Due studenti americani in vacanza in Gran Bretagna vengono assaliti da un lupo mannaro.Due studenti americani in vacanza in Gran Bretagna vengono assaliti da un lupo mannaro.Due studenti americani in vacanza in Gran Bretagna vengono assaliti da un lupo mannaro.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 3 vittorie e 4 candidature totali
Jim Henson
- Kermit the Frog
- (filmato d'archivio)
Recensioni in evidenza
An American Werewolf in London is a 1981 horror comedy film written and directed by John Landis. An international co-production of the United Kingdom and the United States, the film stars David Naughton, Jenny Agutter, and Griffin Dunne. The film's plot follows two American backpackers, David and Jack, who are attacked by a creature while traveling in England, causing David to question whether he will become a werewolf under the next full moon.
After watching an American Werewolf in London for the first time I found the film to be a clever mixture of comedy and horror which succeeds in being both funny and scary, The film possesses an overriding eagerness to please that prevents it from becoming off-putting. It delivers a good share of scares and dark laughs. Some of the special effects are a little creaky now, but the snap of Landis's editing and the razor's-edge balance of horror and comedy are still fresh. The metamorphoses into the werewolf scenes are spectacular and the beast's rampage through Piccadilly Circus is marvellous. Splendid gory fun. It feels increasingly like a symbol of traveller abroad alienation-what trying to live in a place that isn't home can feel like: confusing, rageful, even physically debilitating.
After watching an American Werewolf in London for the first time I found the film to be a clever mixture of comedy and horror which succeeds in being both funny and scary, The film possesses an overriding eagerness to please that prevents it from becoming off-putting. It delivers a good share of scares and dark laughs. Some of the special effects are a little creaky now, but the snap of Landis's editing and the razor's-edge balance of horror and comedy are still fresh. The metamorphoses into the werewolf scenes are spectacular and the beast's rampage through Piccadilly Circus is marvellous. Splendid gory fun. It feels increasingly like a symbol of traveller abroad alienation-what trying to live in a place that isn't home can feel like: confusing, rageful, even physically debilitating.
The old adage of the simplest ideas being the best is once again demonstrated in this, one of the most entertaining films of the early 80's, and almost certainly Jon Landis' best work to date. The script is light and witty, the visuals are great and the atmosphere is top class. Plus there are some great freeze-frame moments to enjoy again and again. Not forgetting, of course, the great transformation scene which still impresses to this day.
In Summary: Top banana
In Summary: Top banana
Interestingly enough then the 1981 horror movie "An American Werewolf in London" still is one of the most iconic werewolf movies out there and has been so for 41 years. That is some impressive feat, I have to admit that.
I had the opportunity to sit down and watch writer and director John Landis' 1981 movie again here in 2022, and of course I needed no persuasion to do so, because "An American Werewolf in London" truly is a horror classic. And I find that the movie is every bit as entertaining and enjoyable as it was back in the day when watching it as a kid.
The storyline is pretty straight forward, and it is actually rather enjoyable, despite being somewhat generic. But take into consideration that this movie was made in 1981, so it was somewhat pushing boundaries back in the day.
The visual effects were great back in the day. And I will actually go as far as saying that they still hold up now 41 years later. Sure, there are signs of aging, but having just seen the movie again, I still find the special effects in the movie rather enjoyable and good. Especially the transformation scenes, they are just spectacular and very, very impressive for a movie 41 years old.
The cast in the movie is good, and I've always liked David Naughton in this movie. But the movie also have familiar faces on the cast list such as Jenny Agutter, Frank Oz and even a short appearance by Rik Mayall.
If you enjoy werewolf movies, then you should be well-familiar with "An American Werewolf in London" already, and if you are not familiar with this 1981 classic, then you should make haste and acquire a copy and sit down to watch John Landis' masterpiece.
My rating of "An American Werewolf in London" lands on a well-deserved eight out of ten stars. This is a classic werewolf movie, and it is one that can be watched over and over.
I had the opportunity to sit down and watch writer and director John Landis' 1981 movie again here in 2022, and of course I needed no persuasion to do so, because "An American Werewolf in London" truly is a horror classic. And I find that the movie is every bit as entertaining and enjoyable as it was back in the day when watching it as a kid.
The storyline is pretty straight forward, and it is actually rather enjoyable, despite being somewhat generic. But take into consideration that this movie was made in 1981, so it was somewhat pushing boundaries back in the day.
The visual effects were great back in the day. And I will actually go as far as saying that they still hold up now 41 years later. Sure, there are signs of aging, but having just seen the movie again, I still find the special effects in the movie rather enjoyable and good. Especially the transformation scenes, they are just spectacular and very, very impressive for a movie 41 years old.
The cast in the movie is good, and I've always liked David Naughton in this movie. But the movie also have familiar faces on the cast list such as Jenny Agutter, Frank Oz and even a short appearance by Rik Mayall.
If you enjoy werewolf movies, then you should be well-familiar with "An American Werewolf in London" already, and if you are not familiar with this 1981 classic, then you should make haste and acquire a copy and sit down to watch John Landis' masterpiece.
My rating of "An American Werewolf in London" lands on a well-deserved eight out of ten stars. This is a classic werewolf movie, and it is one that can be watched over and over.
Violent, gory yet somewhat bittersweet tale of an American tourist who has the misfortune of being bitten by a werewolf. David Naughton is young and bewildered, Jenny Agutter cute, innocent and sexy and Griffin Dunne hilarious as a rapidly decomposing poltergeist. The score is great and the special effects outstanding. This movie gives new meaning to the term Ugly American. Don't watch this on commercial TV. It can only be appreciated in its original, unedited form.
One of the best werewolf movies ever made, full of dark humor and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history! The only other movie to show such detail is The Howling. This movie is really fun to watch, and if you are seeing it for the first time you will be shocked at some of the things you see. Great performances from the cast, and an excellent script make this a memorable experience. Unlike monster/horror movies today, this film has no computer-aided special effects. It doesn't need them, for this is a landmark film.
Lo sapevi?
- QuizDue to the controversial lack of recognition for The Elephant Man (1980), make-up and industry technological contributions became recognized by the Academy Awards in 1981. Make-up artist Rick Baker was the first to receive an Oscar in the new category. William Tuttle was the first make-up effects artist to receive an honorary Oscar, for his work on Le 7 facce del Dr. Lao (1964). At 31, Baker was also the youngest person to win the award, a record that was later tied by Tami Lane for Le cronache di Narnia - Il leone, la strega e l'armadio (2005).
- BlooperRepeated mentions of werewolf attacks during a full moon are ignored when David undergoes his transformation on two consecutive nights. There is only one full moon during a lunar cycle. If the moon is full on a Saturday night, for example, it cannot be truly full on the next night, Sunday.
- Citazioni
David: I want you to arrest me, you asshole!
Bobby in Trafalgar Square: There's no call for that kind of language.
David: Queen Elizabeth is a man! Prince Charles is a faggot! Winston Churchill was full of shit!
Bobby in Trafalgar Square: That's enough.
David: No! Let go of me!
Alex: David, please!
David: Shakespeare's French! Fuck! Shit! Cunt! Shit!
- Curiosità sui creditiKermit the Frog and Miss Piggy star as themselves.
- Versioni alternativeUniversal Studios re-mixed the film's monaural soundtrack to Dolby Digital 5.1 and DTS for the 20th anniversary "Collector's Edition" DVD, replacing the older sound effects and adding some new ones (see also Lo squalo (1975)).
- Extra thunderclap sound effects were added in the scene when David and Jack are walking in the moors and it starts to rain.
- The first werewolf can now be heard growling in the rear channels as it circles David and Jack. A louder growl has been added to the rear-left channel after Jack says "It's circling us" to make the audience jump.
- All the gunshots and car crash sound effects have been replaced.
- The train in the "London tube" scene can now be heard moving from one channel to another
- Despite already being bad enough, the entire mix is inexplicably pitched down a half-pitch and sounds very different from the original mix.
- ConnessioniEdited into Poppers (1984)
- Colonne sonoreBlue Moon
Music by Richard Rodgers (uncredited)
Lyrics by Lorenz Hart (uncredited)
Performed by Bobby Vinton
Courtesy of Columbia Records
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Un hombre lobo americano en Londres
- Luoghi delle riprese
- Crickadarn, Powys, Galles, Regno Unito(East Proctor)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.565.292 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.786.512 USD
- 23 ago 1981
- Lordo in tutto il mondo
- 30.833.580 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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