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Acque profonde

Titolo originale: Eaux profondes
  • 1981
  • Not Rated
  • 1h 34min
VALUTAZIONE IMDb
6,7/10
1178
LA TUA VALUTAZIONE
Acque profonde (1981)
Melanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.
Riproduci trailer2:20
1 video
28 foto
CrimineDramma

Aggiungi una trama nella tua linguaMelanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.Melanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.Melanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.

  • Regia
    • Michel Deville
  • Sceneggiatura
    • Christopher Frank
    • Florence Delay
    • Michel Deville
  • Star
    • Isabelle Huppert
    • Jean-Louis Trintignant
    • Sandrine Kljajic
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    1178
    LA TUA VALUTAZIONE
    • Regia
      • Michel Deville
    • Sceneggiatura
      • Christopher Frank
      • Florence Delay
      • Michel Deville
    • Star
      • Isabelle Huppert
      • Jean-Louis Trintignant
      • Sandrine Kljajic
    • 10Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Video1

    Trailer
    Trailer 2:20
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    Foto28

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    Interpreti principali19

    Modifica
    Isabelle Huppert
    Isabelle Huppert
    • Melanie
    Jean-Louis Trintignant
    Jean-Louis Trintignant
    • Vic Allen
    Sandrine Kljajic
    • Marion
    Éric Frey
    • Denis Miller
    Christian Benedetti
    • Carlo Canelli
    Bruce Myers
    • Cameron
    Bertrand Bonvoisin
    • Robert Carpentier
    Jean-Luc Moreau
    • Joël
    Robin Renucci
    Robin Renucci
    • Ralph
    Philippe Clévenot
    • Henri Valette
    Martine Costes
    • La maman de Julie
    Evelyne Didi
    Evelyne Didi
    • Evelyn Cowan
    Jean-Michel Dupuis
    Jean-Michel Dupuis
    • Philip Cowan
    Bernard Freyd
    • Havermal
    Anne Head
    • La directrice
    Maurice Jacquemont
    Maurice Jacquemont
    • Docteur Franklin
    Sylvie Orcier
    • Jeanne Miller
    Pierre Vial
    • Le juge
    • Regia
      • Michel Deville
    • Sceneggiatura
      • Christopher Frank
      • Florence Delay
      • Michel Deville
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti10

    6,71.1K
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    Recensioni in evidenza

    5gridoon2025

    Very much in the Claude Chabrol vein, though not quite as good

    "Eaux Profondes" is based on a Patricia Highsmith novel, but to the book-illiterate it may look more like an unofficial remake of Claude Chabrol's "La Femme Infidele" (although the book came out in 1957 and Chabrol's film in 1969, making you rethink who influenced whom first). It is a calm, dispassionate story about infidelity, jealousy, and murder, with some interesting transitions by director Michel Deville and two excellent leads: Jean-Louis Trintignant (he's at his best when he puts on a wolfish smile) and a young, frequently nude Isabelle Huppert. But it is also repetitive, feeling longer than it is (93 minutes), without enough psychological depth. Also the music score sometimes gets too loud and annoying. ** out of 4.
    readerjsp

    Horrible

    Somehow this film manages to be boring and disgusting at the same time. The music is particularly awful - faux baroque/jazz - and violin scratching that is supposed to be suspenseful but is just annoying. As is typical in French movies, it starts out well, with a very interesting premise, interesting characters, good dialogue...and then nothing happens. Well, to be fair, some things do happen, but there is never a sense of direction, of the story going somewhere, or of anything being resolved. I can't blame it all on the French though. It's based on a book by Patricia Highsmith and in her signature style glorifies immorality and sexual/psychological perversity. She also wrote "The Talented Mr. Ripley" and "Strangers on a Train." Hitchcock was a master filmmaker, and while he kept the evil and the pscyhopathy, he also had the skill to make "Strangers" into a film that is scary and suspenseful, yet with an ending that doesn't repel.

    This is like watching a cat and mouse game that you couldn't care less about. I'm sorry I wasted an hour and a half on this terrible movie.
    7brogmiller

    Men about the house!

    I think one can say without fear of contradiction that Patricia Highsmith was a deeply complex individual with more than her fair share of demons. Her spectacles were never rose-coloured and her gripping tales featuring deeply flawed, morally vacuous, sociopathic characters have proved to be manna from heaven for film directors notably Hitchcock, Clement and Chabrol.

    This adaptation of her fifth novel 'Deep Water' is directed by Michel Deville.

    This film slowly drew me in and held my attention although M. Deville's rather tasteful and measured directorial style would seem to lack the 'edge' required for this sort of material. Where it does have the advantage is in the casting of Jean-Louis Trintignant and Isabelle Huppert as Vic and Melanie. He is the outwardly complaisant husband and she is the notoriously flirtatious wife who rubs his nose in it. He resolves to kill one of her paramours but of course one murder is never enough.........

    Trintignant, with his unruffled exterior concealing the turmoil within and Huppert with her combination of vulnerability and almost cruel impassivity, are tremendous and their dynamic is mesmerising. The supporting players alas are not up to much but mention must be made of splendid Sandrine Kljajic as their young daughter whose childlike innocence gives the film a balance. The relationship between father and daughter is beautifully drawn. In one scene his bedtime story is that of Samson and Delilah!

    Deville utilises his favoured editor Raymonde Guyot and Manuel de Falla's Concerto pour Clavicin is cleverly employed.

    The subtle ending with its family reconciliation is filmically effective but the author's original ending would have packed a far greater punch.

    Deville must have felt deflated by the films failure to make an impact but he hit the bullseye four years later with his critically and commercially successful 'Péril en la Demeure'. Still tasteful but this time with an edge!
    dbdumonteil

    Was Deville the right director here?

    Deville was the perfect director for such light gallantries such as "Benjamin"(1968).And what about Highsmith? Patricia Highsmith 's books are deceptive:it is hard to adapt them badly for the screen while being harder still to adapt them well.To my eyes ,one director has succeeded :Alfred Hitchcock ("Strangers on a train" ),three have partially succeeded (René Clément "Monsieur Ripley" (the talented M.Ripley) Anthony Minghella (its remake) and Wim Wenders 's "Der Amerikanische Freund " (Ripley's game) .Claude Chabrol was not so successful with "cry of the owl".Claude Miller butchered the brilliant "that sweet sickness" (="Dites lui que je l'aime") "Eaux profondes" is intense psychological drama.The story of a man who is jealous and kills all his wife's lovers.He warns them before .Trintignant,a good choice,tells them so: "I kill them" in a smooth voice .He treats his wife like a big doll,the scene is the bathroom is telling.

    There was in Highsmith's book an atmosphere ,a terrible progression which led to madness:the film has a tendency to simplify too much and its main drawback is to be too short.

    When she was interviewed when the movie was released,Highsmith told the journalists she had appreciated the movie.Make up your own mind about it.
    6user-142-632625

    Eaux Profondus - brief

    Classic French art-house mystery thriller for the wine n cheese crowd. Young trophy bride (Huppert) flirts and attracts numerous young swains. Husband warns each of possible consequences. Those who heed, flee. Those who abide, however ... Challenging in that the viewer never knows the relationship between husband and wife, or how much friends and neighbors (island of Jersey) turn a blind eye to Measured pace (for modern viewers, read slow) that delivers unexpected jolts. Warning, there is violence in this film, and it bursts seemingly out of nowhere. Jean-Louis Trintignant unforgettable as the multi-layered husband. Based on Patricia Highsmith (Ripley stories) novel.

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    Dramma

    Trama

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    • Quiz
      First adaptation of the novel by Patricia Highsmith. The second is "Deep Water" (2022).
    • Connessioni
      Version of Tiefe Wasser (1983)
    • Colonne sonore
      Concerto pour Clavecin
      Music by Manuel de Falla

      Conducted by Charles Dutoit

      Disques ERATO

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    Dettagli

    Modifica
    • Data di uscita
      • 16 dicembre 1981 (Francia)
    • Paese di origine
      • Francia
    • Sito ufficiale
      • Gaumont
    • Lingua
      • Francese
    • Celebre anche come
      • Deep Water
    • Luoghi delle riprese
      • House at Les Hativieaux, St Ouen, Jersey, Channel Islands(as perfume factory)
    • Aziende produttrici
      • Hamster Productions
      • Gaumont
      • France 3
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 34min(94 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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