Il leone del deserto

I just finished watching this movie, and man was I impressed. It's better if you don't know the history here, because then it doesn't spoil the surprises. The movie started out slow (as do most movies based on true stories), but started to get good about 15 minutes into it. This was a great action film for it's time. The Muslim world needs more leaders like Omar Mukhtar.

Anthony Quinn is truly one of the greatest actors I've seen. He never lets his role veil the story. I found that he made this movie better than Braveheart, which was also a good movie, but had too much over-acting and exaggerations. Oliver Reed was also good, I wish they did more movies together. Credit to Mustapha Akkad as well, he needs to stop wasting his time with the Halloween movies, and make some more war movies, that's what he's good at.

The only problem with this film is the terrible audio, so you have to constantly play with the volume whenever it switches between fighting scenes and conversations. So keep the remote close by and enjoy!

A pretty good desert epic with lots of action, this film is often thought to be a propaganda piece for Libya and Islam, with anti-Italian overtones.

Not quite.

The film is no more anti-Italian than it is pro-Islam. That is to say it is neither. It's a grand scale film that shows a Facist state's attempt to colonize and reign over north Africa in the early half of the 20th century, and how the native populace waged a guerilla war against this effort. It does not cast aspersions on Italians, nor pushes Islam as a religion. Italy happens to be swept up in a facist mindset whose forces are at odds with a people who are predominantly Muslim.

Anthony Quinn himself states in the "Making of..." documentary that the lead character, Omar al-Mukhtar, was not fighting for Islam, nor proselytizing in any way. He was one of many guerilla leaders who was trying to push the facists out of Libya. And even then he's only trying to regain that which was taken by facists, and not so much force Italians themselves to leave. Facists who, at the time, happened to be from Italy. From what I've seen the film does its best to accurately depict what went on during Italy's expansionist period under Mussolini, and shows this episode of political and military contention between the two sides in Libya.

There's lots of good acting here, and grand battle scenes. The cinematography is the usual style for this sort of film. Unfortunately the cast was chosen more for their names to sell the film than anything else. Even so they, Quin, Reed, Steiger and the rest do a pretty good job of showing us how the men of the time acted and behaved, and Quinn does en exceptional job of showing a humble but resolved Mukhtar. The battle scenes, for the most part, are pretty good. There's one or two hammy performances by a couple of the supporting cast members, but they're overshadowed by the rest of the film.

The DVD transfer is OK. Anchor Bay's gone to some extra lengths to put some extra goodies on the disk, but the film's image could've used a dual layer process.

If you're a fan of military epics this film should entertain. A good watch.

I believe that one needs to be made of a special material to direct/produce such an epic. Moustapha believed in what he was doing when shooting the movie. He went to out of his way to make sure that everything he filmed was as real as possible. The battle scenes were planned with all detail but also the small scenes with Tony Quinn, Irene Papas or any other actor. It is a real pity that death has taken him before he could produce/direct "Salahadin", his long wanted project that would have shown the world another face of Islam. He tried with Omar Muhktar but I am sure that he would have done much better with Salahadin. Moustapha Akkad and his work as a film maker will be remembered.

In 1979 I was the Sound Recordist on 'Lion of The Desert' film of the film so had first hand experience of this terrific Production.

Moustapha Akkad is a first class Producer and the facilities he provided for the unit in the middle of the Libyan Desert were fantastic. I mention this because it had a strong influence on the subsequent quality of the film. I was recordist on the interviews and PR documentary material for this great film and I am proud to have been involved with it.

I had first hand experience with Anthony Quinn during the shoot. He was totally dedicated to his role. Olly Reed was able to put up a good performance but did give us a few problems with his usual antics! The rest of the cast were brilliant and the result impressive.

The scale of this Production was incredible and the thought that went into the organisation of it was amazing.

If you would like me to answer any further questions about this, please leave messages on my notice board. Look me up under Lionel Strutt. I did not receive a direct named credit on this production because I was working, as I said, on the film of the film or TV documentary. However I did spend months in the desert with the production and crew. So can relate a few interesting stories!

I came across my video copy of this film in 1995. I was surprised that I had never heard of the film as it uses such star actors as Quinn, Gielgud, Papas, Steiger and Oliver Reed. It is the only copy I have ever come across in UK shops. To the best of my knowledge, it has never been shown in the UK on either terrestrial or satellite TV. The reason for this remains a complete mystery to me. It may be because it was financed by Gaddafi who has been the subject of international embargos for many years.

The Arab-American Moustapha Akkad produced and directed the film in Libya with Gaddafi's full support. The film is reasonably accurate and, in my opinion, fair and balanced. Anthony Quinn had a long and distinguished career playing 'ethnic types' and his portrayal of Omar Mukhtar is undoubtedly one of his finest performances. Omar in the film is probably much more of an action man than the real Mukhtar who was more of a strategist than a fighter. Or so I was informed whilst on holiday in Tunisia. The film is (understandably) one of the most famous in the Arab world, dealing as it does with Arab suffering under recent European colonialism.

Akkad uses original black and white archive film to underpin its historical authenticity. At the start to set the scene of the Italian conquest of Libya from Turkey in 1911. In the middle to show an aerial view of the concentration camps built by the Italians and also the barbed wire 'Hadrian's Wall' built along the Egyptian border. Both these strategies were intended to cut off Mukhtar from his supply sources. At the end of the film there are still photos of the real Mukhtar in chains and also of the main Italian protagonists we see in the film.

Rod Steiger blusters through his role as Mussolini, the fascist dictator who wants to send Italian colonists to a peaceful Libya, an ambition being thwarted by Omar Mukhtar's stubborn 20-year long armed resistance. Oliver Reed plays a suitably ruthless General Graziani, the man charged with crushing Mukhtar. But his character is no two-dimensional brute.There is a very engaging private dialogue between himself and the captive Mukhtar. The two men debate historic claims to Libyan soil, with Graziani pointing out that the Romans were there before the Arabs. Reed gives a very controlled performance, one of his best.

The film is very balanced in its portrayal of the Italians. On the one hand we see some terrible reprisals-shootings and hangings-against civilians. On the other hand we have two sympathetic Italian officers whose conscience is afflicted by by the war they are forced to wage. The Raf Vallone character is particularly sympathetic- very courteous, generous and kind to the captive Mukhtar. This is history telling at its best. Italian fascists were not all the same. Individuals matter. Likewise, the Italian officer chosen to defend Omar at his trial argues that Mukhtar never committed treason against the Italian state because he never accepted it rule.

On the Arab side we have John Gielgud playing the high-ranking Sharif el-Gariani character who is sent to ask Omar to end his struggle. Some Arabs were willing to collaborate with an Italian rule which was helping to modernise their country. There is a nice reference to the fact that 'the League of Nations will not help you', highlighting the limitations of this predecessor of the UN. Come to think of it, things have not changed very much!

The action scenes are spectacular, with some inspiring ambushes by the insurgents against the Italian forces. The film credits Graziani (wrongly?) with being the first general to bring tanks into the desert. The Italian assault on the oasis town of Kufra is a theatrical masterpiece. Some viewers may think that all this is probably a bit over the top. It probably is but it certainly boosts the film's entertainment level. In fact, the film could have shown Italian planes dropping poison gas bombs as they did in Abyssinia a few years later. In his biography of Mussolini, the eminent historian Denis Mack Smith maintains that this did happen in Libya.

The music is very effective and the film is emotionally charged throughout, especially during the hanging scenes. The Omar Mukhtar character is accorded a great deal of dignity and honour. The film is hagiography but so are 'Spartacus', 'Ben-Hur', 'El Cid' and scores of other epics. Does this make the film a piece of Arab propaganda? Yes and no. The film emphasises the central role of Islam in giving Omar the inner strength to continue his fight. It tells an historical tale with a great deal of accuracy but it is also a feature film which aims to entertain. In that respect it is no different to any Hollywood blockbuster about the Alamo or Pearl Harbor. In my opinion it is superior to many such blockbusters. It's just that white Caucasians have to get used to being the bad guys for a change.

Gaddafi is now coming in from the cold and opening up his country to tourism. I can only hope that this will result in the film becoming more widely available and better-known in the UK. 'Lion of the Desert' is an excellent historical epic which tells one side of the story. Some historians would argue that Mukhtar's defeat and death paved the way for the enlightened rule of Italo Balbo who governed a 'pacified' Libya after 1934 with few executions and much building of infrastructure. I would not accept this view as all imperialisms are self-justifying and ultimately unacceptable.