VALUTAZIONE IMDb
6,7/10
11.367
LA TUA VALUTAZIONE
Le prime esperienze d'amore di un'adolescente.Le prime esperienze d'amore di un'adolescente.Le prime esperienze d'amore di un'adolescente.
- Regia
- Sceneggiatura
- Star
Diane Bellego
- Éliane
- (as Evelyne Bellego)
Recensioni in evidenza
Like many, I recall watching this film as a teenager in French class at a US high school. At that time, the appealing qualities for me were the "kids just trying to have fun" elements: the discotech dance parties, and the effusive French culture which at the time (anyone still remember the Cold War?) showed the affinity of the western world states for their different social values.
I just watched the film again, with Chinese subtitles no less, and was really struck by the fact that much of the story resounds with parents. The scene of the parents huddling around the pay phone, each not wanting to be the one to embarrass their child by showing up first is great. The line, "Je Montre!", is just the feeling of charging into the breach of the unknown that a real parent with a 13 year-old daughter should expect.
I was also struck by how out of place the "cross-culture" elements appear today. The scene socializing a MacDonalds, the "fait un American" dance, the UCLA sweatshirt... I doubt they have much place in today's climate of "freedome fries" and "economic techno-goober globalization". You can watch this film thinking "Vic/Mathew is dreamy", "Boum = fun", but I suggest after you're done, rewind the tape and watch it again looking for the second layer of social observation that abound. Ask yourself whether you will ever see this generation of kids sitting at home on the floor talking on the phone (why bother when then all have cell phones), or even going to a real live Boum (when there are "no consequences" chat rooms, video games, 100+ channels of cable TV, and so much "don't get left behind in the global rat race" anxiety).
I just watched the film again, with Chinese subtitles no less, and was really struck by the fact that much of the story resounds with parents. The scene of the parents huddling around the pay phone, each not wanting to be the one to embarrass their child by showing up first is great. The line, "Je Montre!", is just the feeling of charging into the breach of the unknown that a real parent with a 13 year-old daughter should expect.
I was also struck by how out of place the "cross-culture" elements appear today. The scene socializing a MacDonalds, the "fait un American" dance, the UCLA sweatshirt... I doubt they have much place in today's climate of "freedome fries" and "economic techno-goober globalization". You can watch this film thinking "Vic/Mathew is dreamy", "Boum = fun", but I suggest after you're done, rewind the tape and watch it again looking for the second layer of social observation that abound. Ask yourself whether you will ever see this generation of kids sitting at home on the floor talking on the phone (why bother when then all have cell phones), or even going to a real live Boum (when there are "no consequences" chat rooms, video games, 100+ channels of cable TV, and so much "don't get left behind in the global rat race" anxiety).
Every French girl between the age of 15 and 35 knows this classic movie by heart!
La Boum takes place in Paris (Saint Germain des Prés) in the early eighties. 13 year-old Vic and best friend Penelope are dealing with high-school life, first loves and the problems in their parents' couples. The first half of the movie is about Vic trying to convince her parents to let her attend her first "boum" (home party), with the help of her hilarious grand-grand mother. Of course, Vic falls in love at the party, and the second half of the movie focuses on the relationship.
"La Boum" is a beautiful movie about adolescence, with great comedy moments and fabulous actors. Any teenage girl or anyone who's into the 80s culture should see it. It also has a very parisian touch that I love. We see so many movies taking place in american high schools, kids driving to school, playing fields, cheerleaders, etc etc... "La Boum" shows the life in Paris as it really is, for a change. This was the first role of Sophie Marceau (later to be a James Bond villain).
La Boum takes place in Paris (Saint Germain des Prés) in the early eighties. 13 year-old Vic and best friend Penelope are dealing with high-school life, first loves and the problems in their parents' couples. The first half of the movie is about Vic trying to convince her parents to let her attend her first "boum" (home party), with the help of her hilarious grand-grand mother. Of course, Vic falls in love at the party, and the second half of the movie focuses on the relationship.
"La Boum" is a beautiful movie about adolescence, with great comedy moments and fabulous actors. Any teenage girl or anyone who's into the 80s culture should see it. It also has a very parisian touch that I love. We see so many movies taking place in american high schools, kids driving to school, playing fields, cheerleaders, etc etc... "La Boum" shows the life in Paris as it really is, for a change. This was the first role of Sophie Marceau (later to be a James Bond villain).
I grew up in the 1980ies and didn't see the movie until now. I have to admit that, despite the hype at the time, it's a decent coming-of-age movie which ended up setting the script for all the teenage romcoms to come. To my surprise, the travails of young Vic are buffeted by the adventures of her patchworkish family, with her philandering father, her economically struggling mother and her funky grandmother. Unusually it depicts the (naturally rather tame) love adventures of 11 to 14-years-olds, in other words the deal is the first kiss on the mouth here, whereas modern movies either cater to kids or senior to college level young adults, where much more risqué humour is viable.
What makes the movie worth watching today is the enormous cultural gap between then and now. It all seems so dull, grey and dusty, just like I remembered the era.
Some things I found especially noteworthy:
* the characters eat noodles all the time; even steak with noodles
* the movie makers had a thing going for Germany; we have sexy German teacher monsieur Lehman, in part two Vic goes to summer school near Salzburg and heart throb Pierre sets off for exotic Stuttgart
* Denise Grey (grannie Poupette) was 84 years old when the movie was released; she had her first acting appearance in 1913 and died at the age of 99
* the family car, a Talbot-Matra Rancho in the luxurious Grand Raid edition (with headlights which look like cop cruiser searchlights); basically a R4-class ride styled to look as if it had just won the Camel Trophy
* the eponymous "boum" (party) is incredibly lame by modern standards, essentially kids standing around a record player, listening to unbelievably cheesy music and sucking on a Coke
* the product placement: while the teens eat generic "super chips" all the time (obviously, a lucrative contract didn't surface here), there are constant placements for Lacoste and Talbot-Matra
* the fashions look unbelievably tame and stuffy, with the girls wearing almost no makeup
* the movie makers were very clever in marketing the music, they managed to scout unknown British musicians and got them to write a suitable song, played it constantly throughout each movie and thus created fairly solid hits in the process ("Dreams Are My Reality" by Richard Sanderson in the first part, and, to a lesser degree, and using virtually identical harmonies, "Your Eyes" by Cook Da Books (what??) in the second episode)
* the school Vic goes to, the lycée Henri IV, is a prestigious Parisian high school
What makes the movie worth watching today is the enormous cultural gap between then and now. It all seems so dull, grey and dusty, just like I remembered the era.
Some things I found especially noteworthy:
* the characters eat noodles all the time; even steak with noodles
* the movie makers had a thing going for Germany; we have sexy German teacher monsieur Lehman, in part two Vic goes to summer school near Salzburg and heart throb Pierre sets off for exotic Stuttgart
* Denise Grey (grannie Poupette) was 84 years old when the movie was released; she had her first acting appearance in 1913 and died at the age of 99
* the family car, a Talbot-Matra Rancho in the luxurious Grand Raid edition (with headlights which look like cop cruiser searchlights); basically a R4-class ride styled to look as if it had just won the Camel Trophy
* the eponymous "boum" (party) is incredibly lame by modern standards, essentially kids standing around a record player, listening to unbelievably cheesy music and sucking on a Coke
* the product placement: while the teens eat generic "super chips" all the time (obviously, a lucrative contract didn't surface here), there are constant placements for Lacoste and Talbot-Matra
* the fashions look unbelievably tame and stuffy, with the girls wearing almost no makeup
* the movie makers were very clever in marketing the music, they managed to scout unknown British musicians and got them to write a suitable song, played it constantly throughout each movie and thus created fairly solid hits in the process ("Dreams Are My Reality" by Richard Sanderson in the first part, and, to a lesser degree, and using virtually identical harmonies, "Your Eyes" by Cook Da Books (what??) in the second episode)
* the school Vic goes to, the lycée Henri IV, is a prestigious Parisian high school
This is the film that launched the film career of Sophie Marceau. The 14 year old star goes through the "growing pains" as an only child of successful professionals. The age where kids are granted to have a "boom" (party) without parent supervision has arrived at last! Nervous fathers are sitting in parked cars, uncertain whether to "see what's going on" in the apartment where the teenagers are celebrating their independence.
This film is not just a series of laughs, but it seriously handles issues such as sibling rivalry, divorce and other situations relevant to adolescents. There are isolated scenes with crude double-meaning, crassly unsuitable for children. Viewing by pre-teens should be at parent's discretion! Otherwise, this is a thoroughly enjoyable "feel good movie".
The love theme "Reality" by Richard Sanderson, a #1 World Hit at the time, is a beautiful song popping up throughout the story, adding to the magic. Lots of European "flavor" make this a great film to enjoy. Capitalizing on the huge success of this 1980 instant-classic is the 1982 sequel, the much weaker "La Boum 2". Enjoy "La Boum" and forget about the sequel
This film is not just a series of laughs, but it seriously handles issues such as sibling rivalry, divorce and other situations relevant to adolescents. There are isolated scenes with crude double-meaning, crassly unsuitable for children. Viewing by pre-teens should be at parent's discretion! Otherwise, this is a thoroughly enjoyable "feel good movie".
The love theme "Reality" by Richard Sanderson, a #1 World Hit at the time, is a beautiful song popping up throughout the story, adding to the magic. Lots of European "flavor" make this a great film to enjoy. Capitalizing on the huge success of this 1980 instant-classic is the 1982 sequel, the much weaker "La Boum 2". Enjoy "La Boum" and forget about the sequel
We watched this movie in my french class with English subtitles. It's hysterical, we couldn't stop laughing, a must see for the 80's french enthusiast! With great characters, odd themes, and the funniest one-liners ever, this is a can't miss, even 20 years after it came out!
Lo sapevi?
- QuizActing debut of Sophie Marceau, who was discovered late in the process by casting director Françoise Menidrey after the then 13 year old with no drama training whatsoever had just days earlier joined a child modeling agency to earn some pocket money and auditioned by chance. The role immediately propelled her to international superstardom and she has since been consistently named as one of, if not the favorite celebrity of the French.
- BlooperVic says that Juliet from 'Romeo & Juliet' was only fifteen. Actually, Juliet is thirteen in the play.
- ConnessioniFeatured in Fan des années 80: 1980 #1 (2009)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- The Party
- Luoghi delle riprese
- Aziende produttrici
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- Tempo di esecuzione
- 1h 50min(110 min)
- Mix di suoni
- Proporzioni
- 1.66 : 1
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