VALUTAZIONE IMDb
7,3/10
11.447
LA TUA VALUTAZIONE
La figlia di un milionario è caratterizzata da un'incredibile sfortuna e scompare nel nulla L'idea per trovarla è folle e geniale allo stesso tempo: farla cercare da una persona altrettanto ... Leggi tuttoLa figlia di un milionario è caratterizzata da un'incredibile sfortuna e scompare nel nulla L'idea per trovarla è folle e geniale allo stesso tempo: farla cercare da una persona altrettanto sfortunata.La figlia di un milionario è caratterizzata da un'incredibile sfortuna e scompare nel nulla L'idea per trovarla è folle e geniale allo stesso tempo: farla cercare da una persona altrettanto sfortunata.
- Premi
- 1 vittoria in totale
Pedro Armendáriz Jr.
- The Captain
- (as Pedro Armendariz Jr)
Sergio Calderón
- Prisoner
- (as Sergio Calderon)
Recensioni in evidenza
These two actors are great together, and their three films are all funny (La Chevre, Les Comperes, Les Fugitifs), but this one is the best because of its concept that it will take an unlucky detective to find the missing unlucky girl. But he is more than unlucky; he is also a deluded jerk (though not a mean one)who doesn't even know he is unlucky. His partner, a very competent realist (and perfect straight man) has to rescue him time after time to follow his unlucky course toward the girl. Great French humor.
I spent a fun evening at the movies watching the 1981 comedy 'La Chevre' written and directed by Francis Veber and starring Pierre Richard and Gérard Depardieu. It's quite interesting to see the two French actors at a moment when the paths of their careers were crossing. By the time this film was made Pierre Richard was an established comedian with a few big hits in his records, while (the thinner than today) Depardieu was an ascending young actor but his great roles were still a few years ahead. It was the first out of three films the two actors made together. When the third was made, Depardieu's fame and prestige exceeded by far the one of his partner.
The story of the film is ridiculous by design, and I need to point to one rare moments of disagreement with the opinion of my idol in cinema critic, Roger Ebert who gave just 1.5 stars out of 4 to the film. The pretext of story is meant to be stupid, it's part of the comic design of the script. It goes like this. The daughter of a rich French businessman - beautiful but unlucky in all she does - is kidnapped in Mexico. When all classical means to find her fail, the solution is thought to pair the detective (Depardieu) with a distraught accountant in the businessman's company (Rchard) who is as unlucky and as much a walking catastrophe as the vanished girl. The two are sent to Mexico in the hope that the chains of bad luck will lead to the same place where the girl is being held.
Bad luck and in-adaptation to the the real world are sources of comedy since Laurel and Hardy. Francis Veber brings the genre close to perfection. The Richard - Depardieu couple works perfectly. While Richard is the master of the physical gags, Depardieu complements him and provides the amplifying counterpoint with his annoyed stares and exasperated eyebrows moves. One deploys a lot of energy, the other takes a minimalist approach. The result is explosive. Watching this film is far from being only an exercise in nostalgia, it's the guarantee of a good time spent on really fun comedy.
One more thing - the film is one of the more than 250(!) films that benefit from the music composed by Vladimir Cosma . The score is wonderful.
And a question. I could not figure out or find information about the significance of the title. What does 'Le chevre' ('The Goat') means. It must be some French slang that escapes me. Or something else. Any hint will be appreciated.
The story of the film is ridiculous by design, and I need to point to one rare moments of disagreement with the opinion of my idol in cinema critic, Roger Ebert who gave just 1.5 stars out of 4 to the film. The pretext of story is meant to be stupid, it's part of the comic design of the script. It goes like this. The daughter of a rich French businessman - beautiful but unlucky in all she does - is kidnapped in Mexico. When all classical means to find her fail, the solution is thought to pair the detective (Depardieu) with a distraught accountant in the businessman's company (Rchard) who is as unlucky and as much a walking catastrophe as the vanished girl. The two are sent to Mexico in the hope that the chains of bad luck will lead to the same place where the girl is being held.
Bad luck and in-adaptation to the the real world are sources of comedy since Laurel and Hardy. Francis Veber brings the genre close to perfection. The Richard - Depardieu couple works perfectly. While Richard is the master of the physical gags, Depardieu complements him and provides the amplifying counterpoint with his annoyed stares and exasperated eyebrows moves. One deploys a lot of energy, the other takes a minimalist approach. The result is explosive. Watching this film is far from being only an exercise in nostalgia, it's the guarantee of a good time spent on really fun comedy.
One more thing - the film is one of the more than 250(!) films that benefit from the music composed by Vladimir Cosma . The score is wonderful.
And a question. I could not figure out or find information about the significance of the title. What does 'Le chevre' ('The Goat') means. It must be some French slang that escapes me. Or something else. Any hint will be appreciated.
10figarok
This is THE masterpiece of funniness. Trust me, the big winner trio (Depardieu, Richard and Veber) shows one more time his talent. On one hand Pignon/Richard is the unluckiest man on earth, all the things you don't even think about happen to him and on the other one there is Depardieu, a cartesian private detective who doesn't believe in fate or luck, he disagrees with these concepts. Actually, by meeting Pignon, his entire life will be turned up side down because they must work together to find Pignon's Headmaster's daughter who was kidnapped in Venezuela. The worse thing will happen to the Laurel-and-Hardy-like team. You almost die of laughing so much. This is the comedy one should have seen once, just as "the Gods must be crazy." The movie is really worth being watched.
10hmsgroop
The film seems to me to be the best comedy ever. Both Richard and Depardieu are wonderful. The film abounds in comic situations, but the dialogue is even better - lively, volatile, "French". It is both a comedy of situations and a comedy of words. This film is like a Mont Blanc among comedies. It's a pity that few people bother to vote for it. In Russia a generation grew up laughing at the characters of Richard, and this generation was far from being the worst. His films are pure joy.
This movie is from 1981 and it shows ... Still, it is one of the (if not THE best one) best comedies I have ever seen. IT IS DEFINITELY A _MUST SEE_ . The acting is terrific and I have not enough praises for the plot.
It is better than the other depardieu/richard/veber movies ("Les Fugitifs" and "Les compères" - Yet they are very funny as well). The actors are excellent and Veber is the recordman about the movies that have been remade by Hollywood - there must be a reason for that. that with the praise of the people that posted their opinion here should convince you to give it a try.
To sum it up : you have to watch it !
It is better than the other depardieu/richard/veber movies ("Les Fugitifs" and "Les compères" - Yet they are very funny as well). The actors are excellent and Veber is the recordman about the movies that have been remade by Hollywood - there must be a reason for that. that with the praise of the people that posted their opinion here should convince you to give it a try.
To sum it up : you have to watch it !
Lo sapevi?
- QuizFirst among three movies starring Gérard Depardieu and Pierre Richard that was remade in Hollywood. Coincidentally, Richard's characters in the Hollywood version of this film and their third film, Due fuggitivi e mezzo (1986), were both played by Martin Short.
- BlooperThere are no gorillas in South America.
- ConnessioniFeatured in Francis Veber artisan du rire: La saga Pignon (2001)
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