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Aggiungi una trama nella tua linguaA horror writer is summoned to a "monster club" by an enigmatic elder. There, three macabre tales unfold before him, interspersed with musical interludes. The convergence of storytelling and... Leggi tuttoA horror writer is summoned to a "monster club" by an enigmatic elder. There, three macabre tales unfold before him, interspersed with musical interludes. The convergence of storytelling and performance creates an eerie atmosphere.A horror writer is summoned to a "monster club" by an enigmatic elder. There, three macabre tales unfold before him, interspersed with musical interludes. The convergence of storytelling and performance creates an eerie atmosphere.
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It's been many years since I last saw this anthology, and though it's usually reviled I think it's gotten better with age. I love the air of black comedy that prevails in the scenes with Vincent Price and John Carradine in the Disco (both perform very tongue in cheek and appear to be having some fun spoofing their images), and the three horror tales aren't bad, either. The stories manage to be satirical, humorous, and even a little scary. I even liked some of the rock tunes sung at the club (my favorite probably being B. A. Robertson's SUCKER FOR YOUR LOVE). I also like MONSTERS RULE O.K. by the Viewers. Okay, so I wouldn't go out and buy the album perhaps, but the songs work nicely within the bizarre context of the film. Price and Carradine actually get up on the dance floor to boogie with the ghouls, and it's good fun all around. **1/2 out of ****
I love this movie. When I began renting exclusively horror movies in the late eighties I'd rent movies like The Seven Brothers Meet Dracula and Monster Club and The House That Dripped Blood... and eventually I realized they were all by the same director, Roy Ward Baker. What stands out in his fillms to me is the colors. He goes for some really bold color choices. Monster Club is a funny movie. The musical interludes betw2een the vignettes are pretty damn snappy f you've heard them a hundred times, and I have. The stories are good. The dippy costumes are effective and fun. I saw it hosted by Elvira Mistress of the Dark and that made a lot of difference but it's a good movie with or without her breastesses.
The Monster Club was the final installment in Amicus studios portmanteau series and concerns R.Chetwynd-Hayes(John Carradine)a noted Horror writer who runs into an elderly Vampire named Erasmus (Vincent Price) .Erasmus duly takes his fill of the authors blood and after recognizing him becomes all apologetic and invites him to The Monster Club where he hopes Chetwynd-Hayes might garner some new ideas for a new book.As the guest of Erasmus, Chetwynd-Hayes is regaled with three stories of the macabre.
Story 1:A young couple George and Angela are hard up for cash, so they answer an advertisement in a newspaper looking for someone to help catalogue antiques in an old manor.Angela goes and meets the owner who as it turns out is a Shadmock,kind of a Vampire/werewolf hybrid,Angerla is scared of at first but soon settles in to her job.Angela soon becomes friendly with the soft spoken and thoughtful employer but comes under increasing pressure form George to steal something from the house, and she decides to take advantage of an invitation to a masqued ball with the Shadmock's family at the manor to fulfill her objective.
Story 2:A Vampire stalks the London underground is being chased by the B-squad a team of vampire hunters lead by Pickering, (Donald Pleasance) . Pickering uses the vampires son who unknowingly leads the B-squad right to his father.
Story 3: Stuart Whitman plays Sam an American movie Director scouting the English countryside for the perfect location for his upcoming movie. He stumbles across a fog bound town full of Ghouls where he befriends a Humghoul (Human and ghoul hybrid) and struggles with her help to make his escape from his living nightmare.
Review The shadmock story I found to be quite unique, its nice to have a different monster and this one was a rather a nice chap and I felt for his pain at the end, but it was definitely a missed opportunity, the idea of a masqued monster ball I find intriguing, but Ward obviously only used this as a means perhaps to save money on Monster make-up.The second story is played for laughs which is a shame and is by far the least of the three stories.The Ghoul story I found to be the best,and full of atmosphere with a nice twist at the end.The in between segments with Price and Carradine are poor and full of very bad monster make-up and annoyingly bad music(No really bad), these two great horror legends were fine,considering the quality of script, but they deserved more. This is the kind of film I was raised on and for that reason and the people involved I really enjoyed it,sure its not the best from the esteemed Amicus studio or Baker,but for pure fun its hard to beat and I unreservedly give this a whopping 6/10 against my better judgement.
Story 1:A young couple George and Angela are hard up for cash, so they answer an advertisement in a newspaper looking for someone to help catalogue antiques in an old manor.Angela goes and meets the owner who as it turns out is a Shadmock,kind of a Vampire/werewolf hybrid,Angerla is scared of at first but soon settles in to her job.Angela soon becomes friendly with the soft spoken and thoughtful employer but comes under increasing pressure form George to steal something from the house, and she decides to take advantage of an invitation to a masqued ball with the Shadmock's family at the manor to fulfill her objective.
Story 2:A Vampire stalks the London underground is being chased by the B-squad a team of vampire hunters lead by Pickering, (Donald Pleasance) . Pickering uses the vampires son who unknowingly leads the B-squad right to his father.
Story 3: Stuart Whitman plays Sam an American movie Director scouting the English countryside for the perfect location for his upcoming movie. He stumbles across a fog bound town full of Ghouls where he befriends a Humghoul (Human and ghoul hybrid) and struggles with her help to make his escape from his living nightmare.
Review The shadmock story I found to be quite unique, its nice to have a different monster and this one was a rather a nice chap and I felt for his pain at the end, but it was definitely a missed opportunity, the idea of a masqued monster ball I find intriguing, but Ward obviously only used this as a means perhaps to save money on Monster make-up.The second story is played for laughs which is a shame and is by far the least of the three stories.The Ghoul story I found to be the best,and full of atmosphere with a nice twist at the end.The in between segments with Price and Carradine are poor and full of very bad monster make-up and annoyingly bad music(No really bad), these two great horror legends were fine,considering the quality of script, but they deserved more. This is the kind of film I was raised on and for that reason and the people involved I really enjoyed it,sure its not the best from the esteemed Amicus studio or Baker,but for pure fun its hard to beat and I unreservedly give this a whopping 6/10 against my better judgement.
Another melange terror movie , being pretty good , and freely based on comic books , produced by Amicus : Max Rosenberg , Milton Subotsky . A classic terror movie formed by various segments well realized and magnificently played . Typical horror film financed by Amicus with a great British cast and formed by episodes full of creepy events , chills, thrills , gore and guts . A vampire (Vincent Price) invites his favorite horror author to a nightclub for monsters and shares three stories to inspire his next book : In first segment titled "Shadmock Story" , a con artist couple (Barbara Kellerman, Simon Ward) suffers the consequences when they try to take advantage of a suspicious recluse , who is sensitive about his monstrous pedigree . In second episode titled "Vampire Story" a rare stranger tricks a bullied kid into endangering his vampire father (Richard Johnson) and beloved mother (Britt Ekland) . In third segment titled "Humgoo Story" a film director (Stuart Whitman) looking for the perfect location to shoot a terror film stumbles upon a village populated by monsters led by a weird innkeeper (Patrick Magee). You'll meet some interesting people and hear some great songs at The Monster Club ¡ .
Great cast as Vincent Price and John Carradine star this ordinary antology picture in which a writer of horror stories nicely played by John Carradine is invited to a "monster club" by a mysterious old gentleman ironically performed by Vincent Price . Amicus last portmanteau movie that simply slaps down its thrilling and terrifying tales , butressing with dreary slabs of plot and chatter, concluding into eerie results . Formed by three segments , all of them are filled with mystery , suspense , terror , grisly killings , twisted events and horrible happenings . The British star-studded results to be pretty good with a plethora of notorious actors such as : Barbara Kellerman , Simon Ward , Geoffrey Bayldon, Donald Pleasence , Britt Ekland , Anthony Valentine , Neil McCarthy , Stuart Whitman , Lesley Dunlop , Patrick Magee , among others . There , at a discoteque in which music bands are performing songs take place the meeting between Vincent Price and John Carradine , subsequently three gruesome stories are told ; between each story some musicians play their songs . Featuring songs by Night B.A. Robertson , The Pretty Things and the Viewers . And soundtrack music by John Williams , UB 40 , and The Expressos . Each story harbours an ingeniously creepy and ghoulish conceit and at the end each tale takes place a grand guignol climax.
The motion picture was professionally directed by the British horrormeister Roy Ward Baker, though another terror specialist director, Freddie Francis, was the original choice to shot. However the movie never secured theatrical distribution in the US instead the movie was sold for regional television and in the UK , the picture attained a limited theatrical release . In ¨Monster Club¨ Roy Ward Baker emphasising the frightening , dramatic and suspenseful possibilities . Being final theatrical film of director Roy Ward Baker . Roy directed a great number of films . During World War II, he worked in the Army Kinematograph Unit under Eric Ambler, a writer and film producer, who, after the war, gave Baker his first opportunity to direct a film, The October Man (1947). He then went to Hollywood in 1952 and stayed for seven years, returning to Britain in 1958, when he directed one of his best films, A night to remember (1958) . During the 1960s and 1970s , Baker directed a number of horror films for Hammer and Amicus. He also directed in British television, especially during the latter part of his career . Deemed to be a terror expert, as proved in The monster club , Mask of death , And now the screaming starts, The legend of the 7 gold vampire s, Asylum , Dr Jekill and his sister Hyde , The scars of Dracula , The vampire lovers, The anniversary . Roy Baker also directed some Hollywood fims such as : Inferno, House in the square, A night to remember, Don't bother to knock, and Night with sleep . Rating : acceptable and passable. 6/10. Worthwhile watching.
Great cast as Vincent Price and John Carradine star this ordinary antology picture in which a writer of horror stories nicely played by John Carradine is invited to a "monster club" by a mysterious old gentleman ironically performed by Vincent Price . Amicus last portmanteau movie that simply slaps down its thrilling and terrifying tales , butressing with dreary slabs of plot and chatter, concluding into eerie results . Formed by three segments , all of them are filled with mystery , suspense , terror , grisly killings , twisted events and horrible happenings . The British star-studded results to be pretty good with a plethora of notorious actors such as : Barbara Kellerman , Simon Ward , Geoffrey Bayldon, Donald Pleasence , Britt Ekland , Anthony Valentine , Neil McCarthy , Stuart Whitman , Lesley Dunlop , Patrick Magee , among others . There , at a discoteque in which music bands are performing songs take place the meeting between Vincent Price and John Carradine , subsequently three gruesome stories are told ; between each story some musicians play their songs . Featuring songs by Night B.A. Robertson , The Pretty Things and the Viewers . And soundtrack music by John Williams , UB 40 , and The Expressos . Each story harbours an ingeniously creepy and ghoulish conceit and at the end each tale takes place a grand guignol climax.
The motion picture was professionally directed by the British horrormeister Roy Ward Baker, though another terror specialist director, Freddie Francis, was the original choice to shot. However the movie never secured theatrical distribution in the US instead the movie was sold for regional television and in the UK , the picture attained a limited theatrical release . In ¨Monster Club¨ Roy Ward Baker emphasising the frightening , dramatic and suspenseful possibilities . Being final theatrical film of director Roy Ward Baker . Roy directed a great number of films . During World War II, he worked in the Army Kinematograph Unit under Eric Ambler, a writer and film producer, who, after the war, gave Baker his first opportunity to direct a film, The October Man (1947). He then went to Hollywood in 1952 and stayed for seven years, returning to Britain in 1958, when he directed one of his best films, A night to remember (1958) . During the 1960s and 1970s , Baker directed a number of horror films for Hammer and Amicus. He also directed in British television, especially during the latter part of his career . Deemed to be a terror expert, as proved in The monster club , Mask of death , And now the screaming starts, The legend of the 7 gold vampire s, Asylum , Dr Jekill and his sister Hyde , The scars of Dracula , The vampire lovers, The anniversary . Roy Baker also directed some Hollywood fims such as : Inferno, House in the square, A night to remember, Don't bother to knock, and Night with sleep . Rating : acceptable and passable. 6/10. Worthwhile watching.
In a misjudged attempt to move with the times, British studio Amicus punctuated the three short stories of their final film, The Monster Club, with musical numbers from a variety of new-wave/rock acts, including B.A. Robertson and The Pretty Things. These daft interludes, which see the bands singing their songs in their entirety (and which come complete with a ridiculous rubber-masked monster audience) spoil what is otherwise a very effective horror anthology.
The film starts with a wraparound story in which popular horror author R.Chetwynd-Hayes (John Carradine) is fed upon by thirsty vampire Eramus (Vincent Price), who thanks his victim by taking him to The Monster Club, a members-only establishment where monsters go to drink and be entertained. There, the writer hears three tales guaranteed to chill the blood...
Tale one: A pair of con-artists plan to steal a valuable collection of antiquities from a lonely weirdo who turns out to be a Shadmock, a strange creature with a deadly whistle. A touching tale with a tragic ending, helped by a strong performance from James Laurenson as the lovelorn Shadmock.
Tale two: The B-squad are a special branch of the police dedicated to hunting vampires. Unaware that his own father is one of the undead, awkward loner Lintom Busotsky (Warren Saire) unwittingly leads the chief of the B-squad (Donald Pleasence) to his home. A wonderfully tongue-in-cheek story with great performances from both Saire and Pleasence, this proves to be a lot of fun, a jaunty Transylvanian folk violin score adding tremendously to the enjoyment factor.
Tale three: horror director Sam (Stuart Whitman) scouts a location for his new movie, unaware that the rural village is home to flesh-eating ghouls. Director Roy Ward Baker definitely saves the best for last, this memorable final segment oozing atmosphere and dripping with tension. Whitman does a cracking job and the final 'twist' is a corker.
7/10 for the three stories, minus one point for the terrible scenes that take place within The Monster Club.
The film starts with a wraparound story in which popular horror author R.Chetwynd-Hayes (John Carradine) is fed upon by thirsty vampire Eramus (Vincent Price), who thanks his victim by taking him to The Monster Club, a members-only establishment where monsters go to drink and be entertained. There, the writer hears three tales guaranteed to chill the blood...
Tale one: A pair of con-artists plan to steal a valuable collection of antiquities from a lonely weirdo who turns out to be a Shadmock, a strange creature with a deadly whistle. A touching tale with a tragic ending, helped by a strong performance from James Laurenson as the lovelorn Shadmock.
Tale two: The B-squad are a special branch of the police dedicated to hunting vampires. Unaware that his own father is one of the undead, awkward loner Lintom Busotsky (Warren Saire) unwittingly leads the chief of the B-squad (Donald Pleasence) to his home. A wonderfully tongue-in-cheek story with great performances from both Saire and Pleasence, this proves to be a lot of fun, a jaunty Transylvanian folk violin score adding tremendously to the enjoyment factor.
Tale three: horror director Sam (Stuart Whitman) scouts a location for his new movie, unaware that the rural village is home to flesh-eating ghouls. Director Roy Ward Baker definitely saves the best for last, this memorable final segment oozing atmosphere and dripping with tension. Whitman does a cracking job and the final 'twist' is a corker.
7/10 for the three stories, minus one point for the terrible scenes that take place within The Monster Club.
Lo sapevi?
- QuizArtist John Bolton painted the picture of the Shadmock used in the film before the role was even cast. He was genuinely amazed when the film's producers found an actor, James Laurenson, who actually physically resembled the image in the picture.
- BlooperIn the segment of the film "The Humgoo" when Sam first pulls up at the village of Loughville, a crew member in a red checkered shirt and denims is clearly visible for one second in the driver's door rear-view mirror when the car door opens.
- Curiosità sui creditiOn the LP album of the soundtrack of the film's listing of the track "Ghouls Galore" the performer, keyboardist Alan Hawkshaw, is credited as "John Hackshaw".
- Versioni alternativeIn order to receive an "A" (PG) cinema certificate in the UK, the film was cut by the BBFC with brief editing of the scenes of Angela's liquefied face in the segment "The Shadmock". All later releases of the film were uncut and the certificate was raised to "15".
- ConnessioniFeatured in Movie Macabre: The Monster Club (1983)
- Colonne sonoreTheme: Pavane
Composed by Gabriel Fauré
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