Brubaker

It's odd that whenever talk of Prison base films crops up you rarely see Brubaker mentioned as a viable piece of work, which to me personally is a damn shame because it's origin source provides a worthy story to be involved in.

Based on the writings of Tom Murton, a Prison Farm Reform Warden in Arkansas in the late 60s, the corruption and murder the film deals with is a very frightening reality, and although this film is obviously fictionalised to a degree, the evidence of the main themes can be found from many sources.

Robert Redford plays the title character who chooses to go into the prison farm as a convict to see at first hand how the Farm is run, what he sees shocks him to the core, which in turn rightly shocks the viewer as well. After learning all he needs to, he comes forward to take control of the Farm and tries to put an end to the torture, corruption and dank depression that is rife at the Farm. He has to deal with many obstacles along the way, and it's the strength of the man that has the viewer firmly onside all through the film.

The acting is emotionally spot on, the title role calls for a cool persona to not get flustered when faced with mounting resistance, and Redford delivers in spades. The main supporting cast of Yaphet Kotto, David Keith, Morgan Freeman, and Jane Alexander do very good work (believable), whilst the direction from Stuart Rosenberg ("Cool Hand Luke") is paced to perfection. The story is grimy and gnaws away at you, and then we get the ending that frustrates as much as it lifts the spirit, this is in my opinion a criminally undervalued piece of work. 8/10

Brubaker (Robert Redford) as a messiah-type, seemingly on the fringe of municipal importance, takes up the job of Warden at a Southern state penal farm and decides to see the extent of what he is up against by entering in disguise as just another inmate, with no privileges. He feels that to absorb the experience from the inside looking out is preferable to relying on preconceptions. He is right as the thrust of the film would have otherwise been lost and the overall plot (simple though it is) is stronger for the fact that Brubaker has 'been there'.

He manages to carve a bond with a few prisoners before he modestly reveals his true identity and, through a series of well acted confrontations, he begins to make the prison machine tick over nicely. In the final analysis his efforts are not totally successful, but the film does reflect change and at least the viewer can agree that he seized the chance to make a difference.

The film is possibly a bit too long and the principal character is under-developed. 'Brubaker' was apparently a rather mournful, strained film to work on and the original director, Bob Rafelson, was sacked for smacking Ron Silverman (producer) in the nose during an early on-set argument.

However, I think it is well acted and very absorbing to watch. I particularly enjoyed the scene where Brubaker gets his staff to release a few long term solitary confinements, stating that before they do so, the requisite pairs of sunglasses should be given to them as they come out of complete darkness for the first time in ages - the staff think Brubaker is crazy: of course, they cannot see that this is all about building trust. The master plan is therefore to get the inmates on board and allow the trustees to follow. Nice theory, not so nice to put into practice as he is up against a rancid, but self policing establishment from day one.

Watch out for Wilford Brimley as "Rogers" - a later teaming up with Redford took place in the outstanding "The Natural", with Brimley starring in a major role as the jaundiced, downtrodden, Pop Fisher.

Though Shawshank Redemption has gotten the critical raves and the box office receipts that could make it the best prison story ever filmed, my personal choice for the best film ever done about the penal system is Brubaker.

Based on the true life experiences of Thomas Murton, the co-author of the book the film is based on, Brubaker captures the realities of prison life, the complexities of trying to "reform" the system without sacrificing one iota of entertainment.

Robert Redford leads a great ensemble cast in this film. The people here are real, dealing with complex issues for which there are no simple answers. The corruption of the penal system runs deep and helped in part by the prisoners themselves who don't want to see too much change at once or have a vested interest in seeing things run just as they are. Yaphetto Kotto and Tim McIntire are two such prison trustees, both of them showing very different reasons why they don't like some or all of what Redford is doing as warden.

Among the supporting cast, I'd like to single out David Keith who was the best as the prisoner whose life Brubaker saves and ultimately becomes his biggest booster in the joint. A really outstanding job by David Keith as this simple country kid who just got caught up in "the system."

Rare you can say a film is informative as well as entertaining, but Brubaker definitely fits in both categories.

This was a well put together film for the period in which it was done in the late 70's. Redford who has always been a social reformer placed an emphasis on communicating the dedication of the Brubaker character in this role.

If you happen to live in the Deep South where prison farms have used convicts as virtual slave labor for years, you can appreciate the story

as well as the attitudes of the government and local officials who are portrayed. If you are not from that kind of background, then it is a revelation for you.

This film is a portrayal of the attempt at prison reform in Arkansas undertaken by Thomas Murton. In the process Murton discovered untold corruption and evidence of multiple murders by previous prison administrations. When he attempted to bring this to light he was threatened with charges of grave robbery.

I would heartily recommend this film. It is one of a kind.

My belated two cents worth: The movie is based on the book, "Accomplises to the Crime: The Arkansas Prison Scandal," by Tom Murton. Tom was my roommate at Oklahoma A&M (now OK State U). I have discussed the film with Tom and read official State Police reports of the information on which the story dwells. The first few minutes when Robert Redford goes into the prison incognito was a device to inform the audience of conditions. The remainder of the film is factual, although embellished at points for audience interest. Redford did an outstanding performance representing Murton. At times I could almost believe that it was Murton standing there! Murton was advised by Governor Rockefeller that he had 48 hours to leave Arkansas or be charged with grave robbing. Official reason: lack of qualifications. How much does it take to qualify? Murton got a BS in Agriculture at A&M, and a Dr of Criminology at U Cal, Berkeley, was a Dept Marshal and had 20 years experience in corrections. Murton kept his sense of humor, keeping count of applications declined (he was "too controversial") for similar work (43 at last count), and remarked that one day another system would be so corrupt to demand his services. He died after teaching at Southern Illinois, U of Hawaii, and even his alma mater in Oklahoma. Waste of talent of a brilliant penologist.