VALUTAZIONE IMDb
6,8/10
5591
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe story of hard-luck Melvin E. Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.The story of hard-luck Melvin E. Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.The story of hard-luck Melvin E. Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.
- Regia
- Sceneggiatura
- Star
- Vincitore di 2 Oscar
- 17 vittorie e 9 candidature totali
Recensioni in evidenza
Winning combination of scattershot comedy and wry, wistful drama tells the (alleged) true story of a milkman with big dreams and no money who is curiously named a recipient in the will of multi-millionaire Howard Hughes. Melvin Dummar (played by Paul LeMat, in a terrific performance) had been saying all along he once helped out an old guy in the desert near Las Vegas who claimed he was Hughes, but Dummar didn't really believe him (they had a nice chat anyway, and Melvin got Howard to sing one of his self-written novelty songs as well as "Bye Bye Blackbird"). Good-natured film directed by Jonathan Demme rarely loses its way, and features an endearing collection of screwballs who make the loopy craziness of the situations and dialogue immediate and real--their eccentricities are the roots of the story. Mary Steenburgen won a Supporting Oscar as Dummar's first wife, a dreamer like Melvin who is far less satisfied with struggling and who just wants to amount to something (but to Melvin, the struggles are the best part). Jason Robards is perfect as Hughes; the normally bombastic actor takes a small role and lets it bloom subtly and beautifully for us, giving the movie a misty hue and making all of Melvin's hopes sweetly credible. ***1/2 from ****
I set to watch this movie because of Jason Robards, brilliant actor who died in 2000. I was very excited to see how well known director Jonathan Demme would work with Robards and what I get isn't enough. The best parts are Robards parts (he's playing Howard Hughes) and there are only two times we see Robards in a whole movie. At the beginning and at the end. I don't understand that. The character of Melvin is totally stupid to me, there are thousand of men like him and he's just not interesting. What was interesting is character of Howard and I'm talking about Robards. Why is Robards so little in this movie? That answer probably only Demme knows. He is 7 minutes on screen and he deserved an Oscar nomination. What would he deserve for half an hour? That is also my question, but not last. Why did Mary Steenburgen won Oscar? For taking her clothes off? They gave her an Oscar because there weren't any real candidates for it. I must stop before I mention brilliant Kate Winslet who still hasn't got golden statue. Ups, there I did it.
10dglink
In this day of $100 million plus movies with special effects that drown out the dialog and stars with out-sized egos and paychecks to match, a film like Jonathan Demme's minor masterwork, "Melvin and Howard," would be lucky to get a video distributor. Even a quarter century ago on its initial release, the film was largely ignored by audiences despite glowing reviews, Academy Awards, and critics kudos. However, those who make the effort to seek out this wonderful fable will be rewarded. Based on a story that may or may not have been true, "Melvin and Howard" spins the tale of an easy going hard luck kinda guy named Melvin Dummar who gives a lift to an old man he finds asleep in the desert. The man says that he is Howard Hughes, and, years later, when Hughes dies, Melvin finds a will that has been left on his filling station desk that names him as one of the heirs to the Hughes fortune. Since we know the ending before the film starts, the pleasures lie in the quirky characters and situations that screenwriter Bo Goldman and a terrific cast have created. Despite the circus that surrounded the question of the will's validity, Melvin was content just knowing that, during their drive, Howard Hughes had sung a song that Melvin had written. His evident joy in that simple event was a rare personal quality even in 1980. There are a lot of other unpretentious, yet memorable, moments in this outstanding film.
I just noticed that "Melvin and Howard" registered a mere 6.6 on the IMDb rating scale. Don't you believe it! This is a great American movie. Director Demme and writer Goldman take a footnote to history -- a contested Howard Hughes will that named Melvin Dummar, a milkman who once loaned him a quarter, as one of his heirs -- and turn that slight material into a wry meditation on the American Dream. Or more specifically, the thin line that separates the American Dream from pure hell. Demme has a great eye for people like Dummar, a dreamer whose clock for realizing his dreams is winding down. The performances are terrific, especially Paul Le Mat as Dummar (whatever happened to Le Mat?) and Mary Steenburgen who won an Oscar for playing his wife. Jason Robards does one of his patented cameos playing a real life character (his Howard Hughes makes a neat hat trick with his Oscar winning performances as Dashiell Hammett and Ben Bradley.) Watch for the real-life Melvin Dummar as the counterman in the bus station where Steenburgen makes a sandwich for her daughter. This is a small but knowing and winning movie. It definitely gets my vote for "Milkman of the Month"!
The story of hard-luck Melvin E. Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.
I can't say I'm an expert on Howard Hughes, and I have never heard this story before. After watching the film and looking into it a bit, I am somewhat interested. Especially knowing that Agent Gary Magnussen was involved.
But the film itself is just alright. Very little of it has anything to do with Hughes or the courtroom drama. Much pf it has to do with the boring life of Dummar and the problems he had with his wife. This was okay, as far as movies go, but certainly nothing extraordinary. I would not place it among Jonathan Demme's best.
I can't say I'm an expert on Howard Hughes, and I have never heard this story before. After watching the film and looking into it a bit, I am somewhat interested. Especially knowing that Agent Gary Magnussen was involved.
But the film itself is just alright. Very little of it has anything to do with Hughes or the courtroom drama. Much pf it has to do with the boring life of Dummar and the problems he had with his wife. This was okay, as far as movies go, but certainly nothing extraordinary. I would not place it among Jonathan Demme's best.
Lo sapevi?
- QuizJason Robards was nominated for the Best Actor in a Supporting Role Oscar for playing Howard Hughes in this movie. It was the third time in five years that Robards had been nominated in this category at the Academy Awards, and in each case he was playing a real person. The first two times, in 1977 and 1978, Robards had achieved the extraordinary feat of winning back-to-back Oscars for Giulia (1977) and Tutti gli uomini del presidente (1976).
- BlooperWhile the men are in the truck talking, a sandwich being eaten has the bite area alternately changing from one side of the bread between shots.
- Citazioni
Lynda Dummar: It says you can be anything you want to be if you'll just believe in yourself. And you believe in yourself - it's just the believing hasn't been enough to let you become what you believe you can be.
Melvin Dummar: Honey, they didn't burn down Rome in one day - you got to keep pluggin'.
- Colonne sonoreAmazing Grace Used to be Her Favorite Song
Written by Russell Smith
Performed by The Amazing Rhythm Aces
Courtesy of CBS Records
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Dettagli
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.309.490 USD
- Lordo in tutto il mondo
- 4.309.490 USD
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