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Shining

Titolo originale: The Shining
  • 1980
  • VM14
  • 2h 26min
VALUTAZIONE IMDb
8,4/10
1,2 Mln
LA TUA VALUTAZIONE
POPOLARITÀ
322
32
Shining (1980)
Trailer 1
Riproduci trailer0: 54
17 video
99+ foto
Psychological DramaPsychological HorrorSupernatural HorrorDramaHorror

Una famiglia si dirige verso un hotel isolato per l'inverno, dove una presenza spirituale malvagia induce il padre alla violenza, mentre il figlio telepatico vede orribili presentimenti del ... Leggi tuttoUna famiglia si dirige verso un hotel isolato per l'inverno, dove una presenza spirituale malvagia induce il padre alla violenza, mentre il figlio telepatico vede orribili presentimenti del passato e del futuro.Una famiglia si dirige verso un hotel isolato per l'inverno, dove una presenza spirituale malvagia induce il padre alla violenza, mentre il figlio telepatico vede orribili presentimenti del passato e del futuro.

  • Regia
    • Stanley Kubrick
  • Sceneggiatura
    • Stephen King
    • Stanley Kubrick
    • Diane Johnson
  • Star
    • Jack Nicholson
    • Shelley Duvall
    • Danny Lloyd
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,4/10
    1,2 Mln
    LA TUA VALUTAZIONE
    POPOLARITÀ
    322
    32
    • Regia
      • Stanley Kubrick
    • Sceneggiatura
      • Stephen King
      • Stanley Kubrick
      • Diane Johnson
    • Star
      • Jack Nicholson
      • Shelley Duvall
      • Danny Lloyd
    • 2.3KRecensioni degli utenti
    • 400Recensioni della critica
    • 68Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #66
    • Premi
      • 6 vittorie e 9 candidature totali

    Video17

    The Shining
    Trailer 0:54
    The Shining
    The Shining
    Trailer 1:30
    The Shining
    The Shining
    Trailer 1:30
    The Shining
    In Memoriam 2024
    Clip 2:53
    In Memoriam 2024
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    Clip 3:36
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    'The Shining' | Anniversary Mashup
    Clip 1:51
    'The Shining' | Anniversary Mashup

    Foto626

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    Interpreti principali99+

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    Jack Nicholson
    Jack Nicholson
    • Jack Torrance
    Shelley Duvall
    Shelley Duvall
    • Wendy Torrance
    Danny Lloyd
    Danny Lloyd
    • Danny
    Scatman Crothers
    Scatman Crothers
    • Hallorann
    Barry Nelson
    Barry Nelson
    • Ullman
    Philip Stone
    Philip Stone
    • Grady
    Joe Turkel
    Joe Turkel
    • Lloyd
    Anne Jackson
    Anne Jackson
    • Doctor
    Tony Burton
    Tony Burton
    • Durkin
    Lia Beldam
    Lia Beldam
    • Young Woman in Bath
    Billie Gibson
    • Old Woman in Bath
    Barry Dennen
    Barry Dennen
    • Watson
    David Baxt
    David Baxt
    • Forest Ranger 1
    Manning Redwood
    Manning Redwood
    • Forest Ranger 2
    Lisa Burns
    • Grady Daughter
    Louise Burns
    • Grady Daughter
    Robin Pappas
    • Nurse
    Alison Coleridge
    • Secretary
    • Regia
      • Stanley Kubrick
    • Sceneggiatura
      • Stephen King
      • Stanley Kubrick
      • Diane Johnson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti2.3K

    8,41176.2K
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    Riepilogo

    Reviewers say 'The Shining' is lauded for its atmospheric tension, innovative camera work, and Jack Nicholson's performance. Kubrick's direction and psychological horror elements are often highlighted. Criticisms include deviations from the novel, underdeveloped characters, and perceived lack of coherence. Shelley Duvall's performance divides opinions. Pacing and length are contentious, with some finding it slow and others appreciating the build-up. Despite mixed views, it remains influential in horror.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    chaos-rampant

    Eeriness surpassed by class

    Sometimes all good horror needs is a good idea. But sometimes, rarely indeed, a horror masterpiece will reach us by the hand of a Kubrick, with the adept, elusive touch of a great artist to guide the vision, and we know what separates it from all else.

    Okay, the story has enough promise that even a hired gun would have to try to fail. Heck, even Stephen King himself didn't fare so bad. It's how Kubrick perceives King's universe however, how he fills the frame with it, that renders THE SHINING a feast for the senses.

    Horror that will reach us through the mind and body alike, an assault as it were, tending eventually its pitch to a crescendo, yet curiously not without a delicate lull.

    Kubrick's cinema is, as usually, a sight to behold. We get the adventurous camera that prowls through the lavish corridors of the Overlook Hotel like it is some kind of mystic labyrinth rife for exploration, linear tracking shots exposing impeccably decorated interiors in symmetric grandeur. The geometrical approach in how Kubrick perceives space reminds me very much of Japanese directors of some 10 years before. In that what is depicted in the frame, the elements of narrative, is borderline inconsequential to how they all balance and harmonize together.

    Certain images stand out in this. The first shot of Jack's typewriter, ominously accompanied by the off-screen thumps of a ball, drums of doom that seem to emanate from the very walls or the typewriter itself, an instrument of doom in itself as is later shown. A red river flowing through the hotel's elevators in a poetry of slow motions. Jack hitting the door with the axe, the camera moving along with him, tracking the action as it happens, as though it's the camera piercing through the door and not the axe. The ultra fast zoom in the kid's face violently thrusting us inside his head before we see the two dead girls from his POV. And of course, the epochal bathroom scene.

    Much has been said of Jack Nicholson's obtrusive overacting. His mad is not entirely successful, because, well, he's Jack Nicholson. The guy looks half-mad anyway. Playing mad turns him into an exaggerated caricature of himself. Shelley Duvall on the other hand is one of the most inspired casting choices Kubrick ever made. Coming from a streak of fantastic performances for Robert Altman in the seventies (3 WOMEN, THIEVES LIKE US, NASHVILLE), she brings to her character the right amounts of swanlike fragility and emotional distress. A delicate, detached thing thrown in with the mad.
    Jimm7y

    Jack Torrance Meets David Bowman

    What can I say about the scariest movie I have ever seen that has not already been said by others more articulate than yours truly? Do not view this film expecting to see a screen version of the Stephen King novel. Rather, this is a Stanley Kubrick film, and to fully appreciate it one should judge it within the context of Kubrick's entire body of work as a serious filmmaker. Thematically, THE SHINING relates most closely to 2001: A SPACE ODYSSEY, though flourishes of PATHS OF GLORY, A CLOCKWORK ORANGE and BARRY LYNDON do manage to figure prominently in the film's overall technique.

    In a nutshell (no pun intended), Jack Nicholson and Shelly Duvall co-star with Oregon's Timberline Lodge - enlisted to portray the exterior of the Overlook Hotel - in a story that appears on the surface to be about ghosts and insanity, but deals with issues of child abuse, immortality and duality.

    What the film might lack initially in terms of coherence is more than made up for in technique. Garrett Brown (the male voice in those old Molson Golden commercials), inventor of the Steadicam, chases young Danny Lloyd through hotel corridors and an amazing snow maze, providing magic-carpet-ride fluidity to scenes that ten years earlier would have been impossible to accomplish. If the film starts off too slow, remember who the director is. This man likes to take his time, and the results are well worth it: incredible aerial shots of the Overlook Hotel; horrific Diane Arbus-inspired twins staring directly at us; portentous room 237 and its treasure trove of terrible secrets; elevators that gush rivers of blood in slow-motion; Jack Torrance's immortality found via the hotel (akin to David Bowman's journey through the Space Gate); and some of the best use of pre-existing music ever assembled for a motion picture.

    It would take a book to examine and defend the film's strong points and drawbacks. If you've never seen it, you owe it to yourself to watch it alone with the lights off, with no interruptions, and make sure that it's raining. This is a cinematic experience that changed my life at the age of 14. Makes a great double feature with Robert Wise's 1963 thriller THE HAUNTING.
    9yancyscott1

    timeless terror

    Even though The Shining is over a quarter of a century old, I challenge anyone to not get freaked out by Jack Nicholson's descent into madness. This is a rare example of something so unique that no one has been able to rip it off; instead it has been referenced time and again in pop culture. The twins, the elevator of blood, RedRum, the crazy nonsense "writing"... this should be seen, if for nothing else, to understand all the allusions to it in daily life. The film is simultaneously scary, suspenseful, beautiful, and psychologically intriguing. It has the classic mystery of Hitchcock and the terror of a modern thriller. And it has what horror movies usually lack: a great script.
    bob the moo

    A classic horror from a master director

    When Jack Torrance (Nicholson) is offered a job as winter caretaker for the Overlook Hotel he accepts it as an opportunity to work on his novel in an isolated environment. He is told stories of the last caretaker going mad and butchering his family but isn't deterred. He arrives at the Overlook Hotel with his wife (Duvall) and child Danny (Lloyd) and is shown around the hotel by the cook (Scatman Crothers) who has the gift of perception. The cook warns Danny that the hotel can be of particular danger for those with the gift. It's only a matter of time before Jack begins to act increasingly erratic.

    This is one of Jack Nicholson's finest roles, his increasingly unhinged character is amusing and terrifying in almost equal measures. Duvall plays the role of the terrorised wife quite well - she does look like she's genuinely filled with fear - but doesn't have much else to do. Lloyd is excellent as the boy, although he doesn't have too much emotion to express. However no doubt that this is Jack's show.

    The story doesn't stick to King's novel and is better for it; this is Kubrick's Shining. The film has plenty of genuinely scary moments but manages to keep a creepy atmosphere all through - especially as the ghosts come out and Jack begins to move between his reality and the reality that is gradually claiming him.

    Kubrick is excellent here, his cold direction adds to the overall creep factor of the film. It's one of the best examples of his masterful touch.

    Overall this is an excellent horror movie - because the focus is on horror and fear rather than gore alone (as with modern horrors). Jack is excellent in one of his best roles ever and the whole package is delivered in a cold creepy manner by a sadly lost director.
    9FlickJunkie

    Amazing achievement in filmmaking and the art of terror.

    Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.

    And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.

    Rating: 9/10

    Stephen King Movies Ranked by IMDb Rating

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      Because Danny Lloyd was so young, and since it was his first acting job, Stanley Kubrick was highly protective of the child. During the shooting of the movie, Lloyd was under the impression that the film he was making was a drama, not a horror movie. In fact, when Wendy carries Danny away while shouting at Jack in the Colorado Lounge, she is actually carrying a life-size dummy, so Lloyd would not have to be in the scene. He only realized the truth several years later, when he was shown a heavily edited version of the film. He did not see the uncut version of the film until he was seventeen, eleven years after he had made it.
    • Blooper
      During the long shot of the Overlook Hotel in the beginning (right before The Interview title card), the maze cannot be seen, though throughout the rest of the movie it is rather close to the hotel.
    • Citazioni

      Jack Torrance: Here's Johnny!

    • Curiosità sui crediti
      The party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away.
    • Versioni alternative
      ABC edited 4 minutes from the film for its 1983 network television premiere.
    • Connessioni
      Edited into Hai-Kubrick (1999)
    • Colonne sonore
      The Shining (Main Title)
      Written by Wendy Carlos and Rachel Elkind

      Performed by Wendy Carlos and Rachel Elkind

      Based on "Dream of a Witches' Sabbath"

      From Symphonie Fantastique by Hector Berlioz (traditional requiem "Dies Irae")

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    • Did the movie events happen the very next winter after Grady killed his family? If not, who was the caretaker in between and what happened during those winters?

    Dettagli

    Modifica
    • Data di uscita
      • 22 dicembre 1980 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • El resplandor
    • Luoghi delle riprese
      • Timberline Lodge, 27500 E Timberline Road, Government Camp, Mount Hood, Oregon, Stati Uniti(Overlook Hotel exterior)
    • Aziende produttrici
      • Warner Bros.
      • Hawk Films
      • Peregrine
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 19.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 45.634.352 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 622.337 USD
      • 26 mag 1980
    • Lordo in tutto il mondo
      • 47.979.668 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 26 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono

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