L'uomo di ferro

Typing in a correctly spelt 'Man of Iron' into a DVD search-engine and immediately every conceivable configuration of Robert Downing Jnr's "Iron Man" comes up ....presuming that we are both illiterate morons AND couldn't possibly want a 1981 film about Poland - made in Poland.

Even the most news-shy hermit could fail to have heard something about Solidarity, Gdansk and Lech Walesa's rallying, admittedly 30 years ago but now is a time to reflect, with the dust settled.

Like many, I was already familiar with Poland's most well-known (at least in the "west") director Krzysztof Kieslowski but Andrzej Wajda was a name I'd heard but not seen his work. I'm always keen to see movies, especially long ones made about social issues by a native of that country and reviews were all favourable. Buying this Mr Bongo DVD, I was not disappointed.

Some other reviewers have gone into detail about the political ins & outs but it was the film itself I primarily wanted to see and I want to immediately commend both the casting and performance of Marian Opania, as Winkiel, who excellently conveys a very believable TV journalist whose lifestyle may be typical of the profession. We witness and share his hopes and anxieties, from squeezing out the cloth he used to mop up the vodka from the bottle he'd just broken into a toothbrush cup, his other mental and physical angsts and the very real situations of power- cuts and strikes that affect everything, such as the phones.

As Winkiel gets down to the task of reporting on the uprising from the inside, especially of the charismatic leader of the striking shipbuilders, Maciek Tomczyk, whose father was killed in the riots of 1970 and whose wife was detained. As the journalist interviews those around and who know Tomczyk scenes are recreated, including the occasional use of actual news footage which illustrate the various strands leading up to the strike.

Obviously, a lot more than this goes into a riveting two and a half hour film but hopefully, with your appetite whetted, you'll now want to try it yourself. There's a whole canvas here on which Poland is painted and it's an absolutely fascinating one, but still well enough made to be both informative and entertaining.

Highly recommended for those who, like me, want to expand their World Cinema repertoire beyond the easily available/popular but still want to play safe as this is a universal film that just happens to made in the Polish language. If the subject matter is of particular interest too, well, you know it's one for your online shopping cart!

A great movie about Poland's history containing also authentic material from the civil disorders. The movie handles also the viewpoint of individual in communist system. Screenplay is great.

Nine stars out of ten.

This film movement, while in no way the most important film movement artistically, considerably helped morally support and unite the Poles into a decade long, almost nation-wide rebellion against the Communist party which bloomed into the freeing of the Polish state from Soviet rule. This was a catalyst for the break-up of Communism in Central and Eastern Europe and the Soviet Union, the end of the cold war, and a new stability in Europe, and indeed the world. Only taking this into account can one watch "Czlowiek z Zelaza" and truly appreciate how powerful this film is.

Poland's historical and turbulent political moment is captured in a part documentary and part fiction film directed by Andrzej Wajda in "Man of Iron", a sequel of "Man of Marble" another classic directed by him. The film is very similar to its predecessor, which is a very good film and that's why to some it might seen a repetitive thing, except that this one took a more political approach to the story, seemed more real the situations presented. It is inferior than the previous film but it is very good too.

Here, a reporter has the assignment to cover shipyard strikers led by Maciej Tomczyk (Jerzy Radziwilowicz) and members of the Solidarity Union that are fighting for better work conditions and against the abuses of political authorities. The reporter is told by his bosses to make the news about this man and other people will take his notes and all to make something against the leader, something to make him look bad, but while covering the protests, and finding more and more information about Maciej's past, the reporter gets divided by the whole situation without knowing in which side to stay: with his controlling bosses that work for the government or with the strikers.

Wajda uses the same technique to present the story by developing flashbacks that tells us the life of Maciej, and more interesting, he concludes the almost inconclusive story of "Man of Marble" (the ending scene from that film appears in "Man of Iron" in the middle and from there we are able to see what happened to those characters, asking some questions about the film made by the documentary). To fully understand "Man of Iron" watch the 1977 film is necessary, otherwise it will be a confusing and difficult experience to understand the characters motivations, emotions, the political background (also you need to research more about what happened in Poland between 1960's and 1980's).

I liked this film because of its involvement with a noble cause which was the strikes made by the Solidarity Union and the way Wajda was able to use this to make a relevant sequel of a great film yet is not a movie "selling" a group, or a political movement; it is a statement of how things were changing and who were the people behind these changes. Wajda directed this film during the controversial period, after all the government tended to persecute his oppositors and this film could be considered as a opposite propaganda, so the director took a lot of chance to make this wonderful film, a situation that resembles the one confronted by the female filmmaker in "Man of Marble", who is trying to make a film thesis about Maciej's father but she doesn't get enough assistance from her bosses that work for the Socialist regime.

The importance of this film was big enough during the time of its release since there was a sense of lack of information about how Solidarity was changing things in Poland, and a movie like this, that combines archive footage of the real events, and includes a cameo by Lech Walesa, was important to make their cause famous around the world. The great prestige was the Palm D'Or at Cannes, something that was viewed by many as a recognition to the movement and not much of stating that this was a great film. Indeed, I think that it combines both, since both were triumphant and Walesa few years away would be elected Poland's President.

The things that made this an inferior film compared to the previous film is the political subject and the way it was used in the film, in extended dialogues and scenes that were a little distracting, and some confusion in the presentation. The screenplay covered a more complex subject and intertwine the flashbacks reminding us about some of the characters and bring back memories from the first film. As you see, it's very difficult to put altogether, but the film succeeds in its great message. More of the humanistic aspect of being involved in solidarity and strikes than the far too rational political theme would make this film ten times better than it is. As both films points out, knowing the past is very important so that we can built a better future, and viewers, pay attention to the past moments presented here, so that you can understand their future and all of their struggle. 9/10

A radio journalist sets out to discredit the leader of a strike at the Gdansk shipyard in 1980. Director Andrzej Wajda's 1981 film is a prize winner and one of the most celebrated Polish films of the late 20th century, whose screenplay by Aleksander Scibor-Rylski continues the stories of characters featured in the slightly better 'Man of Marble'. This 2 and a half hour film brings the story right up to date(with flashbacks to another strike in 1970) with the then current real life headlines in Poland of strikes,Solidarity and martial law, which seemed to go on for ever in the early 1980s. The central character Tomczyk has some similarities to Lech Walesa(who appears as himself in this film),in a film where art imitates life, or life imitates art. We had an Iron Lady so why shouldn't Poland have a Man of Iron?