VALUTAZIONE IMDb
5,2/10
5891
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaOnce they said God himself couldn't sink her. Then they said no man on Earth could reach her. But an underwater research agency, headed by Admiral James Sandecker, is assigned the job of fin... Leggi tuttoOnce they said God himself couldn't sink her. Then they said no man on Earth could reach her. But an underwater research agency, headed by Admiral James Sandecker, is assigned the job of finding the doomed ship in her North Atlantic grave.Once they said God himself couldn't sink her. Then they said no man on Earth could reach her. But an underwater research agency, headed by Admiral James Sandecker, is assigned the job of finding the doomed ship in her North Atlantic grave.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Recensioni in evidenza
A folly worthy of its namesake, Lord Grade, its liner sized producer famously remarked that it would have "been cheaper to lower the Atlantic", a feat he could have accomplished simply by jumping into it.
Raise the Titanic(!)is an adaptation of the novel by Clive Cussler. In its transition to the big screen however, most of the intricate cold war plotting didn't make it to the lifeboats. In its stead you have the basic story and of course the bank breaking poster promise of the doomed liner rising from her watery grave. It might have worked too had the source material been handled a little better. The screenplay is pretty talky and never really succeeds in building the necessary tension but what really sinks (sorry) the whole enterprise is direction from Jerry Jameson so moribund and lifeless, you'd think he was helming a movie for cable television. Its a mark of this that although it doesn't take very long to find the ship itself on screen you could be forgiven for thinking that you began watching the movie in 1912. Also RTT! has, for the most part a cut price look that undermines the epic scale of the story and its subject matter. When the ship does eventually see the light of day its via some model work and camera over-cranking that fails in producing that all important wow factor. To be fair though there are some very good shots of the ship entering New York harbour that do pack a punch, aided enormously by one of John Barry's best ever scores - a wonderful bombastic orchestral suite that is as good as hes ever produced. Were this a better film, and had anyone gone to see it Barry may have been in line for an Oscar (which he got when he plagiarised parts of the score for Out of Africa). In fact, its fair to say that Barry is the only person behind the camera who does the story any justice.
Richard Jordan gives a good performance as Cussler's hero Dirk Pitt and there's a nice Cornish Cameo for Alec Guinness but everyone else is really just waiting to die here. The twist is a good one but is handled poorly and you're left wondering what a director like John McTernian who did such good work with Clancy's Hunt for Red October may have made of the same material. Sadly the discovery of the real ship in two pieces has scuppered any remake possibilities so this is it. Raise the Bismarck anyone?
Raise the Titanic(!)is an adaptation of the novel by Clive Cussler. In its transition to the big screen however, most of the intricate cold war plotting didn't make it to the lifeboats. In its stead you have the basic story and of course the bank breaking poster promise of the doomed liner rising from her watery grave. It might have worked too had the source material been handled a little better. The screenplay is pretty talky and never really succeeds in building the necessary tension but what really sinks (sorry) the whole enterprise is direction from Jerry Jameson so moribund and lifeless, you'd think he was helming a movie for cable television. Its a mark of this that although it doesn't take very long to find the ship itself on screen you could be forgiven for thinking that you began watching the movie in 1912. Also RTT! has, for the most part a cut price look that undermines the epic scale of the story and its subject matter. When the ship does eventually see the light of day its via some model work and camera over-cranking that fails in producing that all important wow factor. To be fair though there are some very good shots of the ship entering New York harbour that do pack a punch, aided enormously by one of John Barry's best ever scores - a wonderful bombastic orchestral suite that is as good as hes ever produced. Were this a better film, and had anyone gone to see it Barry may have been in line for an Oscar (which he got when he plagiarised parts of the score for Out of Africa). In fact, its fair to say that Barry is the only person behind the camera who does the story any justice.
Richard Jordan gives a good performance as Cussler's hero Dirk Pitt and there's a nice Cornish Cameo for Alec Guinness but everyone else is really just waiting to die here. The twist is a good one but is handled poorly and you're left wondering what a director like John McTernian who did such good work with Clancy's Hunt for Red October may have made of the same material. Sadly the discovery of the real ship in two pieces has scuppered any remake possibilities so this is it. Raise the Bismarck anyone?
It was when I read the excellent novel, my mind changed. I used to think this was a wonderful film, when I read the book however, it was clear that so much excellent plotline and dialogue had been missed out that the film story was ruined. Plot lines about the Russians, spies, espionage, tracing the history of the miners and their efforts, what happened after the Titanic was raised but before it reached New York, all this would have made for a more in depth and excellent adaptation, instead the producers went for the big bucks spectacle and just concentrated on the Titanic itself which really is only a small part of the original novel.
It would have been better being properly done as a three part mini series or similar instead of this badly edited rushed nonsense.
There are good points about the film, some of the model work for the wrecked Titanic is excellent, especially when you consider when it was made but then again considering how much they spent on it, it should have been, however the seemingly cardboard cut out super imposed on the New York skyline at the end is terrible beyond description and oddly seems to be worse in the DVD version over the VHS version.
Thankfully saving this film from sinking completely was probably one of John Barry's finest non-Bond soundtracks, without that, this really would have become unbearable.
Sadly fact (the discovery of the Titanic for real) precludes any possibility of a decent remake which with good CGI could have been spectacular.
It would have been better being properly done as a three part mini series or similar instead of this badly edited rushed nonsense.
There are good points about the film, some of the model work for the wrecked Titanic is excellent, especially when you consider when it was made but then again considering how much they spent on it, it should have been, however the seemingly cardboard cut out super imposed on the New York skyline at the end is terrible beyond description and oddly seems to be worse in the DVD version over the VHS version.
Thankfully saving this film from sinking completely was probably one of John Barry's finest non-Bond soundtracks, without that, this really would have become unbearable.
Sadly fact (the discovery of the Titanic for real) precludes any possibility of a decent remake which with good CGI could have been spectacular.
There are films that are bad, and there ones that look bad, but hold value to them not everyone sees. Raise the Titanic, was loosely based off a novel by Clive Cussler. It is a race between the Americans and Russians trying to obtain a rare mineral that could decide who becomes the top world power. To do this, they must salvage the mineral from the Titanic. The only way to do this is by raising the Titanic; ergo the main titles. This may turn off people because the whole plot line is given away, but that shouldn't be something to squander over. It should be more of what is looked forward to. This film has a lot of good stuff in it.
Starring as the main character of Cussler's stories, is Dirk Pitt, played by Richard Jordan. I can't say Jordan is the best choice but he's definitely not bad either. Jordan at least gives the character of Pitt some attitude that comes with the territory. For the most part, the entire film stays faithful to the paperback material. All the characters are in there, along with the most important scenes. One might say that this movie was thought to perform well because Alec Guinness, best known as Obi-Wan Kenobi, from Star Wars, plays a character as well in the story.
On a side note, a particular element that could have been left out of story was the relationship between Gene and Dana Seagram. The same goes for the book but the way the situation was handled here was half-baked. From beginning to the midway point, there were various scenes that show strains on these two characters' marital status and then out of nowhere,...it stops. They get into an argument and Gene temporarily leaves Dana but the issue is never resolved. So why have it? It doesn't make sense to start something and not finish it. Adam Kennedy and Eric Hughes wrote the screenplay; so my question is, who skimmed over this part? Also some people may think the story drags but it all builds up to good ending.
Besides this, there are multiple things to find enjoyable in this movie. First, the special effects. Of course it's "1980" special effects but none the less they are a sight to look at. From the submarines, to the Titanic itself, the props look really authentic. It's when the Titanic is brought to the surface that the view is beautiful. Although audiences may be annoyed to find out that the Titanic is in one piece. But what do you expect? The novel and this film where produced years before the Titanic was even discovered. It's fiction anyway, so why be so critical on accuracy when practically this whole film is inaccurate in real life?
One of the most wondrous moments that takes place in this film is when Dirk Pitt enters the Titanic when it is above the water. It is truly a sight to behold and all this should do is make each of us just a little hungrier to see the Titanic for ourselves. It's plain epic. Another great aspect to Raise the Titanic is the soundtrack composed and conducted by music veteran John Barry. Barry puts in a lot of good tunes and has a gift for making the Titanic look awesome just for being on screen. His music is that moving and it's almost to the point of being angelic. For those who are skeptical, it's still at least worth a try to view.
Except for a few issues dealing with the script, the film adaptation of Raise the Titanic is respectively a suitable tribute to the White Star Line cruise ship. The effects are dated but they are worthy to be seen as is Barry's score heard.
Starring as the main character of Cussler's stories, is Dirk Pitt, played by Richard Jordan. I can't say Jordan is the best choice but he's definitely not bad either. Jordan at least gives the character of Pitt some attitude that comes with the territory. For the most part, the entire film stays faithful to the paperback material. All the characters are in there, along with the most important scenes. One might say that this movie was thought to perform well because Alec Guinness, best known as Obi-Wan Kenobi, from Star Wars, plays a character as well in the story.
On a side note, a particular element that could have been left out of story was the relationship between Gene and Dana Seagram. The same goes for the book but the way the situation was handled here was half-baked. From beginning to the midway point, there were various scenes that show strains on these two characters' marital status and then out of nowhere,...it stops. They get into an argument and Gene temporarily leaves Dana but the issue is never resolved. So why have it? It doesn't make sense to start something and not finish it. Adam Kennedy and Eric Hughes wrote the screenplay; so my question is, who skimmed over this part? Also some people may think the story drags but it all builds up to good ending.
Besides this, there are multiple things to find enjoyable in this movie. First, the special effects. Of course it's "1980" special effects but none the less they are a sight to look at. From the submarines, to the Titanic itself, the props look really authentic. It's when the Titanic is brought to the surface that the view is beautiful. Although audiences may be annoyed to find out that the Titanic is in one piece. But what do you expect? The novel and this film where produced years before the Titanic was even discovered. It's fiction anyway, so why be so critical on accuracy when practically this whole film is inaccurate in real life?
One of the most wondrous moments that takes place in this film is when Dirk Pitt enters the Titanic when it is above the water. It is truly a sight to behold and all this should do is make each of us just a little hungrier to see the Titanic for ourselves. It's plain epic. Another great aspect to Raise the Titanic is the soundtrack composed and conducted by music veteran John Barry. Barry puts in a lot of good tunes and has a gift for making the Titanic look awesome just for being on screen. His music is that moving and it's almost to the point of being angelic. For those who are skeptical, it's still at least worth a try to view.
Except for a few issues dealing with the script, the film adaptation of Raise the Titanic is respectively a suitable tribute to the White Star Line cruise ship. The effects are dated but they are worthy to be seen as is Barry's score heard.
Strictly speaking, I found this to be acceptable entertainment. Its many detractors maintain that it's a poor, poor adaptation of the Clive Cussler novel. In fact, Cussler himself hated it so much that there would be no more adaptations of his work until "Sahara" in 2005. Does the execution of the movie fail to match the awesomeness of the concept? Sure. Could it have used a more accomplished director at the helm? It wouldn't have hurt. But it sustains interest for close to two hours. This viewer was caught up enough in the story that any flaws didn't detract from the experience.
The U.S. government is in an intense search for an obscure mineral (for national defense purposes, of course) and believes that the only place it could be found is on board the wreckage of the Titanic. Since at this point in time, divers couldn't travel that deep into the ocean, people working on the project come up with this offbeat solution of using explosive devices to bring the massive ship to the surface.
Political intrigue adds to the plot, as the Russians believe that by rights they should be allowed to retrieve the mineral. They do everything that they can to undermine the operation.
The actors deliver decent performances, although there are precious few characters that really engage the viewer. One exception is the Titanic survivor John Bigalow, played by Sir Alec Guinness. There's a lot of familiar faces here: Jason Robards, David Selby, Richard Jordan, and Anne Archer as the stars, and a steady array of top notch character actors. The romantic subplot with Selby and Archer never really goes anywhere, but fortunately it doesn't take up TOO much of the running time.
The special effects are adequate, and the actual event of the title is reasonably impressive.
The most worthy component is really the rousing, emotionally rich music score by John Barry.
Seven out of 10.
The U.S. government is in an intense search for an obscure mineral (for national defense purposes, of course) and believes that the only place it could be found is on board the wreckage of the Titanic. Since at this point in time, divers couldn't travel that deep into the ocean, people working on the project come up with this offbeat solution of using explosive devices to bring the massive ship to the surface.
Political intrigue adds to the plot, as the Russians believe that by rights they should be allowed to retrieve the mineral. They do everything that they can to undermine the operation.
The actors deliver decent performances, although there are precious few characters that really engage the viewer. One exception is the Titanic survivor John Bigalow, played by Sir Alec Guinness. There's a lot of familiar faces here: Jason Robards, David Selby, Richard Jordan, and Anne Archer as the stars, and a steady array of top notch character actors. The romantic subplot with Selby and Archer never really goes anywhere, but fortunately it doesn't take up TOO much of the running time.
The special effects are adequate, and the actual event of the title is reasonably impressive.
The most worthy component is really the rousing, emotionally rich music score by John Barry.
Seven out of 10.
I saw this movie in the theatre, and I remember enjoying it. I knew it was a financial failure, but over the years since I've been surprise by the hatred it has generated. Long before Robert Ballard, finding the Titanic and possibly raising it was a dream I shared with a lot of Titanic fans. Clive Cussler wrote a pulpy but entertaining book on the subject, and I thought the story was made into a pulpy, but entertaining movie. I liked the cast: Richard Jordan, David Selby (I'm a Dark Shadows fan also...hoots of derision), Jason Robards and Anne Archer. Now, however, I have to watch a fading print under cover of darkness to avoid more hoots of derision! I've read that there is excised footage that might help the storyline. I'd buy a directors cut DVD, and have a "Raise the Titanic" party. It's only an entertainment, not a work of art.
Lo sapevi?
- QuizThe movie was surprisingly accurate on one point, though they didn't know it at the time. Computer displays show the Titanic resting at a depth of 12,347 feet. When the wreck was discovered in 1985, it was resting at a depth of 12,415 feet.
- BlooperThe Titanic is towed up New York City's East River, presumably to the Brooklyn Navy Yard, and passes under the Brooklyn Bridge. The Titanic's masts, which are intact, were about 200 feet high from the waterline. The Brooklyn Bridge has 127 feet of clearance at mean high water. To reach the Navy Yard, the ship would also have to pass under the Manhattan Bridge, which has 135 feet of clearance.
- Versioni alternativeThe original theatrical version featured a long sequence of the foam being pumped into the hull of the Titanic, which is mentioned in the screenplay earlier. Shortly after the film began to get the horrid reviews and poor box office, there were edits made to the film and new prints sent to theaters, in a failed attempt to tighten the film a bit. These scenes have not been included in any of the VHS or DVD releases.
- ConnessioniEdited into Voyagers!: Voyagers of the Titanic (1983)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Raise the Titanic?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Hev Titanic
- Luoghi delle riprese
- The Sloop Inn, The Wharf, St Ives, Cornwall, Inghilterra, Regno Unito(John Bigalow shows Dirk Pitt his collection of Titanic memorabilia at the Sloop Inn)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 36.000.000 USD (previsto)
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Blitz nell'oceano (1980) officially released in India in English?
Rispondi