VALUTAZIONE IMDb
4,3/10
1312
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the wo... Leggi tuttoAn ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the work of the Syngenor - the synthesized genetic organism!An ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the work of the Syngenor - the synthesized genetic organism!
- Premi
- 2 vittorie totali
David Moses
- Detective Lou Capell
- (as Jonathan David Moses)
Mike Muscat
- Howard Tindall
- (as Michael Muscat)
David Daniels
- Michael, roller skater
- (as Joseph Daniels)
John Moskal
- Police Lab Man
- (as John Moskal Jr.)
Recensioni in evidenza
This film does not make sense on so many points, starting with it being titled Scared to Death despite the fact that no one in it is scared to death, or even mentions the possibility of such. Here are just a few of the baffling questions Scared to Death raises and never answers:
1. At the beginning of the film, an investigator says he can't precisely determine the victim's time of death because it was unnaturally cold in the room when she was murdered. We're never told how the investigator could tell this, and the issue of coldness never comes up again.
2. Why do the police answer Shelly's phone call and then almost immediately hang up? Not even a "Is anyone there?".
3. Why does Sherry go to Jennifer with her information on the killings? The two don't know each other, so we're left to speculate that Jennifer is some sort of specialist, but her profession is never revealed.
4. If the creature's method of killing makes it look like an epileptic fit or a brain tumor, how were so many victims identified as murder cases?
5. Even the scientist who created the Syngenor said it is so dangerous that he would have to kill it before it reached maturity. So... why create it? The filmmakers seems to have been banking on audiences thinking that genetic engineering produces completely random results.
The main problem with Scared to Death, though, is that it is overly reliant on jump scares. Over and over, we watch as a character slowly wanders alone through a dimly lit, dank location until the soundtrack spikes, and the monster pops up in your face before killing the character in gratuitously gory fashion. The director seemingly never tires of this formula, and only towards the end does he aspire to make the viewer actually afraid rather than just jumpy.
On top of the many pointless gory death scenes, we get no less than three scenes where the detective in charge of the investigation (Lou) pleads with his ex-partner (Ted) to help him out, and he refuses (we never learn why). The film spends so much time on scenes that go nowhere that there's hardly any time to establish a plot, which is just as well, since what plot there is is pretty thin.
There is a passable romance sub-plot, with decent performances by both actors, but it never serves a purpose in the overall story other than to give Ted a motivation to kick genetically engineered monster butt (because apparently his best friend pleading for his help wasn't enough).
Still, I can't say that the sole enjoyment I got out of this film was being able to laugh at it. The musical score is strong and effective at creating mood, the monster design is fairly cool, and the cast are all consistently likable, even in those moments where the acting is unconvincing. The budget is noticeably low, but the cinematography is good, and there's an obvious love for variety of sets. There's also an overall sense of fun, even if it misses that mark as often as it hits it.
Scared for Death screams for faster pacing and more depth, even by the standards of the monster movie genre, and can't be recommended when there are so many superior films in the same vein. But if you have some particular reason for wanting to watch it, and set your standards low, my expectation is that you will enjoy it.
1. At the beginning of the film, an investigator says he can't precisely determine the victim's time of death because it was unnaturally cold in the room when she was murdered. We're never told how the investigator could tell this, and the issue of coldness never comes up again.
2. Why do the police answer Shelly's phone call and then almost immediately hang up? Not even a "Is anyone there?".
3. Why does Sherry go to Jennifer with her information on the killings? The two don't know each other, so we're left to speculate that Jennifer is some sort of specialist, but her profession is never revealed.
4. If the creature's method of killing makes it look like an epileptic fit or a brain tumor, how were so many victims identified as murder cases?
5. Even the scientist who created the Syngenor said it is so dangerous that he would have to kill it before it reached maturity. So... why create it? The filmmakers seems to have been banking on audiences thinking that genetic engineering produces completely random results.
The main problem with Scared to Death, though, is that it is overly reliant on jump scares. Over and over, we watch as a character slowly wanders alone through a dimly lit, dank location until the soundtrack spikes, and the monster pops up in your face before killing the character in gratuitously gory fashion. The director seemingly never tires of this formula, and only towards the end does he aspire to make the viewer actually afraid rather than just jumpy.
On top of the many pointless gory death scenes, we get no less than three scenes where the detective in charge of the investigation (Lou) pleads with his ex-partner (Ted) to help him out, and he refuses (we never learn why). The film spends so much time on scenes that go nowhere that there's hardly any time to establish a plot, which is just as well, since what plot there is is pretty thin.
There is a passable romance sub-plot, with decent performances by both actors, but it never serves a purpose in the overall story other than to give Ted a motivation to kick genetically engineered monster butt (because apparently his best friend pleading for his help wasn't enough).
Still, I can't say that the sole enjoyment I got out of this film was being able to laugh at it. The musical score is strong and effective at creating mood, the monster design is fairly cool, and the cast are all consistently likable, even in those moments where the acting is unconvincing. The budget is noticeably low, but the cinematography is good, and there's an obvious love for variety of sets. There's also an overall sense of fun, even if it misses that mark as often as it hits it.
Scared for Death screams for faster pacing and more depth, even by the standards of the monster movie genre, and can't be recommended when there are so many superior films in the same vein. But if you have some particular reason for wanting to watch it, and set your standards low, my expectation is that you will enjoy it.
This is your typical regional horror sci-fi filmaking from the late 70's early 80's period, the ones without any "names", with slow pacing, foggy cameras, poor lighting, and music that can actually put you to sleep! In fact it reminds me of another small town sci-fi film called ALIEN FACTOR! This creature, SYNGENOR, is actually cool looking, so cool someone made another film with the syngenor titled, what else, SYNGENOR, but with a better budget, and a professional cast (not sure why William Malone didn't get involved in this one.). This film the violence is very tame, not really scarely, the random act of attacks by the creature to nameless victim is few and far between, in between you get a boring cop and his partner trying to solve the crime, losts of talk, overall a slow film that probably bored the audeince to tears! This film actually got a decent release back in 82, but didnt play here in Seattle, but was playing in Oregon as a double bill with SCREAMER! The creature is really cool looking for its time, so I don't know why they didn;t show it more often.`
An ex-cop who's a writer now, gets brought back on the job after a string of weird murders with the killer leaving a web like substance
Is it human or not?
Really this is nothing but cheap (and that's very cheap) z-grade trash, but still 'fairly' amusing well that's if you're in the right frame of mood. This is no more than a "Alien" rip-off, but set on earth. There are certain shots that resembled some of those from "Alien" and as well the creature looks very similar too.
The story is extra ordinary. The usual scientific creation that's on the loose killing victims and an ex-cop who's the only one that can stop it. So don't expect anything special or original. Sometimes the pacing is a bit tedious; like a slasher film.
The acting is not that bad from a bunch of nobodies... with a pretty charming and gawky heroine. Although there is one or two annoying characters which you have to deal with. Added to the film's script is some sharp humour and witty one-liners, especially from the geeky lead. A very gritty and grim atmosphere is found throughout the picture, with a lot of the film taking place in dark and dim lighting. While the special effects are hilariously shoddy and cheap, which gives it a sort of charm... well I think so.
I found this more enjoyable than the glossy, but bland "Ghost Ship (2002)" I watched before it.
This film is unoriginal, campy and cheap... but I found this schlock watchable and rather fun.
3/5
Really this is nothing but cheap (and that's very cheap) z-grade trash, but still 'fairly' amusing well that's if you're in the right frame of mood. This is no more than a "Alien" rip-off, but set on earth. There are certain shots that resembled some of those from "Alien" and as well the creature looks very similar too.
The story is extra ordinary. The usual scientific creation that's on the loose killing victims and an ex-cop who's the only one that can stop it. So don't expect anything special or original. Sometimes the pacing is a bit tedious; like a slasher film.
The acting is not that bad from a bunch of nobodies... with a pretty charming and gawky heroine. Although there is one or two annoying characters which you have to deal with. Added to the film's script is some sharp humour and witty one-liners, especially from the geeky lead. A very gritty and grim atmosphere is found throughout the picture, with a lot of the film taking place in dark and dim lighting. While the special effects are hilariously shoddy and cheap, which gives it a sort of charm... well I think so.
I found this more enjoyable than the glossy, but bland "Ghost Ship (2002)" I watched before it.
This film is unoriginal, campy and cheap... but I found this schlock watchable and rather fun.
3/5
Rather than use his scientific genius to benefit mankind, a genetics expert creates a vicious synthesised life-form that uses its forked tongue to drain the spinal fluid of its victims. Why? I dunno
must've seemed like a good idea at the time, I suppose. Cop turned novelist Ted Lonergan (John Stinson) helps his police pal Lou (David Moses) to investigate.
This one starts out in classic B-movie monster mode with a naked blonde babe slipping into sexy, silky red underwear before becoming another victim of the Syngenor (Synthesised Genetic Organism). Its a fun, trashy way to kick things off, but the rest of the film offers very little to get excited about: lots of dull chit chat, a few gore-free deaths, and some roller-skating, all leading to the inevitable showdown between Ted and the incredibly slow moving H.R.Giger-style creature in a factory (an ending that might possibly have influenced The Terminator!).
Missable stuff, unless you absolutely have to see every movie inspired in some way by Ridley Scott's Alien.
This one starts out in classic B-movie monster mode with a naked blonde babe slipping into sexy, silky red underwear before becoming another victim of the Syngenor (Synthesised Genetic Organism). Its a fun, trashy way to kick things off, but the rest of the film offers very little to get excited about: lots of dull chit chat, a few gore-free deaths, and some roller-skating, all leading to the inevitable showdown between Ted and the incredibly slow moving H.R.Giger-style creature in a factory (an ending that might possibly have influenced The Terminator!).
Missable stuff, unless you absolutely have to see every movie inspired in some way by Ridley Scott's Alien.
I thought this movie (for being so bad) was very entertaining. The main characters are the biggest geeks! Especially the male lead. I'm talking about Dorkenstein with a capital D. It was fun making fun of them while hoping the monster eats them. This film seemed to merge cheesey 50's Sci Fi elements with 80's slasher gimmick to create a movie that worked on some level. Mystery Science Theatre would have a field day on this one. I must give it props though. The creatures actually looked good and were indeed creepy.
Lo sapevi?
- QuizDirector William Malone had to sell most of his possessions (including his car and mortgaging his house) in order to raise enough money to make the movie.
- Curiosità sui crediti[Before the film commences, this is placed across the screen] PROLOGUE: The events portrayed in the film, although fictional, are based on scientific fact. If they have not already happened, they soon could. Genetic engineering is real, and soon we may all have to deal with new values and definitions for life and death.
- Versioni alternativeA TV print that aired on USA Network included a scene not included on Media's VHS: a group of teens searching for their lost friend in a parking garage find her body hanging upside down much like a scene in Halloween (1978).
- ConnessioniFeatured in Working with a Master: William Malone (2006)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Scared to Death?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Grito de pánico
- Luoghi delle riprese
- 12142 Ventura Blvd, Studio City, California, Stati Uniti(Ted and Victor argue while walking to car. Ted then rear-ends Jennifer Stanton. Specifically the rear parking lot of then 'Harry's camera'. Building and area still remain.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 74.000 USD (previsto)
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti