Due sotto il divano

"Miles Kendig" (Walter Matthau) is a calm and experienced senior agent for the CIA in Europe who is liked and respected by everyone in the intelligence business. Everybody but his arrogant new boss in Washington D.C. named "G. P. Myerson" (Ned Beatty) that is. And because of this personal animosity Myerson has for him Miles is fired from his current position and reassigned to a menial desk job. Naturally, this doesn't sit well with Miles who quits his position and-to showcase the total incompetence of his boss-decides to write a tell-all book which discloses some of the failed and scandalous activities Myerson directed on his way up the ladder. Needless to say, this doesn't please Myerson at all who subsequently issues an order to kill Miles before he can do any further damage to his political career. The only problem is that Miles is much smarter that Myerson ever realized and knows how to game the system only too well. Now rather than reveal any more I will just say that this was a pretty good spy film which not only had bits and pieces of comedy here and there but also managed to keep my attention from start-to-finish due to the multitude of twists and turns throughout. Likewise, Walther Matthau put in a very fine performance in the process as well. In any case, I enjoyed this film and have rated it accordingly. Above average.

The most impressive thing about this movie is the way the director manages the tone of this film. The balance between comedy and drama is handled with great aplomb. This is best in encapsulated in the Myerson character. His ineptness is clearly the comic relief yet he also is trying to hunt down Kendig. I had seen other films where Matthau was in a supporting role like Mirage and Charade but here he is the star and he carries the film perfectly. The new Criterion Collection DVD has a very interesting interviews that add immensely to the appreciation of the film. 8/10.

I doubt anyone will read this far into the reviews, but for the record I felt I had to contribute. We all of us watch many, many movies, and some of us feel motivated to review some or all of them no matter the quality. I HAD TO REVIEW THIS, despite the fact I seldom bother, for I genuinely feel it was a delight. Previous reviewers will provide the details, and for example, the first review by dbborroughs has it completely right: wholesome, intelligent fun that is so seldom achieved by more "modern" movies that seem compelled to add gratuitous violence, explosions, one-liners, etc. There are shortcomings that could be improved, of course, but in the end they don't matter. The viewer is left with a smile that didn't depend on potty jokes or shock tactics for stimulation. Brilliant. The overall work is a true gem. Enjoy!

After growing tired of the job, CIA agent Miles Kendig decides to get out of the business once and for all. Fearing that his peace, and maybe his life, could be threatened by the organisation, he tells them that unless he is left alone he will spill the beans on all the secrets that he knows about. They call his bluff, thinking he is full of bitter hot air, so he promptly starts sending out to them one chapter at a time. Realising that Kendig is serious, the CIA sets about putting a stop to him, by whatever means necessary!!. But with Kendig having been one of their own once, he is one shrewd customer, and stopping him is going to be one hell of a job.

Based on the Brian Garfield novel, Hopscotch is a cheeky comedy paced with utter perfection from director Ronald Neame. Featuring a very accomplished cast, Walter Matthau, Glenda Jackson, Herbert Lom, Ned Beatty & Sam Waterston, Hopscotch relies on a sharp script and incredibly appealing dialogue to bring home the bacon, and it does, admirably so. It's the type of film that one knows is not about winning awards, the kind of film that is an actors film, where everyone is comfortable with the material and appears to be having a great time. The lead role of Kendig is tailor made for Matthau, ambling along at his own pace with a glint in his eye and a quip on his tongue, Matthau carries the film with charming ease. The others all contribute of course, but the comedy gold comes from Walter and that lived in face of his. So bits of drama here, bits of comedy there, Hopscotch is a very well made and hugely enjoyable picture, recommended. 7/10

I think many of us were really surprised to see Criterion release Hopscotch, but glad, were all glad they did. Here Walter Matthau is reprimanded for allowing a wanted KGB agent to walk. Matthau's integrity is too precious to take guff from even the CIA. Subsequently, he does not take the news of being reassigned to the job of file clerk very well so he begins to write his memories, leaking secret information to the opposition. The ensuing chase is slapstick, a Spy vs. Spy comedy with great international locations. Frankly, using the cold war as a catalyst for comedy was long overdue by 1980. A great travel piece.