Falcon Crest

Executive producers Michael Filerman and creator Earl Hamner made the wise decision to make Robert McCullough the supervising producer and de facto show-runner by the end of the first season, and the result was three years of FALCON CREST which were near-brilliant -- a gently Gothic, slightly tongue-in-cheek entry in the DALLAS/DYNASTY era wealth-based nighttime soap genre which became so huge during the early-1980s.

Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.

Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).

Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.

Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.

Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.

I love this show, i started watching it last year on soapnet and i absolutley love it, i taped every episode and i still watch it everyday. Angela, Richard and Chase when in scenes together have great chemistry. The cast is incredible, Abby Dalton as the psycho daughter of Angela and Margaret Ladd as her looney but very intelligent other daughter Emma are brilliant in their roles. Also stars Susan Sullivan, Ana Alicia, Laura Johnson. I can go on and on, i wish i watched this when i was younger but i was 3 when it started. I highly recommend watching this show.

Wyman, The former wife 39th President Ronald Reagan triumphantly returned to television in the nighttime soap opera "Falcon Crest". For most of the show's nine-year run, no one could best Jane Wyman's "Angela Channing," the writers providing her with the best lines, the best wardrobe, and, in most episodes, the final scene. It wasn't until the show's last season that poor health prevented her from appearing in no more than the first and last installments.

However, she was surrounded by a cast of superb performers. Though Robert Foxworth received second billing, it was evident that other characters were more popular. Susan Sullivan, already a favorite from the daily soap "Another World," gained a wider audience as Chase's wife Maggie, following his dream to achieve success as a wine maker. William R. Moses and, initially, Jamie Rose were their children, brought into a community to which they were ill-suited. Lorenzo Lamas and Ana Alicia as Angela's grandson and granddaughter-in-law provided enough tension, in and out of the bedroom, to supply several soap operas. Margaret Ladd as "looney" daughter "Emma" was a treat to watch each week, as was Abby Dalton as her manipulative sister and the mother to Lamas's character. Chao Li Chi played the chauffeur and confidant to Mrs. Channing.

Possibly the most popular characterization was David Selby as "Richard Channing," Angela's chief nemesis that would later be revealed as her son. Their ongoing battles were priceless.

Other cast members came and went, a veritable "who's who" of "Old Hollywood". Lana Turner, Mel Ferrer, Cesar Romero, Eve Arden, Celeste Holm, Kim Novak, and Rod Taylor were just some of the famous that entered the gates of Falcon Crest.

There were some major casting "snafus," from rock star and Prince-protégé Appolonia, playing to type as a character sporting her same name, to Gregory Harrison as a rival for Richard Channing's empire. Both seemed ill-at-ease with their roles.

Though the show drifted into absurdity in season four with a "Raiders-of-the-Lost-Ark-like" search for a treasure buried beneath the estate/vineyard (complete with the film's star Paul Freeman as the sinister leader behind the search), it still maintained its cutthroat machinations for most of its run.

Another plus were the thrilling season-ending cliffhangers. "Dallas" may have started them all, but "Falcon Crest" had the best.

The show never had the ratings success of "Dallas" or "Dynasty" but it was still an enjoyable way to spend an hour on a Friday night.

Initially dismissed as "Dallas with grapes" Falcon Crest was created by Earl Hamner Jr. who also created such TV series as The Waltons and Apple's Way. His more wholesome take on a night-time soap was similar to that which you might think - one that romanticizes family values (While providing an examination of complicated family interpersonal relations) and work ethic. The Northern Italian roots of his maternal grandfather was an influence upon his crafting of the backstory of Falcon Crest.

But the main inspiration for Falcon Crest was Hamner's own experience owning an unsuccessful vineyard in the Napa Valley in California in the 1970s, an unprofitable investment which nevertheless inspired him via his experiences. His own time as a struggling writer is doubtless an inspiration for Maggie Gioberti - hapless freelancer.

Beginning as a more family friendly night-time soap airing right after Dallas on CBS Angela Channing was set to be portrayed by Barbara Stanwyck reflecting her matriarchal role on The Big Valley TV series in the 1960s. Barbara Stanwyck passed on the role which was then taken on by Jane Wyman.

The original unaired pilot for the series starred Clu Gulager as Chase and Samantha Eggar as Maggie. The roles were recast and Robert Foxworth who had been approached with playing the role of J.R. on Dallas was brought in to play Chase, a very different character on what would be a different kind of prime time serial.

The series inevitably declined in its later years long after it had said what it had to say. Hastening the decline was the departure of series stars and recycling of plot-lines.

I got hooked on this show after the first few years had passed. These nighttime soap operas were known for their season-ending cliffhangers and this one was no exception. The best seasons of the series were 1986-1989, when they experimented with a faster-paced style of storytelling that was quite smart and exciting. This had by far the best sense of humor of all the soaps and featured excellent acting from Jane Wyman, Ana-Alicia, David Selby and Susan Sullivan (now on "Dharma and Greg") Interesting note: during many of its later years, this show's music was composed by Mark Snow, who went on to do the famous "X-Files" theme and score. I wish they still showed reruns of this show somewhere!