Nell'anno 1997 l'isola di Manhattan è stata trasformata in un carcere di massima sicurezza dove, a causa di un dirottamento aereo, il presidente viene preso in ostaggio dai detenuti. Toccher... Leggi tuttoNell'anno 1997 l'isola di Manhattan è stata trasformata in un carcere di massima sicurezza dove, a causa di un dirottamento aereo, il presidente viene preso in ostaggio dai detenuti. Toccherà a Iena Plissken il compito di salvarlo.Nell'anno 1997 l'isola di Manhattan è stata trasformata in un carcere di massima sicurezza dove, a causa di un dirottamento aereo, il presidente viene preso in ostaggio dai detenuti. Toccherà a Iena Plissken il compito di salvarlo.
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ESCAPE FROM NEW YORK is Director John Carpenter's foray into post-apocalyptic sci-fi / action. In his vision, it's an out of control crime rate, rather than nuclear holocaust that's to blame. Packed with oddball characters, and loaded with classic scenes, EFNY became a trendsetter.
In spite of some clunky, "futuristic" technology, and the unavoidable poignancy of having Plisskin land atop the World Trade Center, it all works somehow. For its budget, this movie looks impressive. Russell is perfect in his eye patch-wearing, anti-hero role, riding high before his next big stint in THE THING. Great use is also made of older stars like Lee Van Cleef, Ernest Borgnine, and the inimitable music legend, Isaac Hayes. Carpenter regulars Tom Atkins, Charles Cyphers, and Adrienne Barbeau make appearances, with Ms. Barbeau having some heavenly running sequences! One of the truly great Carpenter films...
Never a dull moment, as Snake Plissken takes the chance to save the President in return for a pardon, as he battles his way through the prison ghettos, finding some not insignificant opposition to his mission, while encountering an array of curious characters on his way. Legendary stuff indeed.
John Carpenter's film is a masterpiece of dark humor, suspense, and great characters. The film channels the anger and distrust of the post-Vietnam/Watergate era, as well as the then-current Iranian Hostage crisis. Plissken represents, in a fashion, the Vietnam vets who did their job, even if they didn't agree with or understand their war, but came back to nothing. The film's novelization explores these themes better than the movie, but it is hinted at in Hauk's briefing. It also depicts a fascist police state, one that some would say is not too far from reality.
Kurt Russell is excellent in what was a breakout performance for him. Up to this point, Russell had been stuck in low budget comedies, following the end of his Disney days. This performance, coupled with another collaboration with Carpenter, Elvis, led to bigger and better roles. Russell channels Clint Eastwood to give Snake a menacing, if laconic quality. Much like a real serpent, Snake watches and strikes when he is ready; with speed and impact. Russell is able to say a lot with little dialogue, through his body language and facial expressions.
The supporting cast is wonderful. Adrienne Barbeau is the beautiful, but deadly Maggie. She is partnered with the intelligent, but slimy Brain. Their's is a symbiotic relationship; each provides something the other needs. Harry Dean Stanton, a great character actor, presents a Brain that is smart, but ruthless, and more than a bit cowardly. Isaac Hayes is The Duke, ruler of the prison. Hayes is a bit uneven, as he wasn't an experienced actor (he had at least one movie before this) but he is a charismatic performer and ultra-cool. Donald Pleasance is the consummate politician, a big man in his controlled environment, but lost in a world outside his; one he had a hand in creating. Ernest Borgnine is tremendous as Cabby, the answer man and link between Snake and the rest of the cast, as well as to the past of New York. Finally, Lee Van Cleef brings some of that Angel Eyes magic as Hauk, the prison Warden. Hauk is an ex-soldier and identifies with Snake. The difference is, Snake rebelled against the system that betrayed him; Hauk joined it. This was Van Cleef's last good role, before he was saddled with mediocrity in his tv series, the Master, and became the butt of jokes on MST3K.
The film moves at a brisk pace and the dark lighting carries the sense of mystery, isolation, and destruction. Carpenter is able to convincingly hide the fact that he shot this film in St. Louis and LA, and make you believe it is New York. Although there are gaps in logic and missing information, the pace doesn't let you dwell on it. There is a constant feeling of the race against time. If there is any complaint, it's that the budget sometimes holds back some of the action, but characterization makes up for it. Also, the dark lighting is sometimes too dark, and details are obscured.
The new special edition dvd brings a treat to long-time fans: the deleted opening bank robbery and capture of Snake Plissken. Since I had read the novelization before seeing the film, I had long wondered what this sequence had looked like. Although it does explain why Plissken is on his way to the prison when Hauk intercepts him, it doesn't really work in context with the rest of the film. The sequence worked well in the book because of Snake's inner monologue and memories of his mission in Leningrad and the loss of his parents to government action. We understand Snake's hatred of the government and his nihilistic nature. In the sequence, as shot, we don't really get a sense of who Plissken is; just that he has apparently committed a crime and is on the run. We don't really get a feel for his relationship with his partner, which affects the emotional impact at the end of the sequence. Ultimately, the film works better without this footage.
A note on the commentary track: Ox Baker was not seven feet tall. He is probably closer to the 6'6" to 6'7" range, although he was over 300 pounds. His bulk makes him appear larger than he really is, especially in a wrestling ring.
One used to wonder what this film would have looked like with a bigger budget. Carpenter sort of answered that with the sequel, Escape from LA. It was essentially the same film, with better effects and a West Coast sensibility; but, it doesn't hold a candle to the original. The lower budget caused the cast and crew to be more creative and they succeeded far better here. It would be good to see Snake again, but in a new environment, with a different plot. Russell's age could be an asset, as Carpenter could examine an older Snake, who must rely more on cunning than physical skills.
When the president's plane is hijacked and terrorists bring him into the prison city, convicted felon and soon-to-be resident of the prison, Snake Plissken is asked to do the impossible and bring the president out alive.
The setup is rich and compelling, yet there's a tremendous amount of backstory that is left untold in "Escape from New York" and that's part of what makes it work. There's an air of mystery wafting through the movie that continually begs questions but leaves it up to the viewer to imagine what the answers might be. "Why does Snake have an eyepatch?" "What caused the explosion in crime rates?" "Why does the president have a British accent?" All these questions and more make the movie fun to discuss and re-watch repeatedly, searching for hints that help unravel the mystery.
Kurt Russell is unforgettable as Snake, who should be a loathsome character but instead becomes a hero we have no trouble rooting for. He practically growls every line of dialogue because he crackles with too much anger to simply speak. Somehow, despite everything about him being ostensibly unlikable, he's still charming in a way. He would make for an incredible dinner party guest. On one hand, he would likely scare most of the guests and make them feel dumb. But on the other hand, he would probably make all of the guests think, "wow, if you have a friend like this guy, you must be a really interesting person." Inviting him is a big gamble, for sure. Though, it just might pay off.
Along with Snake, the highlight of the movie is John Carpenters music. Find another 1980s movie with a cooler score. I dare you. Carpenter has created two of the most recognizable and undeniably excellent theme music tracks of the 70s and 80s ("Halloween" is the other). And he directed both movies. What an achievement.
Lo sapevi?
- QuizKurt Russell has stated that this is his favorite of all his films, and Snake Plissken is his favorite of his characters.
- BlooperDuring the sequence where Snake is being chased by the Crazies (and is about to shoot an oval pattern in a wall so he can break through), his eye patch shifts enough to reveal a perfectly good eye. This is commonly regarded as a mistake, but it is not; the novelization of the movie explains that Snake still has his left eye, but he wears the patch due to a paralyzed iris, making it extremely sensitive to light.
- Citazioni
Bob Hauk: You going to kill me, Snake?
Snake Plissken: Not now, I'm too tired.
[pause]
Snake Plissken: Maybe later.
- Curiosità sui creditiThe Avco Embassy logo does not appear in this movie.
- Versioni alternativeCollector's edition laserdisc (during director commentary) shows cut scenes of high-tech bank robbery which led to Snake's conviction and eventual prison sentencing to New York.
- ConnessioniEdited into Igla (1988)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- 1997: Escape de Nueva York
- Luoghi delle riprese
- Fox Theater - 527 N. Grand Boulevard, Saint Louis, Missouri, Stati Uniti(Broadway theatre relics)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.244.626 USD
- Lordo in tutto il mondo
- 25.276.664 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1