Nero Wolfe

I thought Lee Horsley was the definitive Archie Goodwin, and I'd like to know if this series will ever be released on DVD. Although I like Timothy Hutton (in the AE version), he's a little too polished for the role of AG and Maury Chaykin a little too vehement for Nero Wolfe. I had not seen the AE version of Nero Wolfe until recently when I checked the DVDs out of our local library. I enjoyed them, but I'm a real fan of the Nero Wolfe books; and the characterizations of Wolfe and Goodwin were just a little "off." I remember the 1981 series set me to reading the books, and I had no difficulty visualizing Lee Horsley as the wise-cracking Archie. I would love to see this older series again.

Lee Horsley stands out (without his "Matt Houston" mustache) as just about the only on-target bit of casting. Conrad, as Wolfe, was large but neither tall nor imposing enough to play the part - to say nothing of the fact that in only one adventure of his 41-year literary career did he ever cultivate a beard, which he shed as soon as the case was over. Nor was Wolfe openly sentimental. Only Archie, with his keen observational acumen and intimate knowledge of his employer's habits, moods and faults, could see its expression. Wolfe himself, in a comment reported to Ken Darby, author of "The Brownstone House of Nero Wolfe", may have been willing to accept Raymond Burr or Orson Welles to play him, but not without reservations. George Wyner as Saul Panzer was even worse. Having played too many comic - make that doofus - roles, he came far short of portraying Panzer's suave acumen, street smarts and hard edge. He also looks too wimpy. Furthermore, three whole novels, "In the Best Families" (1950), "Before Midnight" (1955) and "If Death Ever Slept" (1957) became a single, mistitled, one-hour episide, "In the Best of Families" (ep. #1.7). It was in "If Death Ever Slept" that Wolfe breifly let his face sprout and starved himself to a normal weight.

The only excuse I could ever give myself to watch this show was that any Wolfe on TV was better than no Wolfe.

I enjoy this series over the latter series with timothy Hutton. I found this series to have more texture than the latter series. It was and is fun to see all the actors interacting with each other. There was also a fun sense of humor to this series. Watching inspector Cramer getting out of a chair without using his hands and Wolfe's reaction each time to it. Also all of the actors in this version seem to enjoy their roles. I do like the latter series also but I prefer the first series most. I wish the series would have lasted longer. It seems that series such BONES, NCIS, CSI can go on and on add nauseuem. I prefer detective series were you have to think to find the guilty without major shoot outs, car chases etc. . I find that well written series do not last long at all on TV: Nero Wolfe,(both series), Ellery queen, Probe, Spenser: for hire to name the major ones. It was a good series. Luckily I can watch both versions whenever I want to at my leisure.

I read a Nero Wolfe story as a kid and found this series intriguing. It starred William Conrad who was better known from his previous TV role as the portly detective Frank Cannon.

This is another QM production made in the early 1980s but the series was short lived. Nero Wolfe is a clever detective but would rather eat and tend to his orchids than hit the streets doing detective work.

For that he has his assistants to do the legwork such as Lee Horsley who played Archie Goodwin who also provides the muscle to go with Nero's brains. The episodes were enjoyable and its a shame we did not see more. Maybe US viewers were still pining for Frank Cannon.

It is beyond understanding why this show was canceled so quickly. The appearance and attitude William Conrad gave his Wolfe was just about perfect. He was the "seventh-of-a-ton" detective thousands of readers of the novels probably imagined. But not only Conrad was superb, the rest of the cast was as well, from George Voskovec's Fritz to Allan Miller's Inspector Cramer, with whose fits anyone could feel along.

Some edges of the characters were taken out, which is especially true for Archie Goodwin, and was most probably done to assure mass compatibility. Both Goodwin and Wolfe are described as chauvinists par excellence in the books. But besides that, there wasn't much more an avid fan of the novels could have asked for.

Very noteworthy is the great care about every little detail of the "old brownstone." That was marvelous work and the production crew should be applauded for that. Probably they had a number of Wolfe fans among them.