Il cacciatore di taglie

"The Hunter" is no masterpiece, certainly, and not on a par with Steve McQueen's classics from the 1960's. But it did showcase a looser, more easy going McQueen and showed a direction he might have gone further in during the 1980's had he lived. Certainly its no worse than a lot of the films Clint Eastwood and Burt Reynolds were churning out in this time period. I enjoyed the movie, its certainly watchable, but it is hampered by what seems like a made-for-TV look and budget at times (Steve McQueen couldn't get a bigger budget??). The musical score sucks in the way many 70's and 80's films did, and there's one howlingly ludicrous classroom scene featuring Kathryn Harrold as McQueen's girlfriend. But its all about McQueen in his final performance really. Fortunately he looks pretty good in this film, at least better than he did in "Tom Horn" and "An Enemy of the People" and he also looks like he was having a pretty good time. It was also nice to see him in his final film go full-circle playing a modern equivalent to his break-through role as a bounty hunter in "Wanted:Dead or Alive", which was where I first became a fan of McQueen's. He was a true movie star and a man's man and I still miss him.

I first saw this in the late 80s on a vhs. Revisited it recently. As a die hard fan of McQueen, i enjoyed this film which many dubbed as the last n weakest of McQueen's films. The film is about a modern-day bounty hunter who captures criminals who have skipped on their bail to bring them back for a reward. His job doesn't allow him to spend time with his pregnant girlfriend n at the same time a psychopath is stalking them. The film has a good rooftop chase, a foot chase, a train sequence n a funny chase in a corn field with ample amount of dynamites. In this film McQueen came up with the idea of going against his famous car n bike racing abilities by portraying his character as a terrible driver. The film does have a very weak villain n the screenplay is a mishmash.

Steve McQueen's last film features him as an aging modern day bounty hunter who drives a crumbling jalopy barely strung together. He is only just managing to make a living. The story is based on a real life bounty hunter, Ralph Thorson, who worked as technical adviser on the production, I believe.

This film has pretty much always been critically dismissed and, to be sure, it barely has a story line, just a series of incidents, some of them humorous, involved in Thorson's arrest of bail jumpers. There is a major chase sequence towards the end that is excitingly staged, involving a subway car passenger being taken captive, among other things. There's even a little bit of humour to be found here, as well, this prolonged chase sequence the highlight of the film.

I have to say that I found the film to be quite watchable as a time waster, despite its mediocre reputation. I liked the (presumably) on location shooting of some of the seedy areas in which the character had to work.

McQueen has a seasoned presence and is quite effective in his role, though he doesn't have much of a characterization to work with. There are also a few twists to be found here. One inside joke for McQueen fans is that in this film his character is a bad driver who can't seem to parallel park without mounting the curb several times and doing damage to the cars around him.

The supporting cast includes Eli Wallach, Kathryn Harrold as McQueen's pregnant girlfriend, and Ben Johnson as a good old boy town sheriff who pulls a gun on McQueen to emphasize the fact he wants him out of his town. McQueen gives him no argument. Frustrating that the film uses so little of Johnson. He has two reasonably effective small scenes and then he's gone for good. What the film has plenty of, though, is Tracey Walter as a vengeful psycho sworn to kill McQueen. Walter's character likes to indulge in cat-and-mouse games. There's nothing subtle in this actor's over-the-top performance.

I saw no sign of the cancer that would lead to McQueen's death in his appearance here. The actor found out about the asbestos-related mesothelioma shortly after filming on The Hunter was completed. (He died of a heart attack following a brutal operation to have tumors removed in Mexico).

"Tom Horn," Steve McQueen's second to last feature, would have been a more appropriate swan song for the legendary star than this rather ramshackle production, but this action picture is much better than it is usually given credit for. There is an almost TV look about it (the director, Buzz Kulik, has amassed more credits for the small screen than he has in theatrical films), but McQueen, looking for all the world like the picture of health (a year after the film was shot, he'd be dead), is terrific and he makes it all worthwhile. The supporting cast isn't too shabby either, especially Kathryn Harrold as McQueen's woman, and, of course, the always welcome Eli Wallach.

There are moments of greatness from McQueen in this, his final picture. That persona of cool that he will always be remembered for is put to the test one more time. The story isn't unique or earth shattering, but die hard fans of the legendary star will not be disappointed.