VALUTAZIONE IMDb
4,9/10
341
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTed Danson plays a computer genius who gets involved in the theft of an important N.A.S.A. computer, then thrust into the world of espionage with Sir Christopher Lee.Ted Danson plays a computer genius who gets involved in the theft of an important N.A.S.A. computer, then thrust into the world of espionage with Sir Christopher Lee.Ted Danson plays a computer genius who gets involved in the theft of an important N.A.S.A. computer, then thrust into the world of espionage with Sir Christopher Lee.
- Regia
- Sceneggiatura
- Star
Lillian Müller
- Christine
- (as Yuliis Ruval)
John Hostetter
- Chief
- (as John R. Hostetter)
Recensioni in evidenza
I guess this television Movie of the Week planned to be back-door series pilot. A hokum version of The Man from Uncle with the James Bond like theme after the opening titles.
It stars a young Ted Danson as a government computer expert called in by a mysterious American intelligence service to track down a supercomputer stolen by dastardly Christopher Lee.
The reluctant Danson is paired up with attractive, blonde agent Mary Louise Weller and they make a good pair and Danson does well with the comedy and drama and has some literate lines although the plot is tosh. The final challenge set by Lee is called the Cat and the Canary with some Pacman type graphics.
As it was shown in 1980 a few years before films like Wargames and just before the Home Computer boom of the early 1980s, you have big computers the size of several walls that play a nifty game of chess just like the supercomputer in Wargames.
Danson shows talent which would make him a star a few years later in Cheers, but the the film was rather flimsy. It lacked the spark of the Man from from Uncle and I could not take seriously the secret entrance to the agency's office via a Tunnel of Love ride. From the short of the big wooden roller coaster, it looked like Knott's Berry Park!
It stars a young Ted Danson as a government computer expert called in by a mysterious American intelligence service to track down a supercomputer stolen by dastardly Christopher Lee.
The reluctant Danson is paired up with attractive, blonde agent Mary Louise Weller and they make a good pair and Danson does well with the comedy and drama and has some literate lines although the plot is tosh. The final challenge set by Lee is called the Cat and the Canary with some Pacman type graphics.
As it was shown in 1980 a few years before films like Wargames and just before the Home Computer boom of the early 1980s, you have big computers the size of several walls that play a nifty game of chess just like the supercomputer in Wargames.
Danson shows talent which would make him a star a few years later in Cheers, but the the film was rather flimsy. It lacked the spark of the Man from from Uncle and I could not take seriously the secret entrance to the agency's office via a Tunnel of Love ride. From the short of the big wooden roller coaster, it looked like Knott's Berry Park!
Not great but there are some elements available today
in 2021 (the film is made in 1980), they mention terms like "new world structure", "reset", "new order".
Ted Danson has neither salt nor pepper, the script is predictable and boring, Mary Louise Weller is beautiful and sexy in body-hugging costumes, either black or yellow. And Christopher Lee doesn't have the dominating force as in other movies. But his character fits Bill Gates perfectly.
Ted Danson has neither salt nor pepper, the script is predictable and boring, Mary Louise Weller is beautiful and sexy in body-hugging costumes, either black or yellow. And Christopher Lee doesn't have the dominating force as in other movies. But his character fits Bill Gates perfectly.
This strangely endearing Movie of the Week features Ted Danson as a computer expert reluctantly pulled into the orbit of a mysterious American intelligence service run by grand dame Eleanor Parker. Parker needs his expertise to track down super villain Christopher Lee, a wheelchair bound businessman with his eye on world domination via a super weapon and control of commercial space satellites. Danson is teamed up with secret agent Mary Louise Weller, an attractive and almost believable actress who does her best with the rather hackneyed dialogue. Danson gets the best stuff from screenwriter Jimmy Sangster and shows why he went on to be one of America's favorite comic actors of the decade, and Lee seems to be having a grand time. Good fun if you're in the right mood.
"Once Upon a Spy" is a TV movie featuring Ted Danson as a computer genius and Christopher Lee as an evil computer genius, Marcus Velorium, bent on controlling the world...much like a Bond villain. But unlike Bond, there is no super-spy to stop the madman...only nice-guy Jack (Danson).
Being 1980, the concepts of computers sure isn't what we think of today. So, when a supercomputer that is the size of a city block is stolen, folks take notice. As a result, one of the foremost NICE computer scientists, Jack, is brought to a top secret location to talk to some humorless woman...and she recruits him to help investigate the theft. Naturally, the computer is being used to vaporize things from space...and I hate when that happens.
As I said above, in many ways this plays like a Bond film....a really bad one featuring a leading man who seems completely out of his element. I think this might have worked had it been more of a parody. Instead, however, it just seemed annoying and childish....and would not appeal to most adult viewers...unless you are curious what Danson was doing before he became famous. Even with the scene-chewing Lee as the baddie, this is pretty limp and dated.
Being 1980, the concepts of computers sure isn't what we think of today. So, when a supercomputer that is the size of a city block is stolen, folks take notice. As a result, one of the foremost NICE computer scientists, Jack, is brought to a top secret location to talk to some humorless woman...and she recruits him to help investigate the theft. Naturally, the computer is being used to vaporize things from space...and I hate when that happens.
As I said above, in many ways this plays like a Bond film....a really bad one featuring a leading man who seems completely out of his element. I think this might have worked had it been more of a parody. Instead, however, it just seemed annoying and childish....and would not appeal to most adult viewers...unless you are curious what Danson was doing before he became famous. Even with the scene-chewing Lee as the baddie, this is pretty limp and dated.
One of those failed TV-pilots that then became a standalone TV-movie, ONCE UPON A SPY takes the James Bond aesthetic to the small screen, from formidable (and colorful) technical set pieces to a flaunting trumpet score to a former Bond villain in Christopher Lee, a brilliant computer mogul who, brain-wise, is second to none...
Well except for Ted Danson, turning in one of those "befuddled geeks who's really a handsome diamond-in-the rough/anti-leading-man" types... and it's no surprise, given his near-future turn in CHEERS, he has great comedic timing...
Perfectly paired with (and counterbalanced by) sublime ANIMAL HOUSE beauty Mary-Louise Weller, an Alpha Male-like female operative and, after getting Danson's Jack Chenault out of a stuffy office shared with his only friend, a computer the size of a wall, the action is pretty much non-stop...
So the peripheral world-dominating plot doesn't matters since it's the nifty Odd Couple duo... whether ripping around in a hot-rod on the ground or jumping out of planes in the air... that really matters, and this SPY would have made a genuinely good series (as the creators of REMINGTON STEELE would soon-after prove).
Well except for Ted Danson, turning in one of those "befuddled geeks who's really a handsome diamond-in-the rough/anti-leading-man" types... and it's no surprise, given his near-future turn in CHEERS, he has great comedic timing...
Perfectly paired with (and counterbalanced by) sublime ANIMAL HOUSE beauty Mary-Louise Weller, an Alpha Male-like female operative and, after getting Danson's Jack Chenault out of a stuffy office shared with his only friend, a computer the size of a wall, the action is pretty much non-stop...
So the peripheral world-dominating plot doesn't matters since it's the nifty Odd Couple duo... whether ripping around in a hot-rod on the ground or jumping out of planes in the air... that really matters, and this SPY would have made a genuinely good series (as the creators of REMINGTON STEELE would soon-after prove).
Lo sapevi?
- QuizJoan Fontaine was originally cast as the head of the spy agency.
- BlooperWatch for a mysterious costume change near the end of the film. One minute, Paige is wearing a rather sexy skintight yellow catsuit, the next she's wearing a top and stretch pants, with the pants in a slightly different shade of yellow.
- Citazioni
Jack Chenault: You're leaving?
Paige Tannehill: Chenault, I fondly hope that I never have to set eyes on you again.
- ConnessioniReferences Agente 007 - Si vive solo due volte (1967)
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