Delusion

"Delusion" is a slasher film...and I rarely choose this sort of movie to watch. It's not totally mindless, keeps you guessing and isn't altogether awful!

When the film begins, Meredith (Patricia Pearcy) arrives at a mansion to become the new nurse for an elderly invalid (Joseph Cotten). The job seems pretty easy and she fits in well. However, when the old man's weird grandson arrives, things start dying...starting with the family dog but not stopping there! Who's behind all this...and are the confusing plot elements going to make sense by the end of the picture?

The film suffers a bit from Pearcy's zombie-like performance during much of the film. It also occasionally makes little sense...such as why the police aren't more alarmed with all these deaths. But it does offer plenty of false leads, dead ends and twists and so if you like this sort of film, it will fit the bill. I respect what they did with this picture, though I wasn't especially thrilled with seeing it.

An attractive nurse named Meredith moves to the Langrock estate to take care of her patient:a crippled old man.She falls in love with sixteen year old grandson of Langrock named Gabriel,who returned from some kind of desert commune.A series of brutal murders in the gloom of the night is set in motion...Slow-moving but well-made and competent psycho slasher that often drags.The death scenes mostly involve head bashings and are pretty bloodless.I liked the main performance of Patricia Pearcy as I remembered her from Jeff Lieberman's "Squirm"."Delusion" is worth checking out for completists of 80's US independent horror.6 out of 10.

Trying to find love and comfort isn't always easy. When this nurse goes to a house to take care of a crippled old man, the house of joy turns into a house of pain and death! The old man and his servant hired a nurse to help him out. He's been living in pain. Being paralyzed waist-down, has a son who is psychologically disturbed, has a grandson who lost his parents in a accident. What more can you say? What's worse is when the people living in the house started getting killed all of a sudden. Even the nurse has a tragedy of her own. She writes to her mother about her job and how things are going. However, it turns out that her mother died giving birth to her, and was sexually abused by her father. This movie has a lot of twists and turns. Not boring. It's a cult classic by my book. A must see. 2.5 out of 5 stars

Slow-moving and pseudo-intellectual horror/thriller that never at one point measures up to its glorious title – the alternate VHS box title that is – "The House Where Death Lives". I honestly hesitated to stop watching the film several times during the first half hour already because it's so boring and absolutely nothing indicates that it might get better anytime soon. The story handles about a young and attractive nurse who moves into the mansion of a wealthy but crippled elderly man (one of the final roles of horror legend Joseph Cotton of "Baron Blood" and "The Abominable Dr. Phibes") to look after him. The man recently lost his son and unwillingly obtained custody over his estranged 16-year-old suspiciously behaving grandson Gabriel. Then there's also three other servants living in the mansion and one mentally unbalanced son that lives locked away in a remote bedroom. One giant big happy family, in other words! The mishmash of personalities soon causes tensions in the house and people start turning up dead. Seriously, the title ought to be changed to "The house where you are bored to death" or something, as this is really one of the most uninteresting and substantially void horror movies I've seen in my entire life. The nurse character is dull and damp (even her sexual hallucinations are tedious) whilst all the other characters are plain and simply irritating. You possibly can't bring yourself to feel sympathy for any of them and you actually just hope they all die quick and gruesomely. There's not a trace of suspense, the supposedly ingenious twist-ending is hugely derivative and the murders are uninspired and bloodless. Bloodless, damned! What's the point of an early 80's horror movie when the set up is dull and the deaths are gore-free? I've seen episodes of my mother's daily soap opera that were more exciting than this turkey. One to avoid at all costs, unless of course you suffers from a bad case of insomnia. Where all medication fails, this movie is guaranteed to put you asleep.

My review was written in February 1984 after a screening at 42nd St. Times Square theater.

"The House Where Death Lives" is a painfully slow-paced and old-fashioned gothic horror film, made in 1980 and originally titled "Delusion". Once-planned for release by the since-defunct The International Picture Show Co., picture has had territorial release over the past two years via Gotham-based New American Films as well as pay-tv exposure, ahead of its current Manhattan debut.

Trite tale unfolds in flashback (bookended by the heroine writing this story to her dad), concerning a young man, introverted nurse Meredith (Patricia Pearcy) arriving at a mansion to take care of crippled Ivar Langrock (Joseph Cotten). Another newcomer to the Fairlawn estate is Gabriel (John Dukakis), Langrock's suspicious-looking 16-year-old grandson who has been living in a commune.

Overly expository opening reels introduce (with a straight face) many cliches of the gothic format: a face seen at an upstairs window of a room that is always kept locked, a heroine prone to wandering inquisitively about the house and grounds, etc. One b one, cast members are dispatched by a sudden bonk on the head from a blunt instrument (it turns out to be a leg from a table) until the final reel reveals who the crazy is. Wedged into the package for the umpteenth time is a case of incest as a long-ago incident and plot motivator.

Director Alan Beattie fails to generate suspense or atmosphere in a picture that remains low-key even during violent scenes. Acting is more than competent, with red-headed, fair-complexioned Patricia Pearcy making a distinctive impression in the rather limited central role and Cotten (in his most recent screen appearance) thoroughly professional in support. Despite its release title linking the film with the overworked "blame it on the house" horror genre, pic's locale is neutrally plain and there are no supernatural overtones.