Il bambino e il grande cacciatore

"Cute" he may have been, but Rick(y) Schroder -- before puberty -- was one of filmdom's most sensitive and skillful child performers. And William Holden, far from being one to "add to" a list of modern man-and-boy bonding stories, in this 1980 film virtually founded the category.

I've seen this excellent film three times -- always on late-nite TV. Leonard Maltin gives it two-and-a-half stars: "OK family drama." Yet, over half of its IMDB viewers rated it a 10. Why on earth hasn't it received wider public acclaim??!

At 62 (this was his next-to-last film), Holden looks like he really is terminally ill. The cockles of his heart never are warmed to the kid (that we can see, anyway).

He's bone-weary, making his painful way to the ruins of his long-deserted family home to die, But this squalling, spoiled, self-centered kid is stranded. The man would like to ignore him, but the boy's obvious vulnerability won't let him. And as his strength fails, he could use some help himself.

So they make their way, conjointly, to his dying-place. And on the way, he tries to teach the boy how to survive in the wilderness -- for the child will soon be utterly alone -- and reach civilization.

How and what he teaches him is fascinating -- both practical and subtle. He plunges the city-bred boy from pampered narcissism to basic verities and respect for life and Life. In turn, the child's unevadable need forces this bitter, used-up man to dredge up his humanity and, with his last energy, give it out; to do the right thing.

Both of them change and grow. And it's quietly beautiful. In a sense, this is a coming-of-age film with no age boundaries. Maybe it's a "coming-into-humanity" film. See it. And grasp again (or for the first time) the dignity and beauty that humanness can be.

Most people I talk to perceive this as a bad or downbeat movie. And, yes I concur that it has a very sobering but uplifting point to make. I was 14 years old when I first saw this movie and I found it to be very telling. Most people can't seem to take care of themselves by the time they're in their late 20's, but here is a kid who through a very strict but realistic mentor not only learns to take care of himself, but to be totally responsible for himself. I find it quite refreshing to see a movie, or any other popular culture, advocating that young people not only can but should accept responsibility for themselves and their actions. We, as a culture, tend to treat all kids under the age of 18 as if they can't possibly understand or be responsible for the actions. Very sad! This story tries to shatter that image, and in my opinion, does a wonderful job at it while telling a tale that if focused on correctly can be a great inspiration to a young person today.

This is an "idea" film with a plot. It is deeply existentialist, and tries to drive home the point that we are alive and that this is beyond miraculous, that we must each make our way in this cold universe, ultimately dependent upon no one else. Through life is is hard, and we face death at the end, the struggle to survive is also deeply satisfying.

Holden's character Patrick Foley passes these concepts onto the boy played by Schroeder. The photography is magnificent; the acting is good. The script is incredible. A truly underrated movie.

The Earthling is the last film of director Peter Collinson and he was actually in the last stages of terminal cancer during the production of this film. It is also the penultimate film of the great William Holden, and he's quite enjoyable to watch as a hugely insensitive, selfish and hard-to-please old man.

In a story that mirrors the real-life illness of Collinson, an old American returns to his boyhood home in the Australian outback. He has been diagnosed with cancer and has decided to see out his final days in his favourite place. However, the trek to his old family home is a long and arduous one, deep into the outback. En route, he happens upon a young boy whose family have been killed in a horrific camper van accident. Initially annoyed to be lumbered with the boy (Schroeder), the old man eventually teaches him the art of survival in the wilderness and actually grows to love him.

This strange outdoor adventure film feels like it was originally conceived as a family production. However, somewhere along the line it became tougher than that. Perhaps Collinson had directed too many violent thrillers (The Sellout, Open Season, The Penthouse) to judge the tone needed for a family film. Perhaps his imminent death had made him cynical and bitter. Either way, the cruel attitude evident in Collinson's direction - via Holden's character - lends the film a highly unusual element of grittiness. Some critics feel that the film suffers as a result, but I disagree. The film suffers from an over-reliance on wldlife shots and occasional dull stretches, but not because of the tough edge of its main character. The Earthling isn't great, but it's certainly interesting enough to be worth a viewing or two.

This was on ShowTime or HBO a number of times in the early 80s when I saw it and whenever it was on I would stop down to watch it. Little Ricky Schroder is excellent at a young age and counters William Holden's maturity for an interesting balance of young and old. I'm not sure why the rating shows a 5.6 since over 60% of the votes for this film were over a 7 and the majority voted a 10. It is definitely worth a watch if you're a Holden fan like I am. While the premise seems unrealistic at first as we go through the movie we find there is much more to this than expected. I liked this movie for the outdoor scenery and the beautiful backwoods areas of Australia. If you get a chance to see this film, please do.