Aggiungi una trama nella tua linguaA woman's lover poisons her cruel husband, a rich businessman, in front of her. She becomes more terrified when she finds the lover dead as well. A police detective suddenly shows up at her ... Leggi tuttoA woman's lover poisons her cruel husband, a rich businessman, in front of her. She becomes more terrified when she finds the lover dead as well. A police detective suddenly shows up at her door.A woman's lover poisons her cruel husband, a rich businessman, in front of her. She becomes more terrified when she finds the lover dead as well. A police detective suddenly shows up at her door.
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Christopher Templeton
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I was surprised at how nail-biting this movie was, not only at the somewhat unusual plot, but by the dark and brooding performance by Robert Mitchum. Nightkill is a reasonable enough thriller with good twists and turns throughout, and an equally strong conclusion.
Jaclyn Smith gives out a not-too-bad performance as Katherine Atwell, but in my eyes I felt as if she was trying a little too hard in some places. Mike Connors though portrays his cold and callous character of Wendel to good effect. You actually despise Wendel! In no doubt, however, it's Mitchum who steals the show; what a twist toward the end! Nice background music too: the score actually tells the story in some parts - very ominous.
In a nutshell, Nightkill is a relatively suspenseful film, but what lets it down is the somewhat inept direction and weak dialogue in certain places. 7/10
Jaclyn Smith gives out a not-too-bad performance as Katherine Atwell, but in my eyes I felt as if she was trying a little too hard in some places. Mike Connors though portrays his cold and callous character of Wendel to good effect. You actually despise Wendel! In no doubt, however, it's Mitchum who steals the show; what a twist toward the end! Nice background music too: the score actually tells the story in some parts - very ominous.
In a nutshell, Nightkill is a relatively suspenseful film, but what lets it down is the somewhat inept direction and weak dialogue in certain places. 7/10
Katherine Atwell (Jaclyn Smith), the wife of a wealthy businessman, unwittingly finds herself embroiled in a sinister murder plot when her lover decides to murder her husband and steal his money so that the two may elope together.
Ted Post directs this Hitchcock-style horror/thriller about murder and deception and one has to say that he does a very good job in doing so. Post takes a screenplay based on a story by the relatively unknown John Case and turns it into an intricate and generally compelling ninety minute piece of criminally underrated cinema. Although Post obviously lacks the directorial flair of his inspirers Hitchcock and Argento (there are a couple of instances where light is used in a similar fashion to Argento as well as some Argento-style trickery), one cannot really fault his execution of the work and instead has to admire the way that he turned such a low-budget into a thrill fest of suspense and intrigue. The subtle blending of the foreboding orchestral soundtrack with the continuing tension Post is able to create through some rather adept use of lighting and slow-yet-adequate pacing is probably the main reason that this movie is able to succeed and become quite a shining of example of great, low-budget cinema.
Jaclyn Smith, from the TV series Charlie's Angels', is exceptional in her role as a woman pushed to the brink of madness following a series of bizarre and inexplicable happenings as if being an unplanned accessory to the murder of her husband wasn't enough! Smith's performance is all the more credible due to the whole array of emotions her character is forced to portray. Despite Smith's character being a wrong-doer, it becomes quite easy to sympathise with her plight and understand her actions. Robert Mitchum takes the main role of the supporting cast as Lt. Donner and just adds to the credible acting performances that help to make Nightkill' what it is. Unfortunately, the rest of the supporting cast were not exactly up to par except for a somewhat brief performance by the near-legendary B-movie actress Sybil Danning.
Nightkill' is a movie built on suspense, fortified by extraordinary acting performances (for a movie of this type) and cemented with a truly remarkable and haunting finale. Those who appreciate thrillers such as those by Hitchcock and Argento should find something enjoyable in this film as well. Certainly not for those who have had their attention spans stolen by MTV, but for those who appreciate subtle, slow and suspenseful thrillers. Yes, there are problems such as a rather unnecessary piece of character interaction towards the end, a brief decline in quality during the middle of the film and the obvious limitations of the budget. The final twist is also a little clichéd and does become a little obvious but not really enough to take away from one's enjoyment. Nightkill' is still a very accomplished film and one that psychological thriller fans should find quite enjoyable. My rating for Nightkill' 7/10.
Ted Post directs this Hitchcock-style horror/thriller about murder and deception and one has to say that he does a very good job in doing so. Post takes a screenplay based on a story by the relatively unknown John Case and turns it into an intricate and generally compelling ninety minute piece of criminally underrated cinema. Although Post obviously lacks the directorial flair of his inspirers Hitchcock and Argento (there are a couple of instances where light is used in a similar fashion to Argento as well as some Argento-style trickery), one cannot really fault his execution of the work and instead has to admire the way that he turned such a low-budget into a thrill fest of suspense and intrigue. The subtle blending of the foreboding orchestral soundtrack with the continuing tension Post is able to create through some rather adept use of lighting and slow-yet-adequate pacing is probably the main reason that this movie is able to succeed and become quite a shining of example of great, low-budget cinema.
Jaclyn Smith, from the TV series Charlie's Angels', is exceptional in her role as a woman pushed to the brink of madness following a series of bizarre and inexplicable happenings as if being an unplanned accessory to the murder of her husband wasn't enough! Smith's performance is all the more credible due to the whole array of emotions her character is forced to portray. Despite Smith's character being a wrong-doer, it becomes quite easy to sympathise with her plight and understand her actions. Robert Mitchum takes the main role of the supporting cast as Lt. Donner and just adds to the credible acting performances that help to make Nightkill' what it is. Unfortunately, the rest of the supporting cast were not exactly up to par except for a somewhat brief performance by the near-legendary B-movie actress Sybil Danning.
Nightkill' is a movie built on suspense, fortified by extraordinary acting performances (for a movie of this type) and cemented with a truly remarkable and haunting finale. Those who appreciate thrillers such as those by Hitchcock and Argento should find something enjoyable in this film as well. Certainly not for those who have had their attention spans stolen by MTV, but for those who appreciate subtle, slow and suspenseful thrillers. Yes, there are problems such as a rather unnecessary piece of character interaction towards the end, a brief decline in quality during the middle of the film and the obvious limitations of the budget. The final twist is also a little clichéd and does become a little obvious but not really enough to take away from one's enjoyment. Nightkill' is still a very accomplished film and one that psychological thriller fans should find quite enjoyable. My rating for Nightkill' 7/10.
I really thought Nightkill was going to be lousy. A murder-gone-wrong movie in the '80s starring one of Charlie's Angels? I thought I'd turn it off after ten minutes, but after that time, I was hooked! Yes, Jaclyn's Smith's hairdo is dated, and a few scenes are a "tv-ish", but if you're one of the many people who enjoy this genre, you might want to check this one out.
The reason I kept watching Nightkill was because Jaclyn's marriage to Mike Connors wasn't your typical "evil husband must die" relationship. He's very wealthy, and he's not a nice person, but Joan Andre wrote his character to be subtly instead of blatantly cruel. He belittles their Mexican housekeeper, treats his subordinates like peons, and gets impatient with his wife. Everything he does and says, though, are things someone in his position might think is okay. He's not a blatant bad guy; he's just insensitive and rude. So, when Jaclyn's lover James Franciscus kills him, it's understandable that she's not jumping for joy. All she wanted was a divorce, not his death.
But, since she's now an accessory-and since she's the lead in an '80s thriller and therefore goes along with a terrible idea-Jaclyn agrees to hide the body and pretend her husband is still alive until she and James can run away together. Gee, do you think everything's going to go smoothly? Definitely not, especially when policeman Robert Mitchum starts sniffing around.
I'm sure you know why I rented this movie in the first place; we all know how much I love Robert Mitchum. He has such great energy in this movie, and I can't help but think he arranged for Michael Anderson, Jr. to have a cameo, since they played father and son twenty years earlier in The Sundowners.
One warning about Nightkill: make sure you have a strong stomach. Parts of the movie get pretty gruesome, to counteract the good looks of the three main leads, I guess. Also, if you liked seeing Jaclyn Smith and James Franciscus playing the Kennedys, you can see them together again in this movie!
Kiddy Warning: Obviously, you have control over your own children. However, due to gruesome images and an upsetting scene with an animal, I wouldn't let my kids watch it.
The reason I kept watching Nightkill was because Jaclyn's marriage to Mike Connors wasn't your typical "evil husband must die" relationship. He's very wealthy, and he's not a nice person, but Joan Andre wrote his character to be subtly instead of blatantly cruel. He belittles their Mexican housekeeper, treats his subordinates like peons, and gets impatient with his wife. Everything he does and says, though, are things someone in his position might think is okay. He's not a blatant bad guy; he's just insensitive and rude. So, when Jaclyn's lover James Franciscus kills him, it's understandable that she's not jumping for joy. All she wanted was a divorce, not his death.
But, since she's now an accessory-and since she's the lead in an '80s thriller and therefore goes along with a terrible idea-Jaclyn agrees to hide the body and pretend her husband is still alive until she and James can run away together. Gee, do you think everything's going to go smoothly? Definitely not, especially when policeman Robert Mitchum starts sniffing around.
I'm sure you know why I rented this movie in the first place; we all know how much I love Robert Mitchum. He has such great energy in this movie, and I can't help but think he arranged for Michael Anderson, Jr. to have a cameo, since they played father and son twenty years earlier in The Sundowners.
One warning about Nightkill: make sure you have a strong stomach. Parts of the movie get pretty gruesome, to counteract the good looks of the three main leads, I guess. Also, if you liked seeing Jaclyn Smith and James Franciscus playing the Kennedys, you can see them together again in this movie!
Kiddy Warning: Obviously, you have control over your own children. However, due to gruesome images and an upsetting scene with an animal, I wouldn't let my kids watch it.
A very murky thriller. On the first viewing, I swear you won't be able to tell what's going on until....the last five minutes or so. This may be one of those mysteries that require a second viewing to fully understand how everything adds up. Good acting, though, both by Robert Mitchum, as a cunning detective, and by Jacklyn Smith, who's quite convincing as a woman involved in an increasingly threatening situation, with nobody to rely on in the whole world. (**)
NIGHTKILL is a rather clunky, yet watchable thriller starring Jaclyn Smith as a woman in danger after her lover's (James Franciscus) plot to kill her insufferable husband (Mike Connors) goes horribly wrong. Many twists and unexpected turns help to save this movie from being a complete waste of time.
Ms. Smith spends most of the movie uncovering one horror after another, while being surveilled and stalked by an unseen maniac.
Robert Mitchum is a pushy Detective, and Fritz Weaver plays a slimy attorney. Cybil Danning is listed in the credits, but only has about 3 minutes of actual screen time.
For the names involved, this is a pretty shoddy production. Granted, most were late in their careers, but that's no excuse for such a poor presentation. Fans of Ms. Smith will love the fact that she's in almost every scene...
Ms. Smith spends most of the movie uncovering one horror after another, while being surveilled and stalked by an unseen maniac.
Robert Mitchum is a pushy Detective, and Fritz Weaver plays a slimy attorney. Cybil Danning is listed in the credits, but only has about 3 minutes of actual screen time.
For the names involved, this is a pretty shoddy production. Granted, most were late in their careers, but that's no excuse for such a poor presentation. Fans of Ms. Smith will love the fact that she's in almost every scene...
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- QuizOriginally intended for wide theatrical release in January of 1981, the film was sold to television, after a brief limited theatrical release, where it premiered on 18 December 1980.
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Steve Fulton: Morning hugs are the best.
- ConnessioniFeatured in Jaclyn Smith: Kill or Be Killed (2017)
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By what name was Nightkill (1980) officially released in Canada in English?
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