Christmas Evil - Un Natale macchiato di sangue

CHRISTMAS EVIL (aka You Better Watch Out, 1980) - One of the more perverse, but, still interesting 'killer Santa' movies out there. Director Lewis Jackson (who I got to see speak at a screening of this several years back) was a bright guy and he brings a psychological edge to the typical holiday slasher genre. All shot in New Jersey. The script isn't much (Jackson confesses to having come up with the concept stoned), and the acting is variable but Brandon Maggart gives it his all as the tortured toymaker turned killer Claus (he's Fiona Apple's dad).

The Cinematography is interesting with the film being shot by Ricardo Aronovich of all people - he also lensed films by Costa-Gavras (MISSING) and Louis Malle (MURMUR OF THE HEART).

If you've played out the original BLACK CHRISTMAS and want another 'black' Xmas flick, check it out. Unsurprisingly, it's a favorite of John Waters.

And, the ending is SOMETHING else (remember, the filmmaker was stoned!)

This cult favourite seasonal picture is writer / director Lewis Jackson's interesting, offbeat take on the holidays, focusing on a pathetic figure named Harry Stadling (Brandon Maggart), whose mind has been warped ever since seeing something as a child that he ought not to have seen. He's grown up with an obsession with Christmas; the decorations at his place have a Christmas theme, for one thing. He's dismayed at the attitudes displayed by co-workers at his place of employment, a toy factory, and goes so far as to catalogue the naughty or nice activities of children in his neighbourhood. When he learns that his company plans on donating toys to a local hospital, but expects all employees to make any financial donations, that's when he truly becomes determined to spread his own brand of Christmas cheer.

Now, this is not really for hardcore horror fans. True enough that Harry does end up murdering a few people, but this is not about racking up the body count. This is ultimately about one man's mental and emotional deterioration, and nowadays some folk might even insist on giving it the common "psychological thriller" label. Jackson takes aim at the crass commercialization of the holiday, a common theme in Christmas fare, and comes up with some very striking images, notably the police line up of Santas, and the homage to the Fritz Lang classic "M" with angry torch bearing citizens hellbent on getting their hands on Harry.

Talented star Maggart came in cold for his audition and delivered the exact performance seen in the movie; it's truly something to see. Fellow character veteran Jeffrey DeMunn ('The Walking Dead', "The Green Mile", etc.) is also effective as Phil, the younger brother frustrated over having to look out for Harry for many years rather than being able to look up to him. The cast and crew is filled with a number of people who did very well for themselves afterwards; the actors include future 'Home Improvement' wife & mom Patricia Richardson, as well as Peter Friedman, Mark Margolis, Raymond J. Barry, Robert Lesser, Bill Raymond, and Rutanya Alda; the crew includes "presenter" and producer Edward R. Pressman, cinematographer Affonso Beato (who would shoot "The Big Easy"), and the late editor Sally Menke, who cut all of Tarantino's directorial efforts. Fun sequences feature Harry partying hearty with some strangers at a Christmas party and delivering toys to the children at a hospital. Seeing Harry spy on the kids, however, does create a fairly creepy vibe, no matter how good his intentions are.

One thing is for certain, and it's that this amusing low budget flick is fairly memorable, right down to its ending.

Seven out of 10.

This movie is a very well thought out piece of low budget horror. Unlike the cheezy imitations such as "Silent Night, Deadly Night" this movie has a well thought out storyline with a central character you can understand and feel sympathy for. This movie is more than just another generic slasher flick. It has an interesting story and main character. The film may move a little slow at the beginning for people with short attention spans and no intelligence, but just about everyone else should be able to appreciate this low budget wonder. Just remember, this is not supposed to be another Friday the 13th.

oddball seasonal slasher that has more characterisation and less gore than many of its contemparies.After witnessing his mother getting it on with his father in a santa suit as a boy,a now deeply disturbed and grown up harry standling (Brandon Maggart) decides to celebrate Christmas his own way by metering out punishment to those who have besmirched the season of good will.

'Christmas evil' succeeds due to the film's emphasis on showing harry as a three dimensional character and for conjuring up a generally oppressive and Eerie atmosphere throughout,the fact that the death scence's are sporadic and often off kilter add too this 1980 slasher's unsettling nature.

'Christmas evil' will be far too off-beat for your average stalk and slash fan,but for those open minded and adventurous enough,'Christmas evil'is a one of a kind,genuinely original treat.

This is a strange film. It has good acting, yet bad editing. One longs to fast forward it; it could use some cutting--yet, by the time it's over, one is curiously moved. The anti-hero is strangly moving; he is not your usual B-film slasher. He has a genuine, though insane in a world like ours, moral sense. The ending makes it more like a dark fairy tale. I did not enjoy watching it; yet, when it was over, I remember it fondly. It was really trying something different. Its shifts of tone may be its problem; yet it is a worthy effort.