L'Impero colpisce ancora
Titolo originale: Star Wars: Episode V - The Empire Strikes Back
Dopo che i ribelli sono sconfitti dall'Impero sul pianeta Hoth, Luke Skywalker comincia il suo addestramento Jedi con Yoda, ed i suoi amici sono nel mirino di Darth Vader.Dopo che i ribelli sono sconfitti dall'Impero sul pianeta Hoth, Luke Skywalker comincia il suo addestramento Jedi con Yoda, ed i suoi amici sono nel mirino di Darth Vader.Dopo che i ribelli sono sconfitti dall'Impero sul pianeta Hoth, Luke Skywalker comincia il suo addestramento Jedi con Yoda, ed i suoi amici sono nel mirino di Darth Vader.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 27 vittorie e 21 candidature totali
Clive Revill
- Emperor
- (voce)
Riepilogo
Reviewers say 'The Empire Strikes Back' distinguishes itself with a darker tone, deeper character development, and mature storytelling. Key themes include good versus evil, the complexity of the Force, and Luke Skywalker's growth. New characters like Yoda and Lando Calrissian enrich the narrative. The film delves into consequences, betrayal, and redemption, creating an emotionally resonant experience. Darth Vader's true identity revelation significantly impacts the saga. Visual effects, action sequences, and John Williams' score enhance the film, making it a standout sequel.
Recensioni in evidenza
So much amazing action and beautiful cinematography makes for such an enlightening experience! In The Empire Strikes Back you know who everyone is which is great plus Yoda is introduced! I love this movie the music is soothing, there's romance, more of Darth Vader, and introduces Emperor Palpatine what more can you ask for? A lot to relish and get excited about; it's such a classic gem.
Congratulations have to go to line producer Gary Kurtz and director Irvin Kershner in pushing the production to out-perform A New Hope, even though the consequence was a film that came in massively over budget, and almost cost Lucas his hard fought independence from the Hollywood system.
The plot moves quickly, from an interesting script by Leigh Bracket and Larry Kasdan, focusing on exploring two key relationships. The first is the relationship between Han Solo and Leia Organa, which is touched upon in a New Hope, but is fleshed out more in this film. The other is the more central relationship between Darth Vader and Luke Skywalker. This relationship is also linked in to the main supporting character in this film, Yoda, who is fantastically well realised by the film crew and performed brilliantly by Frank Oz. There are other characters, but whereas C3P0 and R2D2 were a central part of the story in the previous film, they are more on the sidelines.
What makes this film so great though is the involving and effective way the relationships operate within the broader story. The banter between Harrison Ford and Carrie Fisher is highly effective and amusing, operating through the classical love-hate relationship. One senses that Kershner, as a director of character driven films, worked very effectively with the actors and gave them the space to develop their characters which meant plenty of choices for the director in terms of their performances. The same goes for Mark Hamill's interaction with Yoda(Frank Oz). This is totally convincing and builds up the confrontation with Darth Vader very well. It was time well spent in getting these performances right. Kershner is very good at keeping the performance naturalistic, but reduces the level of broadness in the characters, making them more complex and interesting. Darth Vader benefits from this with scenes in the film that add to the mystique of the character. The confrontation with Luke Skywalker is riveting and dramatic and elevates the film above the level of its predecessor.
Technically the film is even more impressive than its predecessor. Credit has to go the Oscar nominated Art Direction team. John Barry, who had worked on the previous film, passed away during the production, but Norman Reynolds led the team superbly, with the excellent creations of Dagobah and Hoth, albeit Bespin in the original does feel a bit like a set, and the digital embellishments in the special edition were helpful in creating a bigger feel to those scenes. However, I was disappointed in the reworked scene with Palpatine in the special edition - while putting the excellent Ian McDiarmid was supporting continuity, to show him face on was, in my view an error and the reworked scene would have played much better with his face shrouded, or at the least partially obscured. The whole point of the scene was that the dialogue as strong enough without the need to ram an unsubtle visual at the audience.
Editing is excellent, led by Star Wars veteran Paul Hirsch, but it is known that both George Lucas, and his then wife Marcia were also heavily involved in putting the film together. Peter Suschitzky's photography is more conventional and low key in approach than A New Hope, but is particularly effective on the Dagobah scenes in Elstree Studios, and the location scenes in Norway.
ILM's visual effects were outstanding, and rightly won an Academy Award. The crew consisted of the following: Oscar winning A New Hope veteran Richard Edlund, working with British effects supervisor Brian Johnson (who had just won an Oscar for Alien), effects photographer Dennis Muren (who would become an award winning and digital effects pioneer for ILM for ET, Return of the Jedi, Indiana Jones and the Temple of Doom, Innerspace, The Abyss, T2 and Jurassic Park) and compositor Bruce Nicholson, who would go on to win an Oscar for his work on Raiders of the Lost Ark, and work on a wide variety of films in Hollywood. George Lucas took a strong interest and influence in the special effects and also has to take credit for some of the excellent sequences in the film, which also work because they help drive the story along.
Again, like a New Hope, sound work was first rate and Oscar winning. In most cases the sound has to be recorded in a studio and added many months after filming has been completed. Sound re-recordist Bill Varney would win another Oscar for Raiders of the Lost Ark. Steve Maslow and Gregg Landaker also worked as sound-recordists and are both prolific contributors to many high profile movies. They would also win Oscars for their work on Raiders and then some fourteen years later win again for their work on the Keanu Reeves hit movie Speed. Peter Sutton won for his on–set work and has a large body of work in film since this movie. Also credit has to go the Ben Burtt's sound design work, which creates a fabulous sound-scape for the film.
However, despite the above outstanding technical contributions, which serve to enhance and exciting and interesting story, it is composer John Williams who, yet again, takes this film to another level with another astounding musical score. Working with the director and producers, Williams develops and expands original themes. He creates a new and unforgettable theme for Darth Vader, with strong militaristic overtones, and clever themes for Leia and Han, and for Yoda. He weaves the score into the film expertly, giving moments of tension, excitement, thoughtfulness, mystery and tragedy with aplomb. The score feels more operatic than a New Hope, and helps cement this as one of the best adventure/fantasy films ever made.
Congratulations to Mr Lucas for delivering a remarkable sequel, but also to Gary Kurtz and Irvin Kershner for having the courage to push everyone out of their comfort zones so as to reach this level of excellence.
The plot moves quickly, from an interesting script by Leigh Bracket and Larry Kasdan, focusing on exploring two key relationships. The first is the relationship between Han Solo and Leia Organa, which is touched upon in a New Hope, but is fleshed out more in this film. The other is the more central relationship between Darth Vader and Luke Skywalker. This relationship is also linked in to the main supporting character in this film, Yoda, who is fantastically well realised by the film crew and performed brilliantly by Frank Oz. There are other characters, but whereas C3P0 and R2D2 were a central part of the story in the previous film, they are more on the sidelines.
What makes this film so great though is the involving and effective way the relationships operate within the broader story. The banter between Harrison Ford and Carrie Fisher is highly effective and amusing, operating through the classical love-hate relationship. One senses that Kershner, as a director of character driven films, worked very effectively with the actors and gave them the space to develop their characters which meant plenty of choices for the director in terms of their performances. The same goes for Mark Hamill's interaction with Yoda(Frank Oz). This is totally convincing and builds up the confrontation with Darth Vader very well. It was time well spent in getting these performances right. Kershner is very good at keeping the performance naturalistic, but reduces the level of broadness in the characters, making them more complex and interesting. Darth Vader benefits from this with scenes in the film that add to the mystique of the character. The confrontation with Luke Skywalker is riveting and dramatic and elevates the film above the level of its predecessor.
Technically the film is even more impressive than its predecessor. Credit has to go the Oscar nominated Art Direction team. John Barry, who had worked on the previous film, passed away during the production, but Norman Reynolds led the team superbly, with the excellent creations of Dagobah and Hoth, albeit Bespin in the original does feel a bit like a set, and the digital embellishments in the special edition were helpful in creating a bigger feel to those scenes. However, I was disappointed in the reworked scene with Palpatine in the special edition - while putting the excellent Ian McDiarmid was supporting continuity, to show him face on was, in my view an error and the reworked scene would have played much better with his face shrouded, or at the least partially obscured. The whole point of the scene was that the dialogue as strong enough without the need to ram an unsubtle visual at the audience.
Editing is excellent, led by Star Wars veteran Paul Hirsch, but it is known that both George Lucas, and his then wife Marcia were also heavily involved in putting the film together. Peter Suschitzky's photography is more conventional and low key in approach than A New Hope, but is particularly effective on the Dagobah scenes in Elstree Studios, and the location scenes in Norway.
ILM's visual effects were outstanding, and rightly won an Academy Award. The crew consisted of the following: Oscar winning A New Hope veteran Richard Edlund, working with British effects supervisor Brian Johnson (who had just won an Oscar for Alien), effects photographer Dennis Muren (who would become an award winning and digital effects pioneer for ILM for ET, Return of the Jedi, Indiana Jones and the Temple of Doom, Innerspace, The Abyss, T2 and Jurassic Park) and compositor Bruce Nicholson, who would go on to win an Oscar for his work on Raiders of the Lost Ark, and work on a wide variety of films in Hollywood. George Lucas took a strong interest and influence in the special effects and also has to take credit for some of the excellent sequences in the film, which also work because they help drive the story along.
Again, like a New Hope, sound work was first rate and Oscar winning. In most cases the sound has to be recorded in a studio and added many months after filming has been completed. Sound re-recordist Bill Varney would win another Oscar for Raiders of the Lost Ark. Steve Maslow and Gregg Landaker also worked as sound-recordists and are both prolific contributors to many high profile movies. They would also win Oscars for their work on Raiders and then some fourteen years later win again for their work on the Keanu Reeves hit movie Speed. Peter Sutton won for his on–set work and has a large body of work in film since this movie. Also credit has to go the Ben Burtt's sound design work, which creates a fabulous sound-scape for the film.
However, despite the above outstanding technical contributions, which serve to enhance and exciting and interesting story, it is composer John Williams who, yet again, takes this film to another level with another astounding musical score. Working with the director and producers, Williams develops and expands original themes. He creates a new and unforgettable theme for Darth Vader, with strong militaristic overtones, and clever themes for Leia and Han, and for Yoda. He weaves the score into the film expertly, giving moments of tension, excitement, thoughtfulness, mystery and tragedy with aplomb. The score feels more operatic than a New Hope, and helps cement this as one of the best adventure/fantasy films ever made.
Congratulations to Mr Lucas for delivering a remarkable sequel, but also to Gary Kurtz and Irvin Kershner for having the courage to push everyone out of their comfort zones so as to reach this level of excellence.
The Empire Strikes Back is the best film in the original Star Wars trilogy. It has all the great qualities that the original Star Wars has: great effects (at the time of its release), appealing characters, and lots of spellbinding action. It also has eliminated some of the problems that plagued the first: the storyline is tighter, and goes much deeper into character development. The performances are terrific, especially by Harrison Ford as Han Solo, and Billy Dee Williams as Lando Calrissian. George Lucas has also remembered to include a spellbinding battle sequence with the snowspeeder sequence near the beginning of the film. The conclusion, with a lightsaber duel between Darth Vader and Luke Skywalker, is truly one of the most suspenseful and dramatic scenes in the entire series. This is a truly wondrous film, and serves as a constant reminder that just because a movie is expensive and a blockbuster doesn't mean that it has to be shallow and two dimensional. This film will undoubtedly entertain viewers of all ages from start to finish.
My five children were all pre-teens when 'The Empire Strikes Back' came to the theater. While there had been other Sci-Fi movies with a theme of conflict in outer space, the 'Star Wars' trilogy filled our imaginations like no other movies before them. The fantastic, strange worlds were presented almost like we were there too. Aliens sitting around a tavern, enjoying drinks and speaking in all sorts of languages. Nothing before had approached the sheer size of the space ships depicted here, huge cities traveling all over the galaxy. And how about the jump to hyper speed, then disappearing from the screen as the speed exceeds light speed! And the light sabres of the Jedi Knights. The Jedi Knights, a striking parallel to the Japanese Samurai.
It is fruitless trying to argue 'which is best' in a trilogy, because the first one, in this case 'Star Wars', starts it all and has to be the 'father'. However, an argument can be made that 'The Empire Strikes Back' (now on DVD called Episode V) is overall a better-made movie which has more excitement, and grabs your imagination,than the other two original installments (now called parts IV and VI). The DVDs finally came out last month, and they are near perfect, as we should expect from Lucas Films and THX. The bit rate is high, and the picture is nothing short of superb. As is the Dolby EX surround track.
My wife and I watched all three of the movies on DVD this week -- Star Wars, Empire Strikes Back, and Return of the Jedi -- compliments of our local public library. It was an appropriate reminder how good these movies are, and still ahead of their time. Nothing else has been made to compare to them.
It is fruitless trying to argue 'which is best' in a trilogy, because the first one, in this case 'Star Wars', starts it all and has to be the 'father'. However, an argument can be made that 'The Empire Strikes Back' (now on DVD called Episode V) is overall a better-made movie which has more excitement, and grabs your imagination,than the other two original installments (now called parts IV and VI). The DVDs finally came out last month, and they are near perfect, as we should expect from Lucas Films and THX. The bit rate is high, and the picture is nothing short of superb. As is the Dolby EX surround track.
My wife and I watched all three of the movies on DVD this week -- Star Wars, Empire Strikes Back, and Return of the Jedi -- compliments of our local public library. It was an appropriate reminder how good these movies are, and still ahead of their time. Nothing else has been made to compare to them.
The Rebellion has struck an important blow to the power of the Empire by destroying it's Death Star, however the power of the Dark Side of the Force remains strong and continues to hunt the rebellion. While the Rebellion base on Hoth is under treat, Luke has gone to a distant swamp planet to receive further Jedi training from Master Yoda. However the power of the dark side should not be underestimated and many dark truths are revealed as the threat of the Empire looms large.
Following Star Wars was never going to be easy but this is actually better. Empire retains the same characters and the same sense of fun that the first had the battle on Hoth is just one of THE moments of the series. However what gets added to that is a much darker strand. The Empire is not beaten by the destruction of one ship it's power is barely dented in fact. This sees some startling revelations (I won't spoil it in case you've been living under a rock!) but also sees significant blows to the rebellion. In fact the ending of this film could not be more different from the end of Star Wars.
Like the recent episode two this follows two strands the more pedestrian scenes with Luke and Yoda and the more action based scenes with Han and company. The scenes with Yoda add depth to the film and hint at the truth. Meanwhile the other half is a lot more action orientated and has comedy and good new characters such as Bobba Fett. The two work well together and come together well for a great finale. The addition of a dark strand to the film makes it all the better as it can be enjoyed as a story and not just a fun sci-fi film with good effects.
The characters are better here than the first. The strong characters from the first (Han, C3P0 et al) are all still good here. However we also get a much more interesting version of Luke as he continues his journey into becoming a full Jedi. Yoda is a good addition (despite sounding like Fozzie Bear!) and Darth Vader becomes a lot more than just a good villain we learn his past, a revelation then, but a thing of common knowledge now.
Overall this is as good as Star Wars at it's heart, but the darker nature of the film makes it much better. Where the first one was a victorious uprising this is, as the title suggests, the time in history where the Empire strikes back against the uprising. All the music, characters and things that make Star Wars Star Wars are here and it's simply one of the best of the series to date.
Following Star Wars was never going to be easy but this is actually better. Empire retains the same characters and the same sense of fun that the first had the battle on Hoth is just one of THE moments of the series. However what gets added to that is a much darker strand. The Empire is not beaten by the destruction of one ship it's power is barely dented in fact. This sees some startling revelations (I won't spoil it in case you've been living under a rock!) but also sees significant blows to the rebellion. In fact the ending of this film could not be more different from the end of Star Wars.
Like the recent episode two this follows two strands the more pedestrian scenes with Luke and Yoda and the more action based scenes with Han and company. The scenes with Yoda add depth to the film and hint at the truth. Meanwhile the other half is a lot more action orientated and has comedy and good new characters such as Bobba Fett. The two work well together and come together well for a great finale. The addition of a dark strand to the film makes it all the better as it can be enjoyed as a story and not just a fun sci-fi film with good effects.
The characters are better here than the first. The strong characters from the first (Han, C3P0 et al) are all still good here. However we also get a much more interesting version of Luke as he continues his journey into becoming a full Jedi. Yoda is a good addition (despite sounding like Fozzie Bear!) and Darth Vader becomes a lot more than just a good villain we learn his past, a revelation then, but a thing of common knowledge now.
Overall this is as good as Star Wars at it's heart, but the darker nature of the film makes it much better. Where the first one was a victorious uprising this is, as the title suggests, the time in history where the Empire strikes back against the uprising. All the music, characters and things that make Star Wars Star Wars are here and it's simply one of the best of the series to date.
Every Star Wars Movie and Series, Ranked
Every Star Wars Movie and Series, Ranked
See how many stars IMDb users have given to these films and shows from a galaxy far, far away ...
Lo sapevi?
- QuizIn order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $30 million production himself, using a combination of his profits from Guerre stellari (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie's release. He then showed gratitude far beyond the Hollywood norm by sharing the profits with his employees (nearly $5 million in bonuses).
- BlooperVader kills Captain Needa for losing the Millenium Falcon. When two Imperial soldiers pick up his body to carry away, the corpse steps itself up.
- Curiosità sui creditiIn the alternate DVD version, the Emperor is still credited as being voiced by Clive Revill, despite his performance being replaced by Ian McDiarmid.
- Versioni alternativeThe 1995 THX remastered Pan and Scan VHS release of the 1980 theatrical version has one difference from all other pan and scan releases and the 1992 and 1995 widescreen releases of the same. At the end of the film, the scene simply cuts away to the end credits. All other versions use a wipe to cut away to the end credits.
- ConnessioniEdited into SP FX: Special Effects - The Empire Strikes Back (1980)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Guerre stellari - L'Impero colpisce ancora
- Luoghi delle riprese
- Hardangerjøkulen Glacier, Finse, Norvegia(exterior Hoth scenes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 292.753.960 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.910.483 USD
- 25 mag 1980
- Lordo in tutto il mondo
- 550.016.086 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Proporzioni
- 2.39 : 1
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