Morti e sepolti

This is a real sleeper, although the presence of screenwriter Dan O'Bannon's ('Alien') name in the credits automatically assures us we are in for a treat. And this is most certainly the case; 'Dead and Buried' is a real class act. James Farentino is excellent as the bewildered sheriff of the small American fishing community of Potter's Bluff. And the opening scene, in which an unsuspecting photographer is burned alive in broad daylight, still shocks more than twenty years after the film's release. To reveal too much of the plot would be to spoil the surprise; suffice it to say that it involves a series of bizarre and brutal murders investigated by Farentino's character.

Stan Winston provides some great special makeup effects; witness the particularly gruesome sequence in which a man is embalmed... while still alive! Also, Lisa Blount appears as the seductive young lady on the beach in the opening scene (she can be seen in 'John Carpenter's Prince of Darkness'), and watch out for a fledgling Robert Englund before he rose to international stardom as serial killer Freddy Krueger in the 'A Nightmare on Elm Street' franchise. 'Dead and Buried''s final twist is really kick-ass and wonderfully macabre, and it wraps up a creepy, atmospheric outing. Definitely worth a look.

Recently I rented 'Bleeders', one of director Gary Sherman's newer films, and remembered this movie from my past while reviewing it. So, I dug through our video collection until I found it.

'Dead & Buried' is a surprisingly good movie. Released in the time where there was either one murderous main person (Freddy/Jason/Micheal Myers) or a strange pervert slaying half naked teenage girls (Slumber Party Massacre, among others), it was a surprise to see a large group of people get in on the killings. This somewhat original idea is probably one of the most appealing points of the film.

The story goes somewhat like this: strangers keep on getting killed as soon as they show up in the small town in which the movie is set. The local sheriff is somewhat baffled about what's going on -- he's a new cop, so he isn't used to dealing with murders. All this time everyone's acting a little strange: his wife seems to be developing a strange addiction for voodoo and the local mortician seems to enjoy preparing bodies for burial a little too much. When the cop finally starts to realize what's going on, he learns why his town is a little different than most other ones.

Any horror fan would enjoy 'Dead & Buried'. It's should be known as one of the few horror movies from the early eighties that doesn't make you want to crack up laughing. Zombie film fans would probably find it quite interesting as well, as long as they don't expect the run of the mill green skinned 'Bloodsuckers from Outer Space' zombies.

"Dead & Buried" is a classic horror "small town with a secret" film, this time concerning a tiny little seaside town called Potter's Bluff. The formerly peaceful community has suddenly been plagued by a series of grisly murders for the town sheriff Dan (James Farentino) to investigate. Creepier still, the murder victims reappear as walking, talking, friendly townsfolk. And what does the eccentric town mortician (Jack Albertson) have to do with it?

This rarely talked about flick, above all else, is a masterpiece of atmosphere...moodily lit, foggy, with a genuine sense of claustrophobia as the horrors seem to be closing in closer and closer to Dan's own home and family, especially the strange new habits his wife (Melody Anderson) has taken up lately.

All of the actors are solid enough, but Jack Albertson steals the show as the eccentric, big band loving Mortician Dobbs. In one of his final performances, he delivers a character whose unsettling realism and reverence for the dead will make you completely forget his also classic turn as the kindly grandpa in "Willy Wonka and The Chocolate Factory". Rather than just play this character, he inhabits his psyche and becomes Dobbs, and it shows.

Everything from the low key bits of airy score music to the often slow and dreamlike pacing of the plot, is dedicated to heightening the viewer sense of disconnection and dread, leading up to a well known sort of "twist" climax, which in this context doesn't seem hackneyed.

My only real problem with this film is that the pacing can sometimes seem jarring, with little connection to scenes preceding it, almost to the point of breaking the well crafted mood. Also, the climax was a bit too abrupt and a few more seconds of that final anguished scene would've done a lot to increase the film's overall impact.

I'd still highly recommend "Dead & Buried", as a solid reminder of what imaginative and well made R rated horror used to be, before the parade of dull remakes and tamed to PG-13 bore fests that now clutter the genre.

Gary Sherman's horror masterpiece begins with one of cinema's best beatings (and burnings) of a fellow human being. The scene takes place on a beach in Potter's Bluff (Mendocino, No. Cal) and is a hypnotic, brutal, black shock to the system.

The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.

DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.

Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.

The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.

A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.

The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.

Exceptional.

Sheriff Dan Gillis (James Farentino) has a nice life with his wife, the teacher Janet Gillis (Melody Anderson), in the small coastal and friendly town of Potter's Bluff. When visitors are mysterious killed in the town, Sheriff Gillis investigates the cases carefully and finds that dead people are reanimating and coming back to life. Dan finds a book of witchcraft and voodoo in his wife's drawer and he suspects that she might be practicing black magic. Dan meets the coroner-mortician William G. Dobbs (Jack Albertson) and learns the dreadful and surprising secret.

"Dead & Buried" is a cult-movie with a creepy atmosphere and a surprising end. The plot has flaws, with lack of explanation for many situations. Why should Dobbs let the sheriff investigate further and not disclose the truth about him in the beginning? My vote is seven.

Title (Brazil): "Os Mortos Vivos" ("The Living Dead")

Note: On 26 March 2015, I saw this film again. Note: On 10 Dec 2019, I saw this film again.