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IMDbPro

Incubo sulla città contaminata

  • 1980
  • VM18
  • 1h 32min
VALUTAZIONE IMDb
5,6/10
7095
LA TUA VALUTAZIONE
Incubo sulla città contaminata (1980)
B-HorrorFantascienzaHorror zombieOrroreOrrore corporeoThriller

Un aereo esposto a radiazioni atterra e zombie assetati di sangue ne escono armati di coltelli, pistole e denti! Si fanno strada su tutte le furie tagliando, affettando e mordendo attraverso... Leggi tuttoUn aereo esposto a radiazioni atterra e zombie assetati di sangue ne escono armati di coltelli, pistole e denti! Si fanno strada su tutte le furie tagliando, affettando e mordendo attraverso la campagna italiana.Un aereo esposto a radiazioni atterra e zombie assetati di sangue ne escono armati di coltelli, pistole e denti! Si fanno strada su tutte le furie tagliando, affettando e mordendo attraverso la campagna italiana.

  • Regia
    • Umberto Lenzi
  • Sceneggiatura
    • Antonio Cesare Corti
    • Luis María Delgado
    • Piero Regnoli
  • Star
    • Hugo Stiglitz
    • Laura Trotter
    • Maria Rosaria Omaggio
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,6/10
    7095
    LA TUA VALUTAZIONE
    • Regia
      • Umberto Lenzi
    • Sceneggiatura
      • Antonio Cesare Corti
      • Luis María Delgado
      • Piero Regnoli
    • Star
      • Hugo Stiglitz
      • Laura Trotter
      • Maria Rosaria Omaggio
    • 149Recensioni degli utenti
    • 152Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

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    Trailer 3:29
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    Foto121

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    Interpreti principali45

    Modifica
    Hugo Stiglitz
    Hugo Stiglitz
    • Dean Miller
    Laura Trotter
    Laura Trotter
    • Dr. Anna Miller
    Maria Rosaria Omaggio
    Maria Rosaria Omaggio
    • Sheila Holmes
    Francisco Rabal
    Francisco Rabal
    • Maj. Warren Holmes
    Sonia Viviani
    • Cindy
    Eduardo Fajardo
    Eduardo Fajardo
    • Dr. Kramer
    Stefania D'Amario
    Stefania D'Amario
    • Jessica Murchison
    Ugo Bologna
    Ugo Bologna
    • Mr. Desmond
    Sara Franchetti
    • Liz the Maid
    Manuel Zarzo
    Manuel Zarzo
    • Col. Frank Donahue
    • (as Manolo Zarzo)
    Tom Felleghy
    • Lieutenant Reedman
    • (as Tom Felleghi)
    Pierangelo Civera
    • Bob
    Achille Belletti
    • TV Station Technician
    Mel Ferrer
    Mel Ferrer
    • General Murchison
    Román Ariznavarreta
    • Soldier
    • (non citato nei titoli originali)
    Antonio Basile
    • Zombie at the TV station
    • (non citato nei titoli originali)
    Agustín Bescos
    • Man in Elevator
    • (non citato nei titoli originali)
    Edy Biagetti
    • Military Officer
    • (non citato nei titoli originali)
    • Regia
      • Umberto Lenzi
    • Sceneggiatura
      • Antonio Cesare Corti
      • Luis María Delgado
      • Piero Regnoli
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti149

    5,67K
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    Recensioni in evidenza

    7Ky-D

    Surprisingly entertaining.

    Better known for his jungle cannibal opus "Make Them Die Slowly", Lenzi has here a much more accomplished and entertaining gut muncher.

    On an unassuming day, a nuclear scientist is supposed to arrive with important research. His plane breaks flight patterns and lands unannounced. When authorities go to investigate, they find all the people on board are infected with strange kind of radiation poisoning and have turned into violent, cannibalistic zombies. The zombies then begin attacking any and every one in sight; hacking, shooting and eating all they can. Escaping the city is the only hope.

    Coming out in 1980, this was pretty late in the cannibal/zombie movie cycle. Fortunately, Lenzi changes up the formula just enough to keep things from being stale. The zombies are are fast, intelligent and have no problem utilizing tools and weapons. Lenzi also ad hears to just enough genre clichés to keep fans happy. There is blood and gore aplenty, random flashes of nudity and some wonderfully cheesy dialogue.

    On the technical side, the film is right on par with other films in the same category. Acting ranges from to OK to plain bad, lighting and sound get the job done but never excel, and the writing works well enough to move from point A to point B. One nice element is the pacing, which is refreshingly brisk and free of clutter.

    Over all, this is one of the better made and more amusing of the cannibal/zombie films from days gone by. Genre fans should check it out.

    7/10
    Mike E Monster

    Gore-Bore

    While not to be entirely dismissed as drivel, Lenzi's would-be zombiefest known as NIGHTMARE CITY nonetheless comes off as trying to be too different, too "off-the-beaten-zombie-path", and as result, ends up falling flat in an unsatisfying mix of missed opportunities.

    Instead of going with "living dead"-style zombies (i.e. lumbering oafs) Lenzi - against producers wishes who wanted basically a Romero-style-clone - instead argued for and got his wish of the 'zombies' simply being victims of a nuclear radiation accident. All the 'creatures' become supermen of sorts - with heightened strength etc. - not to mention retaining their human faculties of running, driving, being able to fight with weapons etc.

    As a result though - pretty much all suspense is thrown out the window, as the movie quickly bogs down into a violent and graphic game of hide and seek. The action is intense (and the blood and gore plentiful) but the 'creatures' or victims simply look like poorly-designed Halloween costume party attendees, who - after realizing they are late for their scheduled gathering - grabbed whatever they could out of their fridge and slapped it on their faces. The result is an unconvincing and inconsistent mess of effects that underwhelms the viewer. Some victims have little makeup, others are nearly indistinguishable under piles of green and red facial clay, (yet ALL sneer menacingly at the camera) and ALL are out for the blood of their next human victim (the creatures need blood to regenerate their cells to keep living. As a result, their victims in turn become creatures as well).

    While I applaud Lenzi for at least attempting something different (in an interview on the disk, he explains how he wanted the film to be viewed as an environmental warning etc.) it comes down to the simple fact that the movie ends up failing - the zombies move too fast to be truly creepy and come off as poorly-dressed terrorists from a bad Chuck Norris movie - and basically plays out as a b-level gore bore, weaker on the gore, heavier on the B-bore.

    While NIGHTMARE CITY may not be totally rank, let's say ya might wanna drink that milk today - know what I mean?? As in, it smells a little funny - not totally spoiled, but nowhere near fresh-enough to serve to guests. Feelin' lucky??

    Recommended for genre completists only.
    Jtalledo

    Goofy and amateurish

    You can't honestly give any excuses for this movie; it's just plain cheesy. You could say that it's just a horror movie and it shouldn't be taken seriously, but that's a lame excuse. This movie is just not good at all. From the terrible makeup fx to the hokey dialogue, there's not much of redeeming value in this movie.

    The plot itself is pretty humdrum. Hordes of the dead terrorize a big city while spreading their walking-dead disease to others.

    The only interesting part of this movie is how it tries to follow several groups of people and their encounters with the zombies. Among the people whose stories are followed are a military major and his wife, General and his daughter and son-in-law and last but not least, a reporter and his wife. The best sub-story is that of the reporter who witnesses the start of the mayhem firsthand and attempts to break the story of the walking dead, while people turn a deaf ear to his reports. The reporter tries to stay alive and rescue his wife from the chaos. Hugo Stiglitz is great as the reporter kicks some major butt, especially near the movie's end. The rest of the substories that the movie oscillates between are boring and pedestrian though.

    The "zombies" in this movie are decidedly some of the more active ones in movie history. They run, jump and even use weapons. Some of them actually look like living humans, except they have some ghastly scare. "City of the Walking Dead" was a badly chosen title; "City of the Running, Jumping and Scampering Dead" sounds more apt. You could argue that they are far more lifelike that the people in this movie, especially the military guys, who apparently are too damn stupid to follow the advice of their superiors and shoot the zombies in the head.

    The movie isn't too scary at all. There are some genuinely creepy moments, such as when the reporter's wife fumbles around in the dark in a hospital and encounters one of the walking dead. That was one of the only chilling parts of the movie. The scene where the major finds his wife is also pretty creepy, although it was predictable. For the most part, the gore was nothing that hasn't been done better in other movies, although the lively zombies did make them considerably more vicious.

    The makeup was really terrible. Most of the zombies look like normal humans, except for a little blood here and there and a crazed look in their eyes. It would have been best if the filmmakers went with that look for the whole movie, as the makeup jobs usually consisted of a few cheesy cast-like extensions and mud-like molds being added to creature faces.

    City of the Walking Dead is a decent movie to watch if you aren't took picky with your horror movies. It has some decent action and some novel concepts that were extremely flawed in implementation. Otherwise, stay far away from this one. Furthermore, a word of warning: you will groan at the movie?s ending.
    amesmonde

    Well constructed horror trash

    On an airfield a plane's door opens and bloodthirsty zombies burst out and begin to overrun the city. TV news reporter Dean Miller must find his wife and escape the city's crazed killers.

    Nightmare City (Incubo Sulla Cittá Contaminata)is a crude mix of the Crazies, Let Sleeping Corpse Lie to name a few. It also has a slight ambiance of Shivers and Rabid.

    As you'd expect it's suffers from the failings of most Italian gore pictures of the time, bad dialogue etc. Nightmare City is certainly a product of its time. Nevertheless, while the makeup is terrible, the leads are more than effective. Umberto Lenzi's camera work, direction and starkness of the city setting are appealing. It's fast paced - packed with comic –like violence of stabbings, biting, hacking and shootings as the zombie maniacs cause blood soaked havoc in the city and surrounding areas.

    The ending twist is quiet refreshing and although a cliché you don't see the device used these days. While not a zombie film in the truest sense, they move fast, can weld machetes and fire guns it's a competent splatter film that is far better constructed and executed than Bruno Mattei's Zombie Creeping Flesh (1980) made the same year.

    Overall, it's one of the better trash horrors out there.
    7amazing_sincodek

    The best of the best!! spectacularly entertaining and surprisingly original.

    disclaimer: obviously, if you don't have a pre-existing love for zero-budget Italian horror, this won't be your cup of tea.

    But if you do! My, what a treat! I overlooked this film for years because I confused it with "City of the Living Dead." I otherwise exhausted the genre's offerings. When I realized I hadn't seen this one, I was very excited, but I didn't expect much. I was in for a pleasant surprise.

    Ugh, I'm no good at paragraph format.

    The Pros: 1. The title, "City of the Walking Dead," is appropriate. This really is a city-wide infestation. This is not a board-up-the-windows movie. The scale is epic. So often, low budget zombie films restrict themselves to a few characters on a farm or something to save money. This one doesn't. I can't imagine how he was able to use some of the locations. (Actually, I suppose the title isn't quite appropriate, because the antagonists are neither walking nor dead. They run, and they're sort of still alive.)

    2. Breasts are present.

    3. I usually don't like zombies that deviate from Romero's mold, but Lenzi takes a risk and scores. These creatures combine the hypnotic element of Romero's zombies with the overwhelming danger of running zombies. According to an interview on the DVD, Lenzi did not want to just do another Romero rip-off, and insisted on coming up with his own sort of creature. He did it well.

    4. For the first 2/3 of the film, the characters are sufficiently believable for the viewer to care about them. For example, a reporter finds himself in the middle of the zombie outbreak, and desperately tries to get a hold of his wife, a doctor, who can't be reached because she's in surgery. This is a realistic, human element absent from most films in the genre.

    Cons:

    1. 2/3 of the way through, it kind of falls apart. The characters who haven't died reveal themselves to be one dimensional after all.

    2. The special effects are really inconsistent. Sometimes killings are mimed bloodlessly. In other scenes, heads explode.

    3. The soldiers are pathetic.

    In short, highly recommended.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      According to director Umberto Lenzi, both Franco Nero and Fabio Testi were considered for the lead in the film, but the producer insisted on a Mexican leading man to appeal to Mexican audiences. Hence, the role went to Hugo Stiglitz.
    • Blooper
      When Dean and Laura take refuge in the church and encounter the infected priest, he makes a dramatic turn toward the camera to display his facial wounds to the audience, and then finishes the turn, whereupon Dean and Laura react. But given where the priest's injury is, and given that the priest makes a full 360 degree turn, Dean and Laura would've seen the infection immediately.
    • Citazioni

      Dr. Anna Miller: I'm tired. Really tired. And I'm frightened. We'll never get away from these... these monsters. What are we going to do?

      Dean Miller: Alright. Nothing is going to happen as long as we stay together I promise you. What we've got to do now is get away from here as fast as we can.

      Dr. Anna Miller: Let go of me. Why don't you face it. There's no place for us to go. They're we too will be killed. I don't want us to die I don't want us to but there's nothing we can do. They're everywhere...

      Dean Miller: [Dean slaps his wife and then kisses her] Stop it...

    • Curiosità sui crediti
      The message "THE NIGHTMARE BECOMES REALITY..." just before the end credits
    • Versioni alternative
      The 1986 UK Stablecane video version was cut by 3 minutes 5 secs by the BBFC to heavily edit shots of exploding heads, neck bitings, a woman's eye and breast being stabbed with a spike, an arm removal, the elevator attack, shots of bloody wounds, and a woman's breast being sliced off with a knife. All the cuts were fully waived for the 2003 Anchor Bay DVD release.
    • Connessioni
      Edited into Cent une tueries de zombies (2012)

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    Dettagli

    Modifica
    • Data di uscita
      • 11 dicembre 1980 (Italia)
    • Paesi di origine
      • Italia
      • Spagna
      • Messico
    • Lingue
      • Italiano
      • Spagnolo
    • Celebre anche come
      • Nightmare City
    • Luoghi delle riprese
      • Barrio de Chamartín, Madrid, Spagna
    • Aziende produttrici
      • Dialchi Film
      • Lotus Films Internacional
      • Televicine S.A. de C.V.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 32 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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