Alla maniera di Cutter

Not exactly a hidden gem, but close. A very good (alas, forgotten) movie, i am so glad i found it. Of course, this movie would have banished in outer space nowadays, and everyone here (director, actors etc) would get cancelled. That's another reason for any self respected moviegoer to watch it, especially if he/she is a fan of this genre.

This is a very good crime/drama movie but it's a bit different than you might expect. If you are looking for action/car chasing/shootings and killings, stay away. This has nothing to do with all of that. It takes its time to unfold, it respects its audience, characters are really flawed, no heroes here. Just broken people trying to find meaning in a world without meaning. Broken people who look for justice or for a human touch. It's more of a "character study" than a crime drama, i'd say. But the characters are so magnetic and the actors are so charismatic that i didn't even care if they are gonna achieve their goals. I just wanted to watch them, facing their dilemmas and struggles. This is so good that i didn't even care about its somewhat weak ending. Ending was not that satisfying but the creators here didn't want to made a movie which will satisfy the audience. They just wanted to create a REAL movie, with "identity" and "personality". I wish i could express it better but i think you get the point. This is a flawed but REAL movie for every cinephile to enjoy. NOT a dumb bubblegum of a movie like the majority of them nowadays.

I stumbled upon this movie at the Nickelodeon on Cape Cod the year of its release...at a time when VCR's and DVD's weren't a part of our culture...when you had to travel to obscure and far-out theaters to see obscure and far-out films during the fading window of opportunity offered as its limited run at the movie house. What a gem. I was instantly riveted by the story and the classic performances that brought it to life. The pathetic human condition personified in Cutter, Bone, and Mo is so exquisitely rendered as to be tragic...only salvaged by the clear-eyed wit and insight of John Heard's Cutter and the tempered and logical cynicism and indifference offered up by Bone(Jeff Bridges)as the balance that only these begrudging friends could provide each other. Lisa Eichorn's character(Mo) exhibits equal measures of the qualities both her male couterparts have and her subtle performance points up the conflict she feels in simultaneously rejecting and craving their opposing energies. The scene where she chews them both out for their selfish and naive plot and their spirited responses seems to spill from their beings as genuine emotion...not written dialogue...and it still sends chills through me...very powerful...and the scene where she is made painfully aware of Bone's incurable drive to bed women as she falls prey to his momentary sympathies ..when coupled with her husband's(Cutter) inability to give a soft refuge to her is so tragically realistic...tears flow. Everyone's shortcoming's cross-up everyone else's and as the surrealistic climax develops its symbolism and power are Shakespearian. This movie works as a crime thriller, a portrait of the underbelly of American culture most evidenced in its loss of confidence and embrace of cynicism that came to the surface post-Vietnam...but most successfully as a great character-driven love story and tragedy.

Cutter's Way cannot be overpraised. This movie is a masterpiece of the first order. Ivan Passer, a compatriot of Milos Forman, came to the USA as an experienced Czech movie director. Not unlike Alfred Hitchcock or some German directors 30 years before him, he seems to have made a thorough analysis of the American social conditions and general manners. He then transformed his findings into movies. Two of them I know deal with New York. They are appropriately gritty. The setting of Cutter's way is a Californian beach community for the rich and beautiful – and the movie is appropriately glossy. The whole story takes place in those paradisiac locales. They are presented like an enchanted kingdom, a country of its own.

Under the glossy surface, there is a darker side to the place. There is prostitution, drug abuse and murder. Cutter, living on the fringes of the enchanted kingdom, sees that more clearly than everyone else. He has his own code of chivalry by which he wants to live. He develops conspirational theories and strains to convert them into hard facts. The world around him, populated by indifferent, amoral rich and beautiful people, does not understand him, does not even want to listen, laughs at him. So Cutter mounts a white stallion and rides a charge.

Repeatedly the film slips into surrealistic situations, in which the impression made on the viewers is more relevant than the storyline. This technique was well known in the forties (e.g. in film noir), present day audience are less used to it. In the earlier days of film making, surrealism was created on a soundstage, and the change between reality and "dream" became immediately clear. Passer uses real locations for situations removed from reality – a daring experiment that rewards the viewers with hauntingly beautiful pictures but might also confuse many. The director took this risk and we are rewarded with a magnificent picture about a distinguished slice of America. I predict: Cutter‘s way will one day become an honored classic.

Alex Cutter (John Heard) is a drunken disabled war veteran. His wife Mo (Lisa Eichorn) is also a drunken mess. Their best friend Richard Bone (Jeff Bridges) is a witness to a murder, and he thinks that the killer is this powerful oil tycoon JJ Cord (Stephen Elliott). Cutter refuses to let it go, and together with the victim's sister Valerie Duran (Ann Dusenberry) harasses Bone to get JJ.

The main drawback is that their plan was never going to work. If they really thought about it, they would see it as a fool's errand. The plan actually insulates JJ from any testimony from Bone. The plan actually helps JJ.

However we know Cutter is a drunk bastard. So I'm willing to believe that he would come up with a poorly constructed plan. It's the acting that is so superior in this. John Heard really goes all out, and Jeff Bridges' calmness makes them the perfect duo. I just love how crazy John Heard gets. He really shines.

John Heard has got back from the war (it's not clearly said, but it's obvious it's Vietnam) with a patch on his eye and minus a leg and a hand. He's p-i-s-s-e-d off on the whole world, drinks a lot, and so does his wife. Jeff Bridges is a friend of both of them. He is a witness to a murder right in the beginning of the movie (so pay attention). John, with the deceased girl's sister thinks he knows how to nail who he thinks did it. Jeff doesn't really want to take part in it, you really don't want to see this movie. NOTHING happens. And they try to add a complication near the end, involving a history of a guy we hardly know... I'm sure it's a bad adaptation from the book, I hope so.