Mio zio d'America

Professor Henri Laborit is one of the geniuses of the previous century. And Alain Resnais directed a movie faithful to the scientist's work.

We could say about Mon oncle d'Amérique that it's a totally original film. It's impossible to compare it to any of the other movies in the history.

This piece of art shows in a very elegant and clever way how we human beings behave. It's as brilliant as deeply moving.

Definitely a must-see that reminds us why we used to admire Gérard Depardieu. The use of the archive footage of Danielle Darrieux, Jean Gabin, and Jean Marais are very touching in the middle of a movie that seems to be cold and demonstrative but that is not.

Watch this masterpiece ASAP. You'll never regret it.

What an odd way to start a film. We seem to be hearing a lecture about the brain, and human development, interspersed with introductions of several characters who don't seem to have much in common. But then Resnais starts working his magic, intertwining the stories of three people with the behavioral theories of Henri Laborit. Human behavior is compared to the behavior of lab rats, and even turtles and wild boars, and each new idea is illustrated in the lives of the main characters. And as an interesting third layer, each character has an "avatar" from classic French cinema; clips from their films are interspersed to comment on the action.

Too bizarre, you think? I thought so at first, but after awhile I was hooked. Fine performances, beautiful cinematography, and a captivating, multi-layered script makes this film an unforgettable experience.

This film was made with the cooperation of psychologist Henri Laborit. It's broken down, like a greek drama, into narrative episodes and odes where the chorus, in this case psychologist Laborit, explains the meaning of the episodes. I love this movie because it makes clear the pretenance to everyday life of a discourse which is very rich as an interpretation of life, in exactly Matthew Arnold's sense, but at the same time so abstract that most people just, for example, reading Laborit's "Decoding the human message" would not see the immediate relevance of what was being said to their own daily concerns. I use this film to teach psychology. I open my intro class with it every term. Learning to read this film is learning to think like a psychologist. In the film, we cut from scenes of the human characters involved in various relationships to Laborit showing how lab rats react to stress under various conditions. The result is not dry or pedantic but funny as hell. It comes off as the rats doing a low burlesque of the human comedy. We also see the characters as children and as adults and scenes from various formative episodes along the way. When Laborit says "a person is a memory which acts" it seems a powerful commentary on what we are seeing on screen. We see one character as a tiny girl interacting with her factory worker father. He is a communist and he is teaching his newly articualte baby girl to repeat after him "USA go home". Watching this, I remember being taught to sing "Jeusus loves me" shortly after I started talking. This film is funny and wonderful dealing with the thing which matters most of all, the question of what it means to be a person.

I just saw this - after having heard of it, seen it on video store shelves for over a decade. A movie that begins oddly, drily, repays anyone who pays attention for at least 15 minutes with something absorbing, warm, fascinating and often quite funny.

It is one of the most thought-provoking movies I've ever seen in my life. I disagree that its appeal is limited to intellectuals or those who like the director (I'd seen only Last Year at Marienbad, couldn't tell hide nor tail, and that was all I thought of Resnais).

Depardieu's character is one we can relate to fully as much as we do to Willy Loman in Death of a Salesman - but all the principal characters (except the cold as ice boss of Depardieu) are greatly sympathetic.

This is just so moving and powerful a movie about the life we life - our work, our anger, our sorrow, our obsession, our ambition, our ideals and the way we deal with the things we want in life. Just stay with it for 15-20 minutes - you'll be fascinated. This is truly superb, truly absorbing, truly unique.

Based on the writings of French physician/philosopher Henri Laborit: the lives of three individuals are chronicled and analyzed using theories of how human lives and behaviours are formed and the results of inner and outer conflicts due to early programming. The individuals are René (Gérard Depardieu), a devout Catholic who left behind his farming family and became an executive in a textile factory; Janine (Nicole Garcia) whose family cut ties with her when she pursued a successful career in acting; and Jean (Roger Pierre) who was born into wealth and works in politics and writing.

It is clear at the beginning that this film is unconventional. The opening sequence has three simultaneous narrations of the early lives of the main characters and it takes a very long time - much longer than most narrations take. But it all pays off. The information is valuable for the fascinating stories of what happens to the characters later on.

The acting of the three leads is solid. Among some of the best scenes: Depardieu and Pierre each have at least one hissy fit moment in which they are hilarious, chewing up the scenery and everyone else in it.

The Depardieu story is particularly fascinating as it accurately displays the unethical viciousness of the corporate world. (Notice the film takes place in 1980, a decade in which corporate deviousness would begin to take over the world and worsen with each decade that followed.) The René story can resonate with anyone who has spent any time in corporate purgatory.

The frequent narration of the film is intriguing in its observations of human behaviour using three fine examples. The style of the film is experimental. Usually, this means disaster but in the case of "Mon Oncle d'Amérique", the experimental style not only works; it works quite well. - dbamateurcritic

RATING: 9 out of 10

OUTSTANDING ACHIEVEMENT: Screenplay by Jean Gruault.