Aggiungi una trama nella tua linguaWhen director Chang Chen found new talent and blood with "The Five Venoms" actors, most of which were trained in the highly acrobatic Chinese opera and well versed with exotic martial arts w... Leggi tuttoWhen director Chang Chen found new talent and blood with "The Five Venoms" actors, most of which were trained in the highly acrobatic Chinese opera and well versed with exotic martial arts weapons, this crated a new spark for his use of bizarre weapons in his films.When director Chang Chen found new talent and blood with "The Five Venoms" actors, most of which were trained in the highly acrobatic Chinese opera and well versed with exotic martial arts weapons, this crated a new spark for his use of bizarre weapons in his films.
- 'Iron Panther' Lo Hsin
- (as Kuo Chu)
- 'Iron Monkey' Yun Liang
- (as Chiang Sheng)
- 'Iron Tiger' Tsao Feng
- (as Lu Feng)
- 'White Robed Rambler' Yen Hsiu
- (as Lung Tien-Sheng)
- Killer Butcher
- (as Chin Chiang)
- Casino Man
- (as Ging-Man Fung)
Recensioni in evidenza
Phillip Kuo once again carries another Chang Cheh production with his charm and remarkable acrobatic expertise. This time he plays a cocky martial art clan member, Iron Panther who along with his training brother Iron Monkey (Sheng Chiang) delights in tormenting members of the rival clan who indulge in immoral things like running a gambling parlor and brothel. His trouble making leads to an ambush where his clan master is killed. To protect the clan his elder brother, played by Lu Feng, bribes the police and sends Iron Panther far away until the furor dies down. In the middle of this is a mysterious stranger, the White Robed Rambler (say that fast), who wields a curious set of short spears. This being a rather typical kung fu drama, there are a number of betrayals that lead to the final showdown with flags.
Very talky at times but unfortunately without a really interesting set of characters. The White Robed Rambler is very blandly played. Someone like David Chiang would have been perfect in the part. The betrayals are unsurprising and if you have seen this type of film before, very predictable. The fights are well done and the finale is unusual but really a way to show off the Venoms acrobatic training. Flag stunts are typical in Chinese acrobatic troupes.
OK but too long at 2 hours.
The plot is basically a variation on the old gangster plot about a gangster sent into hiding or to prison as a scapegoat for his gang who finds, upon returning, that things have either fallen apart or his old boss has turned on him. In kung fu films, we saw this before in DUEL OF THE SHAOLIN FIST (1971, aka DUEL OF THE IRON FIST), an excellent early kung fu work by director Chang Cheh, who also directed FLAG OF IRON and all the Venoms films.
FLAG OF IRON is a well-mounted production with lots of exciting fighting action shot amidst sprawling Shaw Bros. studio sets. It's not as intricate as other Venoms films and suffers from the absence of one key Venom, Lo Meng, but it's a worthy entry nonetheless. Beware the 85-minute cut version currently in distribution. The original running time is 113 minutes.
Although there are quite a lot of characters in this film, and it runs to almost 2 hours, it is pretty easy to follow and has a solid narrative throughout. Each plot twist and turn seems to be accompanied by a good fight sequence and these and the narrative work well to keep the film moving and interesting. I wasn't sure about the practicality of the flags as weapons, nor of the interest in the spear that fires a little bit of spear, but while the latter remained a bit 'meh' as a tool in the fights, the flags are very well used and make for some very impressive acrobatics. I also enjoyed the ten assassins coming in the middle of the film, bringing different characters and styles.
Although we only have some of the venom mob here, they are some good ones and well used. In particular I like the presence of Kuo Chui (Kwok) in the lead, and the comedic support of Sheng Chiang. Feng Lu makes for a good villain as the piece goes on, but I was not so sure of Tien Hsiang Lung's Spearman – either as a character or as a performance; he didn't have the charisma or presence of many of the others. The fight sequences are well choreographed and very energetically delivered – okay death sequences are a bit hammy and the blood excessively red and gushing, but such things come with the territory.
Overall, some reservations aside, a very enjoyable film with impressive choreography delivering engaging action sequences supporting a pretty good narrative.
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