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IMDbPro

Acque profonde

Titolo originale: Eaux profondes
  • 1981
  • Not Rated
  • 1h 34min
VALUTAZIONE IMDb
6,7/10
1178
LA TUA VALUTAZIONE
Acque profonde (1981)
Melanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.
Riproduci trailer2:20
1 video
28 foto
CrimineDramma

Aggiungi una trama nella tua linguaMelanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.Melanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.Melanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.

  • Regia
    • Michel Deville
  • Sceneggiatura
    • Christopher Frank
    • Florence Delay
    • Michel Deville
  • Star
    • Isabelle Huppert
    • Jean-Louis Trintignant
    • Sandrine Kljajic
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    1178
    LA TUA VALUTAZIONE
    • Regia
      • Michel Deville
    • Sceneggiatura
      • Christopher Frank
      • Florence Delay
      • Michel Deville
    • Star
      • Isabelle Huppert
      • Jean-Louis Trintignant
      • Sandrine Kljajic
    • 10Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Video1

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    Trailer 2:20
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    Foto28

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    Interpreti principali19

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    Isabelle Huppert
    Isabelle Huppert
    • Melanie
    Jean-Louis Trintignant
    Jean-Louis Trintignant
    • Vic Allen
    Sandrine Kljajic
    • Marion
    Éric Frey
    • Denis Miller
    Christian Benedetti
    • Carlo Canelli
    Bruce Myers
    • Cameron
    Bertrand Bonvoisin
    • Robert Carpentier
    Jean-Luc Moreau
    • Joël
    Robin Renucci
    Robin Renucci
    • Ralph
    Philippe Clévenot
    • Henri Valette
    Martine Costes
    • La maman de Julie
    Evelyne Didi
    Evelyne Didi
    • Evelyn Cowan
    Jean-Michel Dupuis
    Jean-Michel Dupuis
    • Philip Cowan
    Bernard Freyd
    • Havermal
    Anne Head
    • La directrice
    Maurice Jacquemont
    Maurice Jacquemont
    • Docteur Franklin
    Sylvie Orcier
    • Jeanne Miller
    Pierre Vial
    • Le juge
    • Regia
      • Michel Deville
    • Sceneggiatura
      • Christopher Frank
      • Florence Delay
      • Michel Deville
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti10

    6,71.1K
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    Recensioni in evidenza

    dbdumonteil

    Was Deville the right director here?

    Deville was the perfect director for such light gallantries such as "Benjamin"(1968).And what about Highsmith? Patricia Highsmith 's books are deceptive:it is hard to adapt them badly for the screen while being harder still to adapt them well.To my eyes ,one director has succeeded :Alfred Hitchcock ("Strangers on a train" ),three have partially succeeded (René Clément "Monsieur Ripley" (the talented M.Ripley) Anthony Minghella (its remake) and Wim Wenders 's "Der Amerikanische Freund " (Ripley's game) .Claude Chabrol was not so successful with "cry of the owl".Claude Miller butchered the brilliant "that sweet sickness" (="Dites lui que je l'aime") "Eaux profondes" is intense psychological drama.The story of a man who is jealous and kills all his wife's lovers.He warns them before .Trintignant,a good choice,tells them so: "I kill them" in a smooth voice .He treats his wife like a big doll,the scene is the bathroom is telling.

    There was in Highsmith's book an atmosphere ,a terrible progression which led to madness:the film has a tendency to simplify too much and its main drawback is to be too short.

    When she was interviewed when the movie was released,Highsmith told the journalists she had appreciated the movie.Make up your own mind about it.
    5gridoon2025

    Very much in the Claude Chabrol vein, though not quite as good

    "Eaux Profondes" is based on a Patricia Highsmith novel, but to the book-illiterate it may look more like an unofficial remake of Claude Chabrol's "La Femme Infidele" (although the book came out in 1957 and Chabrol's film in 1969, making you rethink who influenced whom first). It is a calm, dispassionate story about infidelity, jealousy, and murder, with some interesting transitions by director Michel Deville and two excellent leads: Jean-Louis Trintignant (he's at his best when he puts on a wolfish smile) and a young, frequently nude Isabelle Huppert. But it is also repetitive, feeling longer than it is (93 minutes), without enough psychological depth. Also the music score sometimes gets too loud and annoying. ** out of 4.
    8dromasca

    hell is sometimes cool

    The American remake was released on screens a year ago. I did not get to watching it yet, and I'm not sure if I will soon. 'Eaux profondes', the 1981 adaptation of the novel 'Deep Water' (this is also the name of the film in its English distribution) by Patricia Highsmith is too good a film to risk changing my impression. The director is Michel Deville, the French director who left us a few weeks ago, and the lead roles are played by Jean-Louis Trintignant and Isabelle Huppert. 'Eaux profondes' is an excellent opportunity to see again Trintignant (who also disappeared last year) at the peak of his career, Huppert (who turned 70 a few days ago) while becoming a star and at her supreme physical beauty, and to appreciate Deville's professionalism and inventiveness in the decade in which he directed his best films.

    The story in the American writer's novel is moved to the island of Jersey, a territory of the British crown located about 19 kilometers from the coast of France. The landscapes are, of course, spectacular, and the location is also a good opportunity for Michel Deville to shoot in British objective-realist style. Vic is a perfume maker, his wife Melanie is many years younger and the couple have a six-year-old daughter. Apparently they are a happy couple and a very liberal one in their behavior. Melanie openly flirts and dances at parties with the men she meets, under the indulgent gaze of Vic, who prefers to read, play chess with himself, and raise snails in his garage. When Melanie's adventures begin to materialize, Vic begins to react in an original way - he threatens his rivals with murdering them. From threat to deeds the road is not too long, and crime can be the best proof of love.

    What we see on the screen is a real hell, if we judge the relations between the two spouses according to the accepted norms. Michel Deville films everything in an objective and detached style. The characters hide a lot of darkness and many details remain incompletely clarified. Why is Melanie acting this way? Boredom, Ana Karenina syndrome or the feeling that the relationship between the two has reached an impasse that cannot be overcome? How should we interpret the ending, which is changed from that in Patricia Highsmith's novel? The audience's feeling of discomfort is accentuated by the excellent soundtrack that combines dance music, aggressive jazz and Manuel de Falla's harpsichord concerto, but also by the presence of the little girl who witnesses many of the conflict scenes. Michel Deville has created a cool and unsettling film, one that viewers won't soon forget.
    7brogmiller

    Men about the house!

    I think one can say without fear of contradiction that Patricia Highsmith was a deeply complex individual with more than her fair share of demons. Her spectacles were never rose-coloured and her gripping tales featuring deeply flawed, morally vacuous, sociopathic characters have proved to be manna from heaven for film directors notably Hitchcock, Clement and Chabrol.

    This adaptation of her fifth novel 'Deep Water' is directed by Michel Deville.

    This film slowly drew me in and held my attention although M. Deville's rather tasteful and measured directorial style would seem to lack the 'edge' required for this sort of material. Where it does have the advantage is in the casting of Jean-Louis Trintignant and Isabelle Huppert as Vic and Melanie. He is the outwardly complaisant husband and she is the notoriously flirtatious wife who rubs his nose in it. He resolves to kill one of her paramours but of course one murder is never enough.........

    Trintignant, with his unruffled exterior concealing the turmoil within and Huppert with her combination of vulnerability and almost cruel impassivity, are tremendous and their dynamic is mesmerising. The supporting players alas are not up to much but mention must be made of splendid Sandrine Kljajic as their young daughter whose childlike innocence gives the film a balance. The relationship between father and daughter is beautifully drawn. In one scene his bedtime story is that of Samson and Delilah!

    Deville utilises his favoured editor Raymonde Guyot and Manuel de Falla's Concerto pour Clavicin is cleverly employed.

    The subtle ending with its family reconciliation is filmically effective but the author's original ending would have packed a far greater punch.

    Deville must have felt deflated by the films failure to make an impact but he hit the bullseye four years later with his critically and commercially successful 'Péril en la Demeure'. Still tasteful but this time with an edge!
    searchanddestroy-1

    Michel Deville's best for me

    I discover again this Michel Deville's film, my favorite, showing a scheme rarely used before, except maybe in some anthology shows such as ALFRED HITCHCOCK PRESENTS or any other series of this kind and period. Jean-Louis Trintignant and Isabelle Huppert steal the show with their performances. Just enjoy this French piece of jewellery from the early eighties. It is so intriguing, so riveting, that it doesn't need any suspense. Actually the suspense exists from the very beginning. François Truffaut could have made it, I guess. If you are a man and a jealous husband, try to wacch this film. A real must.

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    Dramma

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    Lo sapevi?

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    • Quiz
      First adaptation of the novel by Patricia Highsmith. The second is "Deep Water" (2022).
    • Connessioni
      Version of Tiefe Wasser (1983)
    • Colonne sonore
      Concerto pour Clavecin
      Music by Manuel de Falla

      Conducted by Charles Dutoit

      Disques ERATO

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    Dettagli

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    • Data di uscita
      • 16 dicembre 1981 (Francia)
    • Paese di origine
      • Francia
    • Sito ufficiale
      • Gaumont
    • Lingua
      • Francese
    • Celebre anche come
      • Deep Water
    • Luoghi delle riprese
      • House at Les Hativieaux, St Ouen, Jersey, Channel Islands(as perfume factory)
    • Aziende produttrici
      • Hamster Productions
      • Gaumont
      • France 3
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 34min(94 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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