Segui tre casalinghe di periferia che, per battere l'inflazione e sovvenzionare i loro assegni alimentari, complottano per rubare un milione di dollari da una grande palla di plastica espost... Leggi tuttoSegui tre casalinghe di periferia che, per battere l'inflazione e sovvenzionare i loro assegni alimentari, complottano per rubare un milione di dollari da una grande palla di plastica esposta in un centro commerciale locale.Segui tre casalinghe di periferia che, per battere l'inflazione e sovvenzionare i loro assegni alimentari, complottano per rubare un milione di dollari da una grande palla di plastica esposta in un centro commerciale locale.
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Curtin plays Elaine, a sophisticated missus whose husband has run out, leaving her with a tasteful hillside home, and a pile of bills she can barely pay off. Meanwhile, divorcée Jane (Saint James) struggles to raise two kids, and can't afford to marry her fiancé, hardware store owner Robert (Fred Willard) forcing them to spend intimate moments in the back of a car. Louise (Lange) is also battling differences with husband Albert (Richard Benjamin), a dentist who underestimates his wife's desire to have an income of her own and who leads the IRS to classify his wife's antique store as a "hobby".
Of course, the ladies decide the easiest problem-solver is to steal a ball full of floating dollars at the local shopping mall.
It's a slight premise, but the performances are enjoyable, not only from the leads, but also from supporting characters. While our sympathy is with the screwball ladies, it's also fun watching Benjamin squirm as a selfish oaf, in a scene with dental hygienist (and future B-queen) Sybil Danning. Also entertaining are Dabney Coleman as a cop romancing Elaine, and Eddie Albert as Max, a now-daffy ex-Marine and father to Jane. One of the best scenes involves Curtin and former SNL costar Garrett Morris, playing a utility representative.
The pretty Oregon town of Eugene, home to the University of Oregon, also lends its character to the scenes, with on-location shoots adding to its realism. Not only that counter-cultural Eugene *is* the sort of town where well-meaning citizens would put on a play at the local shopping mall. It's a fun trip back in time for anyone who even slightly remembers the inflationary 1970s and early 1980s.
It's even funnier than I'd remembered. While the story is good and the acting is ok, it's the cultural references circa 1980 that totally make the movie work for me (I'm 36 yrs old in '04). Jane Curtain's '80 Cutlass sucking gas, her oh-so-'70s contemporary house--complete with green bedspread and Buick-sized answering machine, the endless references to inflation, the grocery store cashier actually saying the name of each item before ringing it up by hand ("toy gun, $1.95..."), etc.
Jane Curtain actually does give the best performance, not only for her manic attempts to find cash, but for her impromptu striptease ("are you ready to see 1985, or should we skip right to 1990?"). The chemistry between Jane and Jessica Lange's character is quite good. Poor Susan Saint James...her character is annoying, whiny, and basically she serves as the Curly of this trio. (Yeah, I'd bring my kids to rob a store too...)
In all, this is a cute, silly time capsule to the dark days of inflation, 17% mortgage interest rates, slanted wood houses with lots of poorly utilized space, ferns, etc. One funny note: Jane Curtain's character makes numerous references to prostitution (to the gas station attendant, to the gals at the restaurant, and to Jack--the copy played by Dabney Coleman).
My main problem with this is how it doesn't really stick in your mind once you've seen it. It is sometimes funny but never really hilarious. The movie is watchable but never really great. It doesn't come close to being a great movie but is, all in all, a decent one that's good for a few laughs.
This is a timeless film for anyone (woman particularly) who've fallen on hard times. It was a hit when it was first released, and still gets laughs today.
Lo sapevi?
- QuizAs an outdoor scene was being filmed, a man drove by and yelled, "Jane, you ignorant slut!" in reference to Jane Curtin's and Dan Aykroyd's "Point/Counterpoint" running skit on Il Saturday Night Live (1975), and the crew cracked up laughing.
- BlooperA crew member is visible in a car bumper at the start of the garage sale scene.
- Citazioni
Albert: Louise, I swear to you there is no money. If you only knew what was going on in that hospital. It's not only the IRS, I'm in deep financial trouble, and I need you to hold me, to hug me, to kiss me, to reassure me that everything isn't as hopeless as it looks.
Louise: The only thing that is hopeless, Albert is that you're horny 24 hours a day.
- Versioni alternativeVideo versions edit a scene where Jessica Lange's character is hiding in the shoe store bathroom while one of the stage show performers comes in and uses it. It cuts off just as she notices the footsteps. The scene is most likely eliminated because the guy was singing and the song might be copyrighted.
- ConnessioniFeatured in Vintage Video: How to Beat the High Cost of Living (1980) (2020)
- Colonne sonoreShades
Arranged and Conducted by Pat Williams
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- Lordo Stati Uniti e Canada
- 7.500.000 USD
- Lordo in tutto il mondo
- 7.500.000 USD