Brubaker

It's odd that whenever talk of Prison base films crops up you rarely see Brubaker mentioned as a viable piece of work, which to me personally is a damn shame because it's origin source provides a worthy story to be involved in.

Based on the writings of Tom Murton, a Prison Farm Reform Warden in Arkansas in the late 60s, the corruption and murder the film deals with is a very frightening reality, and although this film is obviously fictionalised to a degree, the evidence of the main themes can be found from many sources.

Robert Redford plays the title character who chooses to go into the prison farm as a convict to see at first hand how the Farm is run, what he sees shocks him to the core, which in turn rightly shocks the viewer as well. After learning all he needs to, he comes forward to take control of the Farm and tries to put an end to the torture, corruption and dank depression that is rife at the Farm. He has to deal with many obstacles along the way, and it's the strength of the man that has the viewer firmly onside all through the film.

The acting is emotionally spot on, the title role calls for a cool persona to not get flustered when faced with mounting resistance, and Redford delivers in spades. The main supporting cast of Yaphet Kotto, David Keith, Morgan Freeman, and Jane Alexander do very good work (believable), whilst the direction from Stuart Rosenberg ("Cool Hand Luke") is paced to perfection. The story is grimy and gnaws away at you, and then we get the ending that frustrates as much as it lifts the spirit, this is in my opinion a criminally undervalued piece of work. 8/10

My belated two cents worth: The movie is based on the book, "Accomplises to the Crime: The Arkansas Prison Scandal," by Tom Murton. Tom was my roommate at Oklahoma A&M (now OK State U). I have discussed the film with Tom and read official State Police reports of the information on which the story dwells. The first few minutes when Robert Redford goes into the prison incognito was a device to inform the audience of conditions. The remainder of the film is factual, although embellished at points for audience interest. Redford did an outstanding performance representing Murton. At times I could almost believe that it was Murton standing there! Murton was advised by Governor Rockefeller that he had 48 hours to leave Arkansas or be charged with grave robbing. Official reason: lack of qualifications. How much does it take to qualify? Murton got a BS in Agriculture at A&M, and a Dr of Criminology at U Cal, Berkeley, was a Dept Marshal and had 20 years experience in corrections. Murton kept his sense of humor, keeping count of applications declined (he was "too controversial") for similar work (43 at last count), and remarked that one day another system would be so corrupt to demand his services. He died after teaching at Southern Illinois, U of Hawaii, and even his alma mater in Oklahoma. Waste of talent of a brilliant penologist.

This almost forgotten film should be analyzed today after its unexpected and unimagined possibility of an alternate reality that wasn't a complete fabrication. The story of a prison warden who wants to change everything that's wrong in the prison system of his state really happened. "Brubaker" focus on a challenge to a corrupt system that on the surface seems to be doing its service of punishing convicted criminals but also is a vile and dirty business whose purpose is to profit above all costs.

The lead character, played by an unusual and remarkable Robert Redford, is introduced to us as a prisoner who barely speaks but observers everything concerning how inmates are treated by the guards, how the machine works behind bars and the constant brutality of the place. The plot twist to everyone is when he presents himself as the new warden and he sets up a whole reformation on the place, condemning what's wrong and doing what he believes it's right. There's plenty of benefits for the prisoners but the guards and the businessman who always gained advantages with the old administration aren't happy about this, and that misery and dissatisfaction goes back to the people who hired him, the governor and his staff who now pressure the man to go easy with his work. After all, they are losing a lot of money obtained with frauds and illegal schemes. One man alone means nothing so Brubaker is helped by some inmates and a local authority (Jane Alexander) who is close to the state governor, and will try to convince everyone that Brubaker's idealism if put to work can be profitable for everyone involved.

Brubaker's idea isn't just to denounce the illegal affairs of the state and make budget cuts. He's more concerned with the way convicted felons are treated, want to stop their exploitation and make the place a safe environment instead of the critical animal factories that don't punish anyone but is only useful to transform them into bigger monsters whose only fate is either death, or commit more violent crimes or to return to the animal factory again. Sure, this idea is good and valuable but not practical. In the film's case, it fails because one can't change a system unless if one being part of it; Brubaker made the terrible mistake of not firing the whole officials team, and those guys still managed to cause harm and work their way behind his back; and the people with the money will always speak higher.

Such idealism wouldn't work today, that's sure but it could worth a shot, specially in countries where the private initiative isn't the option (because politics are having their big time with a failing system that pays them well). Today's criminal minds are far more worse than the ones from the 1980's when this was made and they probably wouldn't leave a place where they could feel as if being on a hotel, practically with the cell keys on their hands, dictating orders like Pablo Escobar did in his "prison" time. But it can be made. And that final image of accomplish given here says everything even though things didn't turned the way it could.

The film has a fine progression and it's greatly well acted by Alexander, Redford and heightened by convincing performances from trustworthy character actors Everett McGill, David Keith, Yaphet Kotto, Matt Clark, M. Emmet Walsh, Murray Hamilton and a young Morgan Freeman. "Brubaker" has that rare quality of being dreamy, that enlightening power some movies have in our reality and we want to believe of making a dream possible. To change the world. 8/10

Brubaker (Robert Redford) as a messiah-type, seemingly on the fringe of municipal importance, takes up the job of Warden at a Southern state penal farm and decides to see the extent of what he is up against by entering in disguise as just another inmate, with no privileges. He feels that to absorb the experience from the inside looking out is preferable to relying on preconceptions. He is right as the thrust of the film would have otherwise been lost and the overall plot (simple though it is) is stronger for the fact that Brubaker has 'been there'.

He manages to carve a bond with a few prisoners before he modestly reveals his true identity and, through a series of well acted confrontations, he begins to make the prison machine tick over nicely. In the final analysis his efforts are not totally successful, but the film does reflect change and at least the viewer can agree that he seized the chance to make a difference.

The film is possibly a bit too long and the principal character is under-developed. 'Brubaker' was apparently a rather mournful, strained film to work on and the original director, Bob Rafelson, was sacked for smacking Ron Silverman (producer) in the nose during an early on-set argument.

However, I think it is well acted and very absorbing to watch. I particularly enjoyed the scene where Brubaker gets his staff to release a few long term solitary confinements, stating that before they do so, the requisite pairs of sunglasses should be given to them as they come out of complete darkness for the first time in ages - the staff think Brubaker is crazy: of course, they cannot see that this is all about building trust. The master plan is therefore to get the inmates on board and allow the trustees to follow. Nice theory, not so nice to put into practice as he is up against a rancid, but self policing establishment from day one.

Watch out for Wilford Brimley as "Rogers" - a later teaming up with Redford took place in the outstanding "The Natural", with Brimley starring in a major role as the jaundiced, downtrodden, Pop Fisher.

BRUBAKER is my kind of movie; grim, realistic, stimulating and a story based around a great struggle between right and wrong. Robert Redford plays Brubaker (based on the real life story of one Thomas Murton of Arkansas, not to be confused with Thomas Merton, the poet) who tries to bring decency to an Arkansas prison that is corrupt from top to bottom. There are rotten scoundrels among the prisoners and some decent men as well. What is worse, Brubaker has to fight a State bureaucracy full of characters who are even more slimy and despicable than the worst of the prisoners. Along with basic reforms, he is out to uncover a series of murders, prisoners who were murdered and secretly buried. He is really up against it and its tough not to get emotionally involved. The writing and acting is more than ok. Redford is very good in spite of being a little too pretty for the rugged guy part. He's the only one in the movie with the 300-dollar blow dry haircut. This reminds me of the movie MARIE, another flick about a single warrior battling a corrupt state system. The Grape Nuts Guy (W Brimley) and the guy who played Mrs. Robinson's husband (M Hamilton)put in a good performance as despicable bureaucrats. Very little background music is another mature plus.

A good, feel-bad movie; and as a Bostonian, it's hard to hate a film that has a character in it named Fenway Park.