Superman accetta di rinunciare ai suoi poteri per iniziare una relazione con Lois Lane, ignaro che tre criminali provenienti da Kripton, liberati da lui inavvertitamente, stanno conquistando... Leggi tuttoSuperman accetta di rinunciare ai suoi poteri per iniziare una relazione con Lois Lane, ignaro che tre criminali provenienti da Kripton, liberati da lui inavvertitamente, stanno conquistando la Terra.Superman accetta di rinunciare ai suoi poteri per iniziare una relazione con Lois Lane, ignaro che tre criminali provenienti da Kripton, liberati da lui inavvertitamente, stanno conquistando la Terra.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 7 candidature totali
Riepilogo
Reviewers say 'Superman II' features strong performances, especially from Reeve and Kidder, and an engaging romance. Villains like General Zod add significant threat, but the film suffers from an uneven tone due to director changes. Critics note plot inconsistencies and dated effects, though action sequences and themes of love and responsibility are praised. The debate between cuts further complicates reception.
Recensioni in evidenza
Superman II stars Gene Hackman, Christopher Reeve, Terence Stamp, Ned Beatty, Sarah Douglas, Margot Kidder, and Jack O'Halloran. It was to be a troubled shoot that saw two directors involved with the project. Richard Donner had completed about three quarters of the film before being taken off the project, so Richard Lester then came in to finish the film. Because of the back stage problems there are a host of writers credited on the film and both Robert Paynter & Geoffrey Unsworth were involved with the cinematography. Filmed using the Megasound system the score is a reworking of John Williams original score by Ken Thorne.
Something of a miracle in itself that Superman II, in spite of all the behind the scenes shenanigans, is a very fine sequel to the massively successful Superman from 78. Sure there's some odd tonal shifts, a couple of things don't quite add up (to be corrected later on down the line with the release of the Richard Donner cut), while the villains are badly under written, but this has enough comic book adaptation savvy to please most comic book lovers.
This time around sees Superman pitted against three villains who have been released from their prison due to Superman himself detonating a hydrogen bomb in space. The big kicker here being that the three convicts, General Zod, Ursa and Non, are from his home planet of Krypton and had been imprisoned by his father Jor-El. Now they are free they are hell bent on revenge against the son of Jor-El and the planet that worships him. If that was not enough for Superman to contend with, he also has affairs of the heart to deal with as his love for Lois Lane grows ever stronger by the day. While a certain Lex Luthor is plotting his escape from prison...
Pic nicely fuses a humanistic heart with exciting set pieces, to make Superman II a worthy sequel to the wonderful template that is the first film. Ultimately we should embrace both cuts of Superman II or it would go downhill from here... 7/10
Something of a miracle in itself that Superman II, in spite of all the behind the scenes shenanigans, is a very fine sequel to the massively successful Superman from 78. Sure there's some odd tonal shifts, a couple of things don't quite add up (to be corrected later on down the line with the release of the Richard Donner cut), while the villains are badly under written, but this has enough comic book adaptation savvy to please most comic book lovers.
This time around sees Superman pitted against three villains who have been released from their prison due to Superman himself detonating a hydrogen bomb in space. The big kicker here being that the three convicts, General Zod, Ursa and Non, are from his home planet of Krypton and had been imprisoned by his father Jor-El. Now they are free they are hell bent on revenge against the son of Jor-El and the planet that worships him. If that was not enough for Superman to contend with, he also has affairs of the heart to deal with as his love for Lois Lane grows ever stronger by the day. While a certain Lex Luthor is plotting his escape from prison...
Pic nicely fuses a humanistic heart with exciting set pieces, to make Superman II a worthy sequel to the wonderful template that is the first film. Ultimately we should embrace both cuts of Superman II or it would go downhill from here... 7/10
Three prisoners of Krypton find they are freed, and soon discover they have powers beyond their dreams, as they make their way to Earth, the saviour rescinds all his worth, the potential to protect, greatly recedes. Lex Luthor makes escape and finds the fortress, where he gorges on Krypton and feeds his malice, connects with Zod, Ursa and Non, they all collude against the one, who has reversed his past mistake, repealed regress. The battle for the world is then established, the man of steel fights for his life, won't be dismissed, in solitude tables turn, fissures open and intern, past memories are removed, with a brief kiss.
This movie is just great fun!! The 3 evil villains are so good and funny. I especially like the woman villain and her comments on how superman's weakness is the human's and he "cares for these human's, like pets" This movie is cheesy I admit but it's great cheese!! And I mean the ending where superman puts the American Flag on top of the White House is so Classic!! After all superman fights for "Life, Liberty and the American Way! I recommend this movie to all!
I have a confession to make. I love Superman II. Such innocent, almost niave, filmmaking, it personifies the term "family entertainment" and is, simply, great fun to watch.
Other superheroes have floundered at the box office, and maybe this is to do with lack of affinity between the makers and the source material. Certainly, the Superman films are tongue-in-cheek but never so that they're disrespectful to their content or their audience. The Crow was a good example of the "graphic novel" set, and the Batman series did well under the underrated Michael Keaton, but floundered under the flat Val Kilmer and increasingly childish set-pieces. The less said about "Batman and Robin" the better.
Of course, Superman had his own "Batman and Robin" in the guise of "Superman VI: The Quest For Peace", a movie made four years after the third and with seemingly a fraction of the budget. But Superman II was the series at its' peak. The theme music, a startling Star Wars sound-a-like by John Williams, fades to edited recaps of the previous film. These involve Superman as a baby being sent from the destruction of his home planet and are cleverly spliced together so as to avoid having to pay Marlon Brando any more royalties. (Yet we do see Brando's hand. Surely that's worth half a million?). 20% of this movie was shot alongside the 1978 vehicle and so we get reminded in this sequence of the three Kryptonian villains, about to be accidentally released by Superman in a h-bomb explosion.
This was still in the days when films were properly constructed to allow for a genuine build-up, a fully-formed middle and a proper end. Even minor players, such as Perry White (Jackie Cooper) have great lines and characterisation thrusted upon them. This may be just a "fun" movie, but it is lovingly put together, not "thrown together" as many films are. All the actors are wonderful, Christopher Reeve is just right as Superman, Margot Kidder is the definitive Lois Lane (despite almost drowning in soft focus for her close-ups) and Gene Hackman is, of course, absolutely hilarious as Lex Luthor.
But my favourite player in this sequel is Terence Camp as General Zod. Terence plays Zod exactly the same as he plays Bernadette in "The Adventures of Priscilla, Queen of the Desert" and makes great work of the lead villain that must be, in Hollywood circles, always English. "Why do you say these things when you know I will kill you for it?" he minces to Hackman with great effect.
Of course, now twenty years old, this film is less "You'll believe a man can fly" than "You'll believe a man can swing on wires in front of an unconvincing backdrop" but this is still wonderful entertainment. Maybe the middle section, with Clark getting cut to ribbons after being thrown through a plate glass window is a little violent, as is the confrontation between Superman and the trio of villains. There's also the nagging feeling that this section is the biggest single example of product placement ever seen on film. Or is it coincidence that a Superman who featured in a comicbook anti-smoking campaign (against "Nick O'Teen", no less) is continually thrown into a Malboro van? Even Zod gets to know "things look better with Coca-Cola" as he is unceremoniously hurled into a neon sign for the corporation.
But these are minor gripes, and how anyone can hold them against such a harmless film is beyond me. Superman II isn't Citizen Kane by any means, but I defy you to sit through this movie and not love it.
Other superheroes have floundered at the box office, and maybe this is to do with lack of affinity between the makers and the source material. Certainly, the Superman films are tongue-in-cheek but never so that they're disrespectful to their content or their audience. The Crow was a good example of the "graphic novel" set, and the Batman series did well under the underrated Michael Keaton, but floundered under the flat Val Kilmer and increasingly childish set-pieces. The less said about "Batman and Robin" the better.
Of course, Superman had his own "Batman and Robin" in the guise of "Superman VI: The Quest For Peace", a movie made four years after the third and with seemingly a fraction of the budget. But Superman II was the series at its' peak. The theme music, a startling Star Wars sound-a-like by John Williams, fades to edited recaps of the previous film. These involve Superman as a baby being sent from the destruction of his home planet and are cleverly spliced together so as to avoid having to pay Marlon Brando any more royalties. (Yet we do see Brando's hand. Surely that's worth half a million?). 20% of this movie was shot alongside the 1978 vehicle and so we get reminded in this sequence of the three Kryptonian villains, about to be accidentally released by Superman in a h-bomb explosion.
This was still in the days when films were properly constructed to allow for a genuine build-up, a fully-formed middle and a proper end. Even minor players, such as Perry White (Jackie Cooper) have great lines and characterisation thrusted upon them. This may be just a "fun" movie, but it is lovingly put together, not "thrown together" as many films are. All the actors are wonderful, Christopher Reeve is just right as Superman, Margot Kidder is the definitive Lois Lane (despite almost drowning in soft focus for her close-ups) and Gene Hackman is, of course, absolutely hilarious as Lex Luthor.
But my favourite player in this sequel is Terence Camp as General Zod. Terence plays Zod exactly the same as he plays Bernadette in "The Adventures of Priscilla, Queen of the Desert" and makes great work of the lead villain that must be, in Hollywood circles, always English. "Why do you say these things when you know I will kill you for it?" he minces to Hackman with great effect.
Of course, now twenty years old, this film is less "You'll believe a man can fly" than "You'll believe a man can swing on wires in front of an unconvincing backdrop" but this is still wonderful entertainment. Maybe the middle section, with Clark getting cut to ribbons after being thrown through a plate glass window is a little violent, as is the confrontation between Superman and the trio of villains. There's also the nagging feeling that this section is the biggest single example of product placement ever seen on film. Or is it coincidence that a Superman who featured in a comicbook anti-smoking campaign (against "Nick O'Teen", no less) is continually thrown into a Malboro van? Even Zod gets to know "things look better with Coca-Cola" as he is unceremoniously hurled into a neon sign for the corporation.
But these are minor gripes, and how anyone can hold them against such a harmless film is beyond me. Superman II isn't Citizen Kane by any means, but I defy you to sit through this movie and not love it.
Superman II (1980)
*** 1/2 (out of 4)
Very good sequel has Superman (Christpher Reeve) giving up his powers so that he can be with Lois (Margot Kidder) but once he does this the planet comes under attack by three Kryptonian bad guys. I might be the only person in the world to think so but to me this sequel actually surpasses the original film and I think by a rather large margin. Everything that was good in the original is pretty much carried over to this film where it's done even better. I think the big benefit here over the original is that this sequel doesn't run too long and instead it has a much better pacing to it. However, what really makes the film tick are some incredibly action sequences, which includes a hilarious one at Niagra Falls where Lois plans to test Clark to try and see whether he's really Superman or not. The way this entire scene plays out is incredibly funny but also contains some great action. Humor is something that is also much better this time around and especially during the scene where the three aliens wreck havoc on a small redneck town. This here is a pretty long sequence but the laughs really don't stop at any point. I think another major plus with this sequel is that we're given not only a great villain in Luthor (Gene Hackman) but the aliens are also a lot of fun. The three of them make for a great group to root against but at the same time you really love to hate them. As with the previous film, the performance are all extremely good with Reeve once again leading the way in his dual role as both the superhero and the nerd with glasses. I think it's safe to say that the actor really just had something special in him that allowed him to perfectly fit into both roles. Both Kidder and Hackman are good in their parts as is Jackie Cooper, E.G. Marshall and Ned Beatty in his one but funny scene. The action scenes are all extremely good and the special effects this time out are even better. SUPERMAN II is a rare case where the sequel is actually better than the original.
*** 1/2 (out of 4)
Very good sequel has Superman (Christpher Reeve) giving up his powers so that he can be with Lois (Margot Kidder) but once he does this the planet comes under attack by three Kryptonian bad guys. I might be the only person in the world to think so but to me this sequel actually surpasses the original film and I think by a rather large margin. Everything that was good in the original is pretty much carried over to this film where it's done even better. I think the big benefit here over the original is that this sequel doesn't run too long and instead it has a much better pacing to it. However, what really makes the film tick are some incredibly action sequences, which includes a hilarious one at Niagra Falls where Lois plans to test Clark to try and see whether he's really Superman or not. The way this entire scene plays out is incredibly funny but also contains some great action. Humor is something that is also much better this time around and especially during the scene where the three aliens wreck havoc on a small redneck town. This here is a pretty long sequence but the laughs really don't stop at any point. I think another major plus with this sequel is that we're given not only a great villain in Luthor (Gene Hackman) but the aliens are also a lot of fun. The three of them make for a great group to root against but at the same time you really love to hate them. As with the previous film, the performance are all extremely good with Reeve once again leading the way in his dual role as both the superhero and the nerd with glasses. I think it's safe to say that the actor really just had something special in him that allowed him to perfectly fit into both roles. Both Kidder and Hackman are good in their parts as is Jackie Cooper, E.G. Marshall and Ned Beatty in his one but funny scene. The action scenes are all extremely good and the special effects this time out are even better. SUPERMAN II is a rare case where the sequel is actually better than the original.
Lo sapevi?
- QuizIn a 2004 interview, Margot Kidder claimed that Richard Donner shot enough scenes to make his own cut of the film, and that the unused footage was "somewhere in a vault." A website started a petition for Warner Bros. to allow and sponsor Donner's cut of this movie. The footage was re-edited into Superman II: The Richard Donner Cut (2006).
- BlooperClark is able to survive walking all the way back to the Fortress Of Solitude with only a lightweight jacket, slacks, and wing-tipped shoes.
- Citazioni
Superman: General, would you care to step outside?
General Zod: Come to me, son of Jor-El, kneel before Zod!
- Curiosità sui creditiOpening credits incorporate an extensive amount of footage from the first Superman movie.
- Versioni alternativeIn late 2006 a new version, Superman II: The Richard Donner Cut (2006), subtitled "The Richard Donner Cut," was released on DVD and Blu-ray by the new rights-holders of the franchise. It reinserts virtually everything that could been salvaged from what Donner shot for his intended original version of the film, such as the infamous Marlon Brando scenes, before the producers sacked him. This version uses less than 20% of material filmed by Richard Lester, and since that left a few gaps in the story with no possibility of re-shoots, Donner had to make do with just about every bit of footage he had shot some 25 years before, including some which had only been shot as screen tests.
- ConnessioniEdited from Superman (1978)
- Colonne sonorePick Up the Pieces
(uncredited)
Written by Roger Ball, Hamish Stuart and Average White Band (as The Average White Band)
Performed by Average White Band (as The Average White Band)
Courtesy of Atlantic Records
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Superman II - Allein gegen alle
- Luoghi delle riprese
- Calgary, Alberta, Canada(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 54.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 108.185.706 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.100.523 USD
- 21 giu 1981
- Lordo in tutto il mondo
- 216.385.706 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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