Shining

One of those films that is a classic for a reason.

It's been on my list of movies to watch forever and a day and I finally got to it in 2023.

This is an experience, masterfully shot and some of the most intense and engaging performances I have ever seen.

Nicholson and Duvall have a complex chemistry that works at so many levels, which is essential to the make up of this story and anchors the first class direction.

This is cinematically spectacular, the sets and the the design of this film is isolating, terrifying and captivatingly beautiful all at the same time.

Worth all of the accolades and hype, even at 43 years old this film delivers in spades.

When Jack Torrance (Nicholson) is offered a job as winter caretaker for the Overlook Hotel he accepts it as an opportunity to work on his novel in an isolated environment. He is told stories of the last caretaker going mad and butchering his family but isn't deterred. He arrives at the Overlook Hotel with his wife (Duvall) and child Danny (Lloyd) and is shown around the hotel by the cook (Scatman Crothers) who has the gift of perception. The cook warns Danny that the hotel can be of particular danger for those with the gift. It's only a matter of time before Jack begins to act increasingly erratic.

This is one of Jack Nicholson's finest roles, his increasingly unhinged character is amusing and terrifying in almost equal measures. Duvall plays the role of the terrorised wife quite well - she does look like she's genuinely filled with fear - but doesn't have much else to do. Lloyd is excellent as the boy, although he doesn't have too much emotion to express. However no doubt that this is Jack's show.

The story doesn't stick to King's novel and is better for it; this is Kubrick's Shining. The film has plenty of genuinely scary moments but manages to keep a creepy atmosphere all through - especially as the ghosts come out and Jack begins to move between his reality and the reality that is gradually claiming him.

Kubrick is excellent here, his cold direction adds to the overall creep factor of the film. It's one of the best examples of his masterful touch.

Overall this is an excellent horror movie - because the focus is on horror and fear rather than gore alone (as with modern horrors). Jack is excellent in one of his best roles ever and the whole package is delivered in a cold creepy manner by a sadly lost director.

Even though The Shining is over a quarter of a century old, I challenge anyone to not get freaked out by Jack Nicholson's descent into madness. This is a rare example of something so unique that no one has been able to rip it off; instead it has been referenced time and again in pop culture. The twins, the elevator of blood, RedRum, the crazy nonsense "writing"... this should be seen, if for nothing else, to understand all the allusions to it in daily life. The film is simultaneously scary, suspenseful, beautiful, and psychologically intriguing. It has the classic mystery of Hitchcock and the terror of a modern thriller. And it has what horror movies usually lack: a great script.

What can I say about the scariest movie I have ever seen that has not already been said by others more articulate than yours truly? Do not view this film expecting to see a screen version of the Stephen King novel. Rather, this is a Stanley Kubrick film, and to fully appreciate it one should judge it within the context of Kubrick's entire body of work as a serious filmmaker. Thematically, THE SHINING relates most closely to 2001: A SPACE ODYSSEY, though flourishes of PATHS OF GLORY, A CLOCKWORK ORANGE and BARRY LYNDON do manage to figure prominently in the film's overall technique.

In a nutshell (no pun intended), Jack Nicholson and Shelly Duvall co-star with Oregon's Timberline Lodge - enlisted to portray the exterior of the Overlook Hotel - in a story that appears on the surface to be about ghosts and insanity, but deals with issues of child abuse, immortality and duality.

What the film might lack initially in terms of coherence is more than made up for in technique. Garrett Brown (the male voice in those old Molson Golden commercials), inventor of the Steadicam, chases young Danny Lloyd through hotel corridors and an amazing snow maze, providing magic-carpet-ride fluidity to scenes that ten years earlier would have been impossible to accomplish. If the film starts off too slow, remember who the director is. This man likes to take his time, and the results are well worth it: incredible aerial shots of the Overlook Hotel; horrific Diane Arbus-inspired twins staring directly at us; portentous room 237 and its treasure trove of terrible secrets; elevators that gush rivers of blood in slow-motion; Jack Torrance's immortality found via the hotel (akin to David Bowman's journey through the Space Gate); and some of the best use of pre-existing music ever assembled for a motion picture.

It would take a book to examine and defend the film's strong points and drawbacks. If you've never seen it, you owe it to yourself to watch it alone with the lights off, with no interruptions, and make sure that it's raining. This is a cinematic experience that changed my life at the age of 14. Makes a great double feature with Robert Wise's 1963 thriller THE HAUNTING.

Whenever we hear the name Stanley Kubrick, the poster, scene or a shot from The Shining will come to our mind - most probably " Here's Johnny!". For a legendary filmmaker like Kubrick who has multiple masterpieces to his credit, would still be fine if he had never even made this film. But still, there would be some great missing which will be felt! That's because of The Shining's ability to penetrate the viewer's mind, even the subconscious, and imprint an influence in its deeper depths. How the movie hooks the viewer with its horror which is created from several dimensions is a remarkable factor that makes this film an all-perfect masterpiece that is thrilling and exciting even after watching it umpteen times.

How Kubrick created the horror, just one among the many factors that make the film a great one (still a very important one though), is so deep and mind-blowing, he builds tension in the viewer with enough substance written in the screenplay to showcase on the screen, and perfectly well-tuned and tastefully directed horror. Most importantly, the background music and sounds have immense depth with its structuring crafted to the innermost core and the finely touched upper layers. The actors give performances that are dramatically aesthetic and showcase facial expressions that are realistic to the utmost extent. As the film progresses the anticipation for something scary to expect in the upcoming scenes is created successfully and the anticipation that it created is also executed by scaring the viewer with horrors of huge intensity.

One thing that is found in this film is something of a variety. It's the portrayal of the supernatural in a very realistic manner, which is done in a subtle way that doesn't let the viewer know that it's a realistic portrayal of the supernatural he won't even care to notice it. Because that's how successfully it's done. And what's the use of it? It has an impact on the viewer which affects how he perceives the film, and that too which will be something of an advantage for the filmmaker.

I don't intend to say anything about the story of the film, whether it's supernatural horror or the breakdown of a madman's mind, is still debated among cinephiles, even 40 years after the film's release. And that's also a thing which makes the film a great one! Rather than just showing what the maker wants to show, Kubrick lets the viewer decide what the film is, by making him analyse the film from his perspective and come up with an interpretation. This is a form of interactive cinema, an indirect one though.

The Shining is one of the greatest horror masterpieces or even one of the best films of all time.