The Girl, the Gold Watch & Everything
- Film per la TV
- 1980
- 2h
Aggiungi una trama nella tua linguaKirby inherits only one thing from his millionaire uncle: a pocket watch that can stop time. The bad guys know that he has it and will do anything to take it from him. But they don't know th... Leggi tuttoKirby inherits only one thing from his millionaire uncle: a pocket watch that can stop time. The bad guys know that he has it and will do anything to take it from him. But they don't know that he's found the girl of his dreams, and she's got a sense of humor that, when combined w... Leggi tuttoKirby inherits only one thing from his millionaire uncle: a pocket watch that can stop time. The bad guys know that he has it and will do anything to take it from him. But they don't know that he's found the girl of his dreams, and she's got a sense of humor that, when combined with the watch, is devastating.
- Regia
- Sceneggiatura
- Star
- Truck Driver
- (as Ed E. Carroll)
Recensioni in evidenza
In a comment, "Considered a ripoff by some..." (7 February 2005) by runar-4, it was noted that "Episode #5.4 of 'The Twilight Zone' ..., 'A Kind of Stop Watch,' has a storyline that is nearly identical to that of 'The Girl, the Gold Watch & Everything'" (the movie). The reason: John D. MacDonald's book, "The Girl, the Gold Watch, & Everything," was the uncredited basis for "The Twilight Zone" episode, even though the actual credit for the episode was, "Written by Rod Serling (based on an unpublished story by Michael D. Rosenthal)."
Both Michael D. Rosenthal and Mile Korologos had "unpublished stories," which were credited as the basis for episodes of "The Twilight Zone," specifically "A Kind of Stopwatch" (Script 124) and "Mr. Garrity and the Graves" (Script 152), respectively. There is speculation that Michael D. Rosenthal and Mile Korologos were pseudonyms for Rod Serling himself. Both John D. MacDonald and Philip José Farmer (who wrote the story credited to "Mile Korologos") protested to the producers of "Twilight Zone," to no avail.
In the same comment by runar-4, it was suggested that, "One of the contributing factors to the misunderstanding is that the novel quickly went out of print." However, the novel was not out of print when the movie was made. In fact, "The Girl, the Gold Watch, & Everything" was more-or-less continuously in print, appearing in 24 printings through June 1991.
Well, I've been plagued into adulthood by the fantastic power posited by this ultra-trashy, made-for-*SYNDICATED*-TV movie ever since I saw it at age nine. The idea of a watch that stops time for everyone except the bearer is so original, so powerful, that as I near my 30s I still fantasize almost daily over what I'd do with it.
The execution of the gimmick was so simple, F/X-wise, but remarkably memorable. The first time Hays's character receives the watch -- an inheritance from his mad-scientist uncle -- he's on a beach, trying to wind it. But upon turning the hands past a certain time, everything around him freezes, turning red, and the only sound he hears is the now-amplified ticking of the watch. He sees frisbees and a volleyball frozen in midair, people running in midstride, and the woman to whom he was talking moments ago (Pam Dawber) frozen, mid-sentence. He can wander freely throughout the reddened scene and move anything he wants, which will then freeze in position until he "unfreezes" time. Naturally, given the setting and the trash-TV nature of the movie, one of his first stunts is to untie a volleyballer's bikini top so when he unfreezes time, it falls to the ground.
Later, once the film has established the concept, we see Hays turn the watch and just instantaneously disappear, then reappear in the place he ran off to while time was frozen -- effectively giving us the POV of the non-watch-possessing bystander.
Since I haven't seen the movie since I was a preadolescent, I have it filed in the same "youthful indiscretion"/"trashy on reflection" category in which I have filed 'Cats' and 'The Greatest American Hero.' Any boy who was a fan of the TV megahit 'Mork and Mindy' probably tuned into 'The Girl...' for then-hottie Dawber, and Hays was himself on a warm streak, having just appeared in the seminal comedy 'Airplane!' Last bit of trivia: This film was apparently successful enough in syndication (in New York, where I grew up, it was on a pre-WB channel 11/WPIX) to spawn a sequel, with the even more embarrassing title, 'The Girl, the Gold Watch, and Dynamite!' I don't see that title anywhere on the IMDb, so I must assume it has been utterly forgotten.
Over the years I sometimes found the catchy musical theme momentarily lodged in my head, or spotted the novel in my collection, and wondered if the show had ever been released on DVD. Thirty-two years later, I got to see it again. And - Oh. My. God.
It's a lighthearted comedy, a romp of sorts, but it's AMAZING how incredibly inappropriate it seems today. There's enough of that 16-year-old male in me to appreciate it, sort of. But as a parent and inhabitant of the 21st century, I can't help but be appalled.
Take the comic relief, the repressed secretary. Ably acted, yes, and from some perspectives she's quite funny - similar characters were doubtless popular in the days of ancient Rome. But all she wants is to be raped! And while that sort of thing may work for some people these days on South Park, there's an odd *wholesomeness* to the humor that just seems horribly out of place - now.
The humorous side of rape is pretty much one of the major themes of the story. And rape doesn't really HAVE a humorous side (well, not for most people). Yes, in its day this was entertaining. And stopping time is a really neat concept, which is why it has been used so many times since. But I suspect that a lot of people these days would simply be stunned by the juxtaposition of lighthearted humor and a subject that is viewed far more seriously now than it was then.
If you can take that sort of thing, this is a more entertaining example of it than most. And there might almost be a sort of historical value to the show; it really does demonstrate the massive change in American mores and sexism over time.
I think the show would frankly stun most people under 30. It's impossible to imagine something like this getting on the air these days, unless it was handled in a very different way. Either the humor would be MUCH darker, or the whole thing would have been turned into sheer exploitation.
One side-note: for some reason the show reminded me of The Rockford Files, not in the rape-is-funny angle, but because it seemed to have a lot of actors and settings (CA) in common. The cinematography was rather similar, too. It also reminds me a little of the old Disney "Herbie" movies, although Walt would no doubt be spinning in his frictionless ice coffin to hear it!
Lo sapevi?
- QuizThe titular gold watch is not used for its time stop ability until 49 minutes into the film.
- BlooperWhen the watch is used to stop time, the effect should be instantaneous from the other characters' perspectives. Whenever the watch is used, the characters are able to look around and speak for several seconds before the watch user reappears, but from the watch user's perspective, everyone and everything is perfectly still for the duration of the time freeze.
- Curiosità sui creditiThe end credits are shown over an image of the gold watch, open in someone's hand.
- ConnessioniFollowed by L'orologio magico (1981)
- Colonne sonoreTwo Hearts in Perfect Time
Lyrics by Ayn Robbins
Music by Hod David Schudson
Performed by Richie Havens
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