Tracy e il signore del piano di sopra

All throughout history since time immemorial, there has been a conflict between religion and science (or I guess I should say between church and state). People who read the Bible believe in God and accept him and his teachings as a matter of simple Christian Faith. However, the scientists say "We need proof that we can put under our microscopes". I think it took a lot of courage for Hollywood to make the "Oh God" series and I thank them for it. George Burns and John Denver were wonderful in the original. It was one of the first movies that I saw as a kid and I couldn't think of a better one. George took the role of God very seriously, he even consulted with Jimmy Stewart and Orson Welles before he played it can you believe that? He asked them how you would play God (Orson Welles told him "I would play him sitting down"). This is a wonderful sequel. You might ask why God would come down to earth again, well when he did before he made the studio so much money thats why? A young actress with only one screen name Louanne takes John Denver's place in the film and she does a wonderful job. She was such a good little actress that I always wondered what happened to her. I'll bet she and George had a ball making this film, it shows in the finished product and there is wonderful "chemistry" between them. It kind of chilled me when they thought the little girl was crazy for talking to God and wanted to put her in an insane asylum. It chilled me and it also made me very angry at a society that is hostile towards religion and God's word. It is almost as if we live in a world that glorifies evil and condemns good. This is a film that is very rare indeed because it is one with a message that makes you think long after the final credits and it is due to George Burn's wonderful performance. This man was an American treasure. What really amazes me is that he didn't act in the traditional sense until he was almost 80 years old and made The Sunshine Boys. As far as I am concerned, all acting students should watch his work in that film and in the Oh God series. They will see a master at work. This is a rare sequel indeed, it is as fine as the original. It will leave you with a sore belly from laughing, but also with a slight lump in your throat.

If you are looking for "miracles," look no further than the fact that Hollywood managed to turn a superb, one-of-a-kind, hit film OH GOD into a 3-picture franchise before it sagged to the ground under its own weight and melted.

OH GOD (the original) is one of my favorite all time films.

It is a treasure. Not so this sequel.

OH GOD was poetry in motion. Not only a perfect script but possibly the best performances ever from George Burns, Teri Garr and John Denver. Never a dull moment, never a bad scene, never a line of bad dialog. It is a film you could see over and over.

OH GOD BOOK 2, which embarrasses itself right off the top by showing more writing credits than there are key positions on a football team, never once gets into gear. All that saves the film from infamy is an astonishing performance by a young actress credited only as "Louanne." Not only does this young lady have perfect timing, but she serially steals scenes from every other actor in the film including the master of timing himself, George Burns.

The kindest thing I could ever say about OH GOD BOOK 2 is, see the original.

i didn't like this movie as much as the first one.i found it too slow.plus,the story was almost a carbon copy of the first one.different characters,and slightly different details,but the general story was the same.so the predictability of it made it tedious.on the plus side,there were some funny moments though.and i've seen many worse movies.i just had higher expectations given that the first movie was as good as it was.if they had just done something different with the concept instead of just copying the first movie,the result would probably have been better.but hey, that's just my opinion.for me,Oh, God! Book II is a 5/10

My review written in September 1980 after watching the film in NY at WB's screening room: "Oh God! Book II" is not a sequel to the hit 1977 Warner Brothers release (which amassed $31,000,000 in domestic rentals) but rather an alternate approach to the same basic premise: what would happen if God were to appear to an ordinary person with instructions to "spread my message". Absence this time of John Denver, his chemistry with lead George Burns and the original's solid comedy material lead to a bland, unstimulating film.

Script, collectively credited to five writers, has a pleasant moppet (Louanne) meeting God (George Burns) in the lounge of a Chinese restaurant. It seems that Burns (heard pre-credits voicing over his problems with mankind on Earth) to enlist a child "with belief in things you can't see" to remind people that God is still around. Since Louanne's dad (David Birney) is an adman, she sets out to concoct a slogan which will "make God a household name". Burns' quaint program is to first win over the children and then get on with various environmental projects (e.g., fight pollution and cool off volcanoes).

Louanne recruits her cute Japanese playmate Shingo (John Louie) and other classmates to spread her "Think God" slogan via posters and graffiti. This leads to her suspension from school, and when she is seen talking to the invisible (to everyone but her) Burns, the child is brought before psychiatrists to be committed to an institution. Climax has Burns materializing as a literal deus ex machina to protect Louanne at the roundtable of shrinks.

Burns is fine again, a master of the throwaway line and well-suited to tone down the religious philosophy in the script. More screen time, however, is allotted to debuting Louanne, a pleasant and talented youngster who holds one's sympathy.

Suzanne Pleshette and David Birney as her estranged parents who reconcile before the final freeze-shot are effective in limited roles, with Pleshette's beauty and strong presence underutilized. Supporting parts are all well-limned.

Director Cates is hamstrung by the talky, largely unfunny script, which contains little dramatic content and only one scene involving physical action (Burns giving Louanne a motorcycle and sidecar ride). Except for recurring gags about "boobs" the mild script is too squeaky clean for the film's good. By not expanding upon the first film, "Oh God! Book II" is extraneous. Tech credits are routine.

George Burns returns as the joshing Almighty after enjoying a big success with 1977's "Oh, God!", an upbeat fantasy made successful by a sudden need in the 1970s to switch from devil-driven thrillers to comedic redemption (although it made money, the original was more in line with the "Topper" comedies of the '30s than a return to feel-good religious cinema). Here, God appears to a young girl (Louanne, who had earlier starred in a stage production of "Annie") and asks her to spread his Divine Word, causing her nothing but trouble from grown-ups in the process. Peculiar, family-oriented film appears to be warm-hearted enough, and Burns gets to chime in with a nice barrage of wry jibes, but the writing is half-slapstick and half-seriousness. The adults of the piece actually consider locking little Louanne up, all of which makes God seem more like a troublemaker than an elderly friend. Louanne is another problem: a perky kid with wizened little eyes, she is untrained for screen-acting and occasionally seems awkward. The medium-budget production has a gloppy, TV-movie appearance, with few graceful touches. The final scene mimics the climax of the first "Oh, God!" in that it brings a wistful sentiment to the mix, which is welcomed. It's the most subtle moment in the movie. ** from ****