Das Boot

When a film about World War II has American audiences routing for the Germans, hoping and cheering them on for the success of their mission, one can only become conscious of the ultimate horror and futility of war. One also has watched a helluva movie.

Back in the early 80's I called in sick (along with some friends) to see the opening of Petersen's Das Boot. We were all stunned. Went out for a beer and then returned to the theatre and watched it all over again.

Petersen masterfully developed his cast into a crew who are no longer "the enemy" but fresh faced kids, neither prepared nor aware of the horror that was waiting them. When I first saw "Das Boot" – I was the same age as those kids so it resonated more powerfully than I could have possibly imagined. In this wonderful uncut release of the original German miniseries we're forced to spend even more time with the crew of U-96 and in that time get to knew them better. We see friendships and bonds formed, the irritability that comes with lack of privacy and tension so dense it becomes an almost physical presence. We also get more of the sense of what war really is – immense spans of boredom and ennui interrupted by the occasional horrors of violence and death.

Petersen kept his cast indoors and unshaven during the entire shoot with the resulting effect that the crew actually looks like a group of men who have not seen natural light, or breathed fresh air for 65 days. Additionally, the actors were all put through vigorous physical training so that when racing through the set of a dangerously reconstructed U-Boat, they move naturally with an almost balletic swiftness that is dazzling.

This is masterful film-making of the highest order, with sound and lighting that capture the claustrophobic nature of a submarine, almost suffocating the viewer. The scenes of Das Boot racing through the Atlantic, it's difficult near fatal destruction in the narrow Strait of Gibraltar will have your blood pumping at fever pitch.

The ensemble cast is uniformly excellent, each actor - even ones with little to no dialogue, making bold indelible choices in developing their characters.

Jürgen Prochnow as the Captain gives a remarkable, strong performance, making one believe - from the very beginning - this is a true leader of men.

You have no difficulty believing this crew standing behind this captain's every decision.

Petersen's writing of Herbert Grönemeyer as the eager young reporter, Werner is a masterful creation. Werner becomes the multi-faceted prism through whom we watch and live this story. Part Greek chorus, part conscience of the uninvolved, we join him as an outsider on the inside, becoming participants in this heart rending drama. Grönemeyer's performance becomes the very soul of Das Boot.

"Das Boot" remains one of my all time favorite films and to finally be able to own and see it as Wolfgang Petersen intended is one of the best things to happen since the invention of DVD.

As good as "Das Boot" is in it's original theatrical form,and in an director Peterson's extended version in the re-release,the TV version,coming in at close to five hours long shows so much more of the day to day life on the boat.The claustriphobic nature of life on a WWII submarine is opened up for us. It delves far more deeply into the personalities and lives of the crew,both on and off the boat.They become real human beings,and we see how hard their lives are while on patrol.As with "All Quiet on the Western Front",the senselessness of war is brought home when see from the losing side. Highly moving

Das Boot is considered by many one of the best war films ever made. They have been a number of versions, the theatrical cut and the director's cut. The film was financed by German television and the director Wolfgang Petersen converted it into a 6 hour mini-series. The DVD is an epic 4 hour 42 minutes, cut in a seamless fashion.

Das Boot is a rare film, a film that tells a story of World War II from the German perspective. It shows the mission of U-96 in the winter of 1941 when the Battle of the Atlantic is turning towards Britain's favour. Britain is using the convoy system, having more supplies from the American merchant navy and the Britain navy is getting better armed, so starving the nation seems hopeless. The crew are on a simple mission of trying to sink as many British ships as possible whilst avoiding British patrol planes and destroyers, a very tough think to do. The focus of Das Boot is on the experienced war weary captain (Jürgen Prochnow) and Lieutenant Werner (Herbert Grönemeyer), a young war corespondent for the German military and an outside to their world. All the characters are individuals, treated with respected, even the only character who is a Nazi is treated like a human being. This is a complex drama about the moral of warfare and the collective spirit of serving in a submarine. It is a tough world where young men are serving in one of the most dangerous fields of war during World War II. This a conflict where they are long moments of boredom in a close environment. This can lead to conflict within the crew. Whilst when the U-Boat does find a convoy it can be a massive struggle between life and death for the whole crew.

Das Boot is clearly Wolfgang Petersen best work. He shows the claustrophobic environment of what a U-Boat would have been like. It is a noisy environment, and it can lead to conflict within the crew, but also the crew are also close and have to be because they depend on each other. As well as the moments of boredom to show character development and debate the war, Petersen also knew when to add the tension and made Das Boot an instance experience. He also showed his skill with action. Wolfgang Petersen focused on character development, unlike his Hollywood films. He does not villainize either the British or German navies, or the people who fought in the war. Despite Das Boot is based on a fictional novel, it is one of the most accurate portrayal of naval warfare during World War II.

Das Boot has a very 80s score to it, using modern instruments, which surprisingly works, adding to the imagines. I personally would have gone for a more classical score, but that's just me.

A must see.

Das Boot is my favorite war film. It shows war through the eyes of Germans. It is so realistic and intense that I live it every time I see it. It is one war film where I consider Germans to be the "good guys"! Their humanity and fight for survival touch me in such a way that I cannot help but be totally for them. It does indeed prove that beneath every uniform their lies a human being with hopes and dreams for the future.

It makes me realize that war is terrible for everyone involved. It makes me realize that our common humanity is much more important than politics. We all should recognize this fact of life. God bless the people who made this film. They not only opened my mind but also my heart! So I'd like to say to them: Vielen Dank!

I taped the original Swedish airing of "Das Boot" in the late 80's,and thought it was amazing. Now I own the DVD,and I still think it's amazing! Fortunate enough, this film lack the big special effects,which makes it stand excellent against time.

I prefer the mini over the feature movie. The slower pace and the closeness to the characters really gets to me. Over the years I must have seen this film more than 50 times,and it's still great! The casting is excellent and so is the directing. Wolfgang Petersen have done really well with a great novel. He captures the boredom and the fear in war in a superb way.

Perhaps the labeling of this film as a "war movie", has scared off many viewers from a great piece of art. Both those who dislike war movies and those who like war action.