do a lot and Chuck has NO BEARD, which makes him look about 4 (Although that would make him the hairiest 4 year old ever!!!) All in all a great early 80s actioner which is never dull. Chuck Norris should have made all his movies with Steve Carver.

This is probably Chuck Norris' best film. Action, pacing, suspense, and sound track, were all there! The notorious Professor Tanaka was among the best villains to appear in any Chuck Norris film to date. Truly menacing! Well made, great escapist entertainment. Worth viewing if you're in the mood for a fast-paced film with more emphasis on action than plot. If you're not looking for deep subtext, this film delivers!

In my review of Forced Vengeance, I mentioned that there are three looks to Chuck Norris: smooth-faced, moustache, and bearded. I'd call "Forced Vengeance" Moustache-Norris' best, "The Hit-man" Bearded-Norris' best, "The Delta Force" Norris' best in general and "An Eye For An Eye" Smooth-Faced-Norris' Best.

Despite being a sold action movie that is very fun and thrilling, the acting is bad and story is unoriginal. Chuck Norris plays a cop who witnesses his partner being murdered after being set up, quits the force and seek vengeance. There's really nothing more to it than that. And as I mentioned earlier, the acting is bad (for the most part). Chuck Norris is simply a bad actor. I've seen better acting by first-time high schoolers in a drama class. He has gotten better over the years, rising from terrible to just okay. I laughed at Norris during a few parts. Nobody else is necessarily "bad," but everybody really is cheesy. Every martial-arts film is cheesy-as-can-be! Christopher Lee is the only real actor in this that can be taken seriously. But due to an all-around corny movie, it affects him. A movie with good acting was not what they were trying to get at. This is a straight-up action movie that stirs-up smart thrills and excellent action. This features some of Norris' best physical fight scenes and gun fights. Easily top 5 for Norris in terms of action and suspense. The build-up of mayhem and destruction that comes is exciting. Even though its cheesy, its the good kind; the over-the-top, cartoony cheese. There can't be a strong sense of danger and not be thrilling. Actually it can be dull, but this isn't a bad movie. The action is fabulous and danger is lots of fun. Props to Christopher Lee too.

3.5/4

Avemb's "An Eye for an Eye" is an effective martial arts actioner vehicle for the current champ of the genre, Chuck Norris. Helmer Steve Carver mixes a realistic approach with comic strip elements effectively and though results are routine. Pic should please fans of chop-socky.

Norris toplines as a San Francisco cop who quits the force and goes after revenge when his partner and partner's girlfriend are killed by drug traffickers. Aided by his former police boss Capt. Stevens (Richard Roundtree), Norris evens the accounts and takes care of the drug ring.

Making solid atmospheric use of S. F. locations, Carver segues from realistic violence and tension to comic strip hokum in the form of a huge oriental villain (Toru Tanaka), whose menacing antics tip the audience that the film is all in fun. Format has Norris, in traditional Western genre fashion, helped and heckled by an old pro "master" James Chan (Mako), whose wisecracks provide comic relief.

Norris's acting is improving and his balletic fighting and kicking skills remain tops in the field. Chris Lee is fine as an urbane villain, while Maggie Cooper is cute as romantic interest for Norris. Tech credits are good, My review was written in August 1981 after a Midtown Manhattan screening.