Una nebbia soprannaturale copre una piccola citta' costiera esattamente 100 anni dopo che una nave e' affondata misteriosamente nelle sue acque.Una nebbia soprannaturale copre una piccola citta' costiera esattamente 100 anni dopo che una nave e' affondata misteriosamente nelle sue acque.Una nebbia soprannaturale copre una piccola citta' costiera esattamente 100 anni dopo che una nave e' affondata misteriosamente nelle sue acque.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
- Sandy Fadel
- (as Nancy Loomis)
- Al Williams
- (as John Goff)
- Sheriff David Simms
- (as John Vic)
- Mayor
- (as Jay Jacobs)
Recensioni in evidenza
The land lubbers of Antonio Bay don't enjoy the greatest founding centenary celebration day, as curious disturbances begin to create waves, and people are swallowed up by a glowing miasma, and devils from the deep blue sea seek revenge and retribution for past crimes . With an impressive cast, this still holds water today, and while it's of its time, peel off the barnacles and jump right in to enjoy one of John Carpenter's earlier imaginings.
The Fog is a guilty pleasure film of mine as I love how well the filmmakers develop the tension and tell a story with great cinematography, sound, and use of locations.
The plot is simple and full of dark cynicism about accepted histories, but it mostly just sets up creepy and suspenseful horror moments. Some aspects feel contrived, but it does not impact the entertainment if you do not take certain details too seriously.
I like how it creates a plausible small town community tied together by the soothing voice of the radio DJ character. I think this develops a sense of quaintness and enhances the vulnerability of the characters during the horror sequences.
Dean Cundey's cinematography is one of the highlights as there are some beautifully composed shots, and virtually every one feels spooky regardless of the content. When combined with the editing and sound, it works superbly. I usually cannot take my eyes off the screen when watching the opening scenes around the Antonio Bay as they give fairly mundane imagery of people and places a sense of impending dread.
As for the effects, you can see John Carpenter made the best use of a limited budget. You have to suspend the disbelief that a smoke machine is meant to be the fog and accept that several ghostly murderous figures are obscured by darkness for a good reason.
All actors are on good form, particularly Adrienne Barbeau and Janet Leigh. Jamie Lee Curtis and Tom Atkins have a good natural chemistry and their banter feels real. Hal Holbrook puts his heart into a key role and despite the silliness of certain aspects of the plot he pulls it off well.
"The Fog" is a dark ghost story of this master of horror John Carpenter, who deserves an Oscar his great filmography. The cinematography and special effects are great, giving a scary atmosphere without the need of gore. It is nice to see again a gorgeous twenty-three- year- old Jamie Lee Curtis acting with her mother Janet Leigh. The screenplay builds the horror in a low pace, but increasing the tension. My vote is seven.
Title (Brazil): "A Bruma Assassina" ("The Assassin Fog")
Note: On 14 September 2020, I saw this film again.
Note: On 25 February 2025, I saw this film again.
Lo sapevi?
- QuizAlthough this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so it didn't seem like a low budget horror movie.
- BlooperIn a few scenes, Dan the local weatherman is tracking the fog bank on his weather radar, and giving reports. Weather radars have never been able to detect fog. Today's most powerful state-of-the-art NEXRAD radars are sensitive enough to detect bugs, birds, and smoke plumes, but still not fog.
- Citazioni
[first lines]
Mr. Machen: 11:55, almost midnight. Enough time for one more story. One more story before 12:00, just to keep us warm. In five minutes, it will be the 21st of April. One hundred years ago on the 21st of April, out in the waters around Spivey Point, a small clipper ship drew toward land. Suddenly, out of the night, the fog rolled in. For a moment, they could see nothing, not a foot in front of them. Then, they saw a light. By God, it was a fire burning on the shore, strong enough to penetrate the swirling mist. They steered a course toward the light. But it was a campfire, like this one. The ship crashed against the rocks, the hull sheared in two, masts snapped like a twig. The wreckage sank, with all the men aboard. At the bottom of the sea, lay the Elizabeth Dane, with her crew, their lungs filled with salt water, their eyes open, staring to the darkness. And above, as suddenly as it come, the fog lifted, receded back across the ocean and never came again. But it is told by the fishermen, and their fathers and grandfathers, that when the fog returns to Antonio Bay, the men at the bottom of the sea, out in the water by Spivey Point will rise up and search for the campfire that led them to their dark, icy death.
[bells ring distantly]
Mr. Machen: 12:00, the 21st of April.
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Fog
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.100.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.448.782 USD
- Fine settimana di apertura Stati Uniti e Canada
- 39.565 USD
- 28 ott 2018
- Lordo in tutto il mondo
- 21.448.830 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1