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6,5/10
5748
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Aggiungi una trama nella tua linguaThe bizarre and musical tale of a girl who travels to another dimension through the gateway found in her family's basement.The bizarre and musical tale of a girl who travels to another dimension through the gateway found in her family's basement.The bizarre and musical tale of a girl who travels to another dimension through the gateway found in her family's basement.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Gene Cunningham
- Pa Hercules
- (as Ugh-Fudge Bwana)
- …
Brian Routh
- Military Duet
- (as The Kipper Kids)
- …
Martin von Haselberg
- Military Duet
- (as The Kipper Kids)
- …
Matthew Bright
- Henderson Twins Squeezit & René
- (as Toshiro Boloney)
Recensioni in evidenza
"Forbidden Zone" is up there on the list of strangest films of all time. It's a hell of a lot of fun, even though it doesn't make much sense. The film was created by Matthew Bright and Richard Elfman from the 80's rock band Oingo Boingo. They also did the film's music. The story concerns a family who buys a house from a drug dealer. Little do they know that it has a door that leads to the sixth dimension. The film becomes a crazed B&W surreal musical of comical strangeness. Tattoo of "Fantasy Island" plays the king of the sixth dimension. There's a depraved queen, a giant frog, a topless princess, drag queens, gigantic dice props and other things that you have to see to believe. It's as if John Waters and Jodorowsky teamed up to film "the Wizard of Oz" in black and white. The funniest part of the film has to be the guys wearing jockstraps who make musical fart noises while boxing. This is definitely not your average musical!
No live-action movie has ever captured the anarchic feel of the rubbery Max Fleischer cartoons of the 1930s better than "Forbidden Zone." It's an LSD-fueled Betty Boop picture mixed with "Alice in Wonderland" and "The Inferno," all filtered through David Lynch's kaleidoscope (or run through R. Crumb's Cuisinart).
The story, such as it is, deals with the adventures of Frenchy Hercules, who lives over a doorway to the "Sixth Dimension," which is ruled by King Fausto (Herve Villechaize) and Queen Doris (Susan Tyrrell) with sadomasochistic glee. The whole flick really fits the Betty Boop formula perfectly--a shapely heroine (who loves to rumba) falls from her own bizarre "reality" into an even stranger one. Much mayhem and cool swing music ensue, as Frenchy's brother and grandfather (playing the roles of Bimbo and Koko the Clown from the old Fleischer cartoons) try to rescue the unfortunate girl.
This strange mix of animation and live action really has to be seen to be believed--all very low budget and very imaginative (a quality sorely lacking in movies lately). Fans of Oingo Boingo won't want to miss this one (especially group leader Danny Elfman's Cab Calloway-like turn as Satan in the flick's best scene). There are racial and ethnic stereotypes galore, but since this movie seems to exist in an entirely different universe, it doesn't come across as offensive.
Not for everyone--but a "can't miss" for some. Worth seeing just for the musical numbers alone.
The story, such as it is, deals with the adventures of Frenchy Hercules, who lives over a doorway to the "Sixth Dimension," which is ruled by King Fausto (Herve Villechaize) and Queen Doris (Susan Tyrrell) with sadomasochistic glee. The whole flick really fits the Betty Boop formula perfectly--a shapely heroine (who loves to rumba) falls from her own bizarre "reality" into an even stranger one. Much mayhem and cool swing music ensue, as Frenchy's brother and grandfather (playing the roles of Bimbo and Koko the Clown from the old Fleischer cartoons) try to rescue the unfortunate girl.
This strange mix of animation and live action really has to be seen to be believed--all very low budget and very imaginative (a quality sorely lacking in movies lately). Fans of Oingo Boingo won't want to miss this one (especially group leader Danny Elfman's Cab Calloway-like turn as Satan in the flick's best scene). There are racial and ethnic stereotypes galore, but since this movie seems to exist in an entirely different universe, it doesn't come across as offensive.
Not for everyone--but a "can't miss" for some. Worth seeing just for the musical numbers alone.
I LOVE this movie. Sometimes I get nostalgic for it - on occasion, I actually cry. Because I no longer have a copy, I played it so many times, the tape just wore itself out. My first viewing stands next to a weekend-long John Waters marathon as cherished memory of being punked into the magical world of what gets termed as "cult."
The sights, sounds and actions are too just impossible to put into words, wildly creative, yet the whole thing is actually put together pretty tight, considering the clearly low budget and that you imagine the Elfmans were just like bribing their pals to show up and do stuff. The soundtrack, obviously, is the most fabuloso thing about it, but it works on lots of levels. If you have a copy, try playing it on MUTE and see what you think. If you've only seen it with recreational aids, you should try seeing it straight.
Come the revolution, this should be required viewing for all nine-year-olds and/or aspiring filmmakers. It's that good.
The sights, sounds and actions are too just impossible to put into words, wildly creative, yet the whole thing is actually put together pretty tight, considering the clearly low budget and that you imagine the Elfmans were just like bribing their pals to show up and do stuff. The soundtrack, obviously, is the most fabuloso thing about it, but it works on lots of levels. If you have a copy, try playing it on MUTE and see what you think. If you've only seen it with recreational aids, you should try seeing it straight.
Come the revolution, this should be required viewing for all nine-year-olds and/or aspiring filmmakers. It's that good.
I first discovered this one during my early mania for the band Oingo Boingo back in the early 1980's. I was expecting anything other than what I got: a live-action Max Fleischer cartoon brimming with low-budget insanity! FORBIDDEN ZONE is balls-out strange, and a hell of a lot of fun for those with a taste for the odd. Truly unique in every way, it is sad to see that more films like this will probably never be made again in this era of big-budget drivel and rampaging political correctness.
FORBIDDEN ZONE follows the adventures of the almost indescribably weird Hercules family who have recently moved into a house whose basement contains the doorway to the 6th dimension. When their bathrobe-clad daughter Susan (who has been studying abroad in France, returning home with an outrageous French accent and now goes by the totally original nickname of "Frenchy") falls into the 6th dimension, all manner of looniness ensues. A tuxedoed frog-man, jockstrap wearing goons, animation that looks like it was done by an acidhead, a wonderful soundtrack that blends oddball rock and big band classics, the worst blackface makeup in film history, Squeezit "Chicken-boy" Henderson and his "sister" Renee, the funniest elementary school sequence in memory, Herve Villechaize as King Fausto, the Mystic Knights of the Oingo Boingo and Danny Elfman as the devil himself...All this and more (!!!) in a ninety minute tour de force of unbridled imagination. HIGHEST RECOMMENDATION!
FORBIDDEN ZONE follows the adventures of the almost indescribably weird Hercules family who have recently moved into a house whose basement contains the doorway to the 6th dimension. When their bathrobe-clad daughter Susan (who has been studying abroad in France, returning home with an outrageous French accent and now goes by the totally original nickname of "Frenchy") falls into the 6th dimension, all manner of looniness ensues. A tuxedoed frog-man, jockstrap wearing goons, animation that looks like it was done by an acidhead, a wonderful soundtrack that blends oddball rock and big band classics, the worst blackface makeup in film history, Squeezit "Chicken-boy" Henderson and his "sister" Renee, the funniest elementary school sequence in memory, Herve Villechaize as King Fausto, the Mystic Knights of the Oingo Boingo and Danny Elfman as the devil himself...All this and more (!!!) in a ninety minute tour de force of unbridled imagination. HIGHEST RECOMMENDATION!
I used to own a VHS copy of this movie but didn't own a VHS player. When I finally watched it, I couldn't imagine why anyone would make a movie like this. And, maybe more importantly, who would watch it? It's like the dreams you might have with a 104 degree fever while taking shrooms. If John Waters and David Lynch made a live action cartoon with Max Fleischer, it might look something like this. And yet, as weird as it is, it's watchable and has an interesting score by Danny Elfman. I could only give a 6 because so much of this made no sense that I wasn't quite sure what I was reviewing.
Lo sapevi?
- QuizDirector Richard Elfman and star Marie-Pascale Elfman, who were married at the time, financed the movie by buying, renovating and selling houses. They ran out of money and the movie was rescued by a benefactor.
- Versioni alternativePremiere long version running time is: 76 mins., 38 secs. Theatrical Version is: 73 mins., 11 sec. The colorized version runs 74 mins., 14 secs., restoring René Henderson's verse in "Queen's Revenge," which previously only appeared as a "deleted scene" in the special features section of the Fantomas DVD edition. This is the version preferred by the director.
- ConnessioniFeatured in A Look Into 'The Forbidden Zone' (2004)
- Colonne sonoreWitch's Egg
Composed by Georg Michalski (as George Mishalsky) and Susan Tyrrell
Performed by Susan Tyrrell (uncredited)
Produced by Loren-Paul Caplin
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- Tempo di esecuzione1 ora 14 minuti
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- 1.85 : 1
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