Un oscuro segreto sta per riemergere, mentre un prete indaga su un caso di omicidio e attività paranormale in un convento. È questo il lavoro del diavolo, o è questo mistero ciò che Madre Su... Leggi tuttoUn oscuro segreto sta per riemergere, mentre un prete indaga su un caso di omicidio e attività paranormale in un convento. È questo il lavoro del diavolo, o è questo mistero ciò che Madre Superiora vuole che tutti credano?Un oscuro segreto sta per riemergere, mentre un prete indaga su un caso di omicidio e attività paranormale in un convento. È questo il lavoro del diavolo, o è questo mistero ciò che Madre Superiora vuole che tutti credano?
- Regia
- Sceneggiatura
- Star
- Sister Rosaria
- (as Susan Forget)
- Boris
- (as Frank Garfeeld)
- Catatonic Nun
- (as Sandy Samuel)
- Father Inardo
- (as Andrew Ray)
- Nun
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- Nun
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- The Bishop
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- Newborn Elisa
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- Sister Fiorenza
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- Priest
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- Creepy Nun
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- Nun
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Recensioni in evidenza
The evil Mother Vincenza (Franca Stoppi) provides the best performance despite the outrageous lines given to her.
Father Valerio (Carlo De Mejo) is called in to investigate several murders that are reportedly the work of Satan. One suspects, along with the good father, that there is a psychopath lose in the convent. The answer may lie in the middle of both explanations.
Exciting pieces with long periods of nothing in between. For serious fans of Italian horror, it will be a treat, but for others, it may not be so good.
Great music throughout.
Indeed, the devil is loose in the convent, causing madness and bloody murder to reign.
Director Bruno Mattei fills his movie with gore and macabre trappings bathed in red and green light. If Bava or Argento had made this sort of movie, it would probably look a lot like this.
Far more serious and grim than most such epics, this movie plays up the horror aspects as much as the exploitative. Dreadful images and set pieces help to conjure up a bleak atmosphere of doom. Yes, nuns do go wild, but in a demonic frenzy, as opposed to the usual lustful abandon.
Religious symbols are used to great effect, adding the perfect backdrop for the satanic assault. Animals are also employed, along with hideous imagery. Watch for the cat, the owl, the bat, and the faceless nun. Never has a nunnery been more terrifying!
To be fair, this movie has its share of clunky moments, but it still works as one of the best examples of its sub-genre.
A wickedly good time...
Weird, seemingly supernatural events plague a convent, and priest Carlo De Mejo tries to figure it all out. The perverse proceedings start off interestingly, with a nutty nun carving out the uterus of one of her sisters, ranting maniacally about how "the genitals are the doorway to EVIL!" (The first, but thankfully not last, instance of hilarious "shock" dialogue.) This is a Big Moment; the movie contains a number of Big Moments strung together by indifferent, uneventful stretches in which people argue, a creepy gardener lurks about, etc. Often possessing little regard for style or visual creativity, the film ping-pongs between effectiveness and boredom; the high points are memorably bizarre and demented, while the lows will make you seriously consider a nap.
The makeup effects range from good (a nun breaking out with stigmata) to atrocious (burn scars resembling plastic vomit). The photography is overly dark and burdened even further with bad color (everything is given a sickly yellow cast, as if they forgot to clean the camera lens). De Mejo isn't very interesting, but Franca Stoppi is marvelously over the top as bitchy Mother Vincenzia. Along the course of the story, elements from a number of more successful films--Carrie, The Exorcist, Rosemary's Baby, Suspiria--are lifted and tossed into the cauldron. On the subject of Suspiria, the one truly high-quality aspect of The Other Hell is Goblin's pounding electronic score.
Indeed, this movie is not going to win any prizes, but trashfiends will probably get a kick out of it despite the flaws. If you find naughty nun sinema to be your garbage of choice, this may be the dumpster for you.
Lo sapevi?
- QuizAccording to director Bruno Mattei, the convent the movie was shot in (the "Convento di Santa Priscilla" in Rome) was back then owned by FIAT, but belongs now to the Secret Service.
- Citazioni
Mother Vincenza: The genitals are the door to evil! The vagina, the uterus, the womb; the labyrinth that leads to hell; the devil's tools!
- Versioni alternativeUK cinema and video versions were cut by 19 secs by the BBFC to edit a scene of a woman removing a dead nun's genitals and a closeup of a knife being twisted into a stab wound.
- ConnessioniFeatured in The Omega Woman (2017)
- Colonne sonoreDottor Frankenstein
Written by Massimo Morante (as Morante), Claudio Simonetti (as Simonetti), Fabio Pignatelli (as Pignatelli), Maurizio Guarini (as Guarini)
Based on LP "Roller"
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Dettagli
- Tempo di esecuzione
- 1h 28min(88 min)
- Mix di suoni
- Proporzioni
- 1.66 : 1